Money Monster - L'altra faccia del denaro

In Money Monster, George Clooney plays a TV presenter who is taken hostage live on camera by a desperate young man played by the brilliant Jack O'Connell. I really enjoyed this film; finding it thrilling and well paced throughout. However, it falls short of being completely satisfying.

Six months ago, The Big Short - a far superior film - attempted to tackle the full complexity of the 2008 financial crisis and its causes and did so in a way that was both enlightening and entertaining. Money Monster is more like Phone Booth. In this movie the credit crunch is merely the setting for a tense thrill ride; which is OK except it feels like it's aiming to be more substantial.

I've heard Jodie Foster, the director, say that the seventies will always be her favourite era because movies took such risks back then. Her key influences here are clearly Network and Dog Day Afternoon. Perhaps this is the problem. It feels like a 1970s style take on a 21st Century issue. Thanks in part to other recent movies we already have a more sophisticated appreciation of the reality of the financial sector.

But I still really enjoyed Money Monster. George Clooney strikes the right balance as the likable scoundrel who just needs a gun to the head in order to realise how far down the wrong path he has travelled. And Jack O'Connell is probably my favourite actor of this decade. Just as he did in Starred Up or Eden Lake, this young man threatens to break though the screen and grab hold of you. Electrifying.

In the end I see this film as a fable and a romp. It is lots of fun. The ending just seemed a bit Hollywood. If you want to see a film that explores the impact that the financial crisis had on regular people I highly recommend the underrated 99 Homes.

An interesting movie dealing with extreme critique to TV networks with a great cast giving tour-de-force interpretations. Concerning a successul financial TV host named Lee Gates (George Clooney) and his hard-working producer, Patty (Julia Roberts), are put in a thorny situation when an irate investor (Jack O'Connell) who has lost everything takes them and their crew as hostage . During a tense standoff broadcast to millions on live TV, Lee and Patty must work furiously against the clock to unravel the mystery behind a conspiracy at the heart of today's fast-paced and twisted global economy . The captor soon forces the pair to probe a set-up involving the high-tech international markets. The presenter and his kidnapper at the edge of a mental breakdown turn into a celebrities while the program is TV broadcasting and boosts the ratings to such an extent amplitude . Not every conspiracy is a theory. Answer or die. On the air. Out of time. Who's in control ? . Follow The Money. Anyone who can get out, get out right now.

A scathing indictment of the TV industry and its propensily towards ambition , self-prostitution and real critique to corruption of the high-tech global markets . In the real-time, high stakes thriller Money Monster, George Clooney and Julia Roberts star as successful TV presenter Lee Gates and his producer Patty, who are put in an extreme situation when an irate investor forcefully takes over their studio then resulting in paranoia , violence and some unpredictable results. Black satire taking a savage, cruel bite at the American television , its anchormen, the shares that rule the executives who work in it and the powerful international companies what take advantage of modest shareholders . Thought-provoking and ironical script that takes ideas from the prestigious Paddy Chayefsky' s Network. The individual roles are startling well drawn and the interpretation is magnificent. George Clooney is excellent as an excessive and vociferous Television newcaster , though he gives overacting while announces ups and downs at the stock exchange ratings , providing a strident interpretation that threatens to overbalance the movie , at times . While Julia Roberts displays a sober acting as the ambitious executive who will stop at nothing to triumph . Remaining secondary cast is very good such as Dominic West , Giancarlo Esposito, Christopher Denham , Lenny Venito , Chris Bauer, Dennis Boutsikaris , and special mention for the attractive Caitríona Balfe as Diane Lester.

It contains an adequate and colorful cinematography by Matthew Libatique , as well as atmospheric musical score by composer Dominic Lewis . The motion picture was magnetically directed by Jodie Foster , providing a lavishly mounted vehicle for three great actors George Clooney , Julia Roberts and Jack O'Connell . Actress/director Jodie Foster has a long career that spans over forty years . Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in Accused (1988) and the second one for her performance as Clarice Starling in The silence of the lambs (1991). Jodie has directed some films with success enough , such as : The Beaver , Home for holidays , Little Tate , and some episodes from known TV series : House of Cards , Tales from the Darkside Stephen King's Golden Tales, Black Mirror , Orange Is the New Black and Tales from the Loop. Money Monster (2016) rating : 6.5/10 . Better than average , well worth watching . The flick will appeal to George Clooney and Jodie Foster fans.

Money Monster is financial crime thriller directed by Jodie Foster. It centers around Lee Gates (George Clooney) a financial reporter and Patty Fenn (Julia Roberts), his executive producer as they are in the midst of a hostage situation being run by Kyle Budwell (Jack O'Connell) as he attempts to get answers as to why 800 million dollars was lost by a financial company that Gates recommended everyone buy stock in.

Being that the majority of the film takes place in a secluded area with our three main characters, Jodie Foster does a great job making sure that the film never feels claustrophobic. Part of this is due to the performances of George Clooney and Jack O'Connell. The two of them spend the majority of the screen time together and they have great chemistry. It almost reminded me of the strange yet surprisingly believable chemistry between Bryan Cranston and Aaron Paul in Breaking Bad. Throughout the hour and forty minute run length, the two of these characters have extremely development that is represented extremely well by the two of their performances. They each portray a believable character as we see under each of their fake personalities and truly digest the fact that they are just regular people.

Throughout the entire film, my heart was pounding. The tension was extremely well written and directed as we are constantly worried that Budwell's thumb could slip at the slightest of moments. The movie doesn't just use one type of tension--it moves some scenes slow and other scenes are much more fast paced. But I can tell you this; throughout the whole film, I was on the edge of my seat, constantly waiting to see what would happen next. A lot of this is due to the well done pacing. The mix between humor, drama and tension made the film feel more realistic. When the movie went from drama to action based, it felt natural as opposed to being forced onto the audience for the sake of just having an action scene.

Now let's get into why this film isn't phenomenal. First of all, the sheer predictability of the film. From about 10 minutes in, I knew exactly how the movie was going to end. This did take away from the film for me, as there were times that I almost wasn't nervous for the characters as the big "twist" at the end could be seen coming from a mile away.

Julia Roberts was just okay in this movie. She didn't necessarily take away from the film, but she certainly didn't add to the quality of it with her performance. She felt somewhat bland at points and only had a couple of moments where she really came out to shine

The beginning 10 minutes was extremely rushed. An extra few minutes onto the film wouldn't have killed them. Instead, it probably would have helped them. Kyle is on the set within at least 5 minutes of the film and it would have been nice to have a little more introduction to Gates and to see a little more about the crash that happened with the market.

Overall, I really enjoyed the film. It held my attention and had believable pacing, but the predictability did take away a far bit for me.

7/10

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Lee Gates (George Clooney) is the brash, arrogant presenter of financial show the Money Monster, which offers advice on how best to invest your savings. Aided by his forthright producer Patty (Julia Roberts), he starts the day with a typically extroverted show-until an uninvited intruder named Kyle Budwell (Jack O'Connell) hijacks the show, and demands Gates be held to account for some bad advice he offered that resulted in Budwell losing all his money. As the hostage situation intensifies, the two men find the cause of both their problems may be events happening much further down the chain.

Jodie Foster steps back behind the camera for this timely tale, involving corporate greed and the fallout. Setting the themes of monetary hardship and retribution against the template of a standard real time thriller, of the type they used to make really well in the '90s, Money Monster has a fairly genuine air of suspense about it, and plays out in a manner you may not expect it to, although it's still fairly flawed as a film , and is certainly not as much in this vein as it could be.

It's all going rather swimmingly, playing out in a fairly standard, connect the dots manner from one hostage situation cliché to another, almost as if it's coming from the rule book for such films, but nonetheless keeping you on the seat edge wondering how it's going to play out. Then as there seems to be some resolution, it all goes pear shaped and descends into an overblown and fairly nonsensical final showdown with CEO Walt Camby (Dominic West) and his cohort Diane Lester (Caitriona Balfe) that loses it some credibility.

Performances wise, as the leading man, Clooney assumes the older statesman role, looking older and greyer than his heartthrob days, but gaining a little more conviction as a result. Meanwhile, as the protagonist, O'Connell manages a fairly good Queens accent and is a pleasing coy to Clooney. With a support cast of the likes of Roberts, West and Lester, you certainly have star power, and about the same script power too, until the end. ***

Considering this is a pretty intense movie about a desperate guy threatening to shoot and blow up people, this movie had moments of unexpected humour. The whole cinema was laughing at various points. Which was very cleverly done by director, Jodie Foster. The movie is well scripted and well acted. Clooney and Roberts clearly enjoy working together (just don't remind me of Ocean's 12). I agree with the other reviewer who said the movie should have just stopped with the return to the foosball table, and not gone for the schmaltzy hospital scene. Not the greatest movie of the year and not Oscar-worthy, but well worth the price of the movie ticket. Can't understand why it's only got a rating of 6.8 on IMDb.