VALUTAZIONE IMDb
4,8/10
1084
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen a single mother begins to experience symptoms of the stigmata, she seeks the help of a local priest and nun to help her understand what is seen and unseen.When a single mother begins to experience symptoms of the stigmata, she seeks the help of a local priest and nun to help her understand what is seen and unseen.When a single mother begins to experience symptoms of the stigmata, she seeks the help of a local priest and nun to help her understand what is seen and unseen.
Eva Ariel Binder
- Willow
- (voce)
Marta Kessler
- Young Madeline
- (as Marta Timofeeva-Rebetskaya)
Tom J. Benedict
- Young Father Joseph
- (as Toms Liepajnieks)
Victoria Sokolova
- Boat nun
- (non citato nei titoli originali)
Recensioni in evidenza
It had potential except that by the end I felt as if I wasted that viewing time. A slightly creative take on evil possession & exorcism, but for the most part same ol' same ol' female (almost always for some reason) - possessed; screams; looks, and at times, speaks demonically; floats a bit; tosses things about. The almost creative part is the inheritance of the possession. The downside, too many flashbacks & confusingly not clear what the background story is of her possession. Lighting was excessively dark, difficult to see for much of the film (I actually had to check my TV settings.). Positive: Good to see a film w/Latvian origins.
Atmospheric movie, great acting, good musical scores however not very well executed in terms of great story telling. There were many confusing moments, boring noir scenes, and dark depressing feeling of hopelessness, which I understand is the aim of the producers. However the confusingness of the whole ordeal left much to be desired.
There is a story in this film, its just that it is told over too long a period of time. This film could either be made shorter or had a better script. It's filmed in Latvia but could be filmed anywhere as all you see are some wooden buildings and the inside of a church. I wouldn't recommend it as there are far better horror films on Netflix.
Was really intrigued by the concept, one of the most promising concepts for any film seen recently. Likewise with the attention grabbing title. The cover was creepy. Although the rating is as of now low, decided not to take it to mean it was going to be bad despite a lot of films seen recently with low ratings actually being that bad. Due to that there are low-rated films that to me were decent.
Seeing 'Welcome to Mercy', it may not be a great film and could have done much more with its potential. 'Welcome to Mercy' doesn't completely squander this potential though and there are good, the best very good, assets to the film, so it's far from a bad watch and a long way from a must avoid. Instead one of those watchable if uneven film worth a view once but not one of those films that will hold up to repeat viewings. Personal opinion of course.
Lets start off with the good things. 'Welcome to Mercy' looks surprisingly good, would go as far to call it great. It is very slick and stylish, with photography that does not look amateurish despite not being made on a big budget, and very atmospherically lit, a creepy moodiness is effectively evoked. The sound has an eeriness and doesn't come over as over-bearing or obvious.
Atmosphere-wise, 'Welcome to Mercy' is quite effective quite a lot of the time. There is an unsettling vibe, tension and jolting creepiness that keeps one glued, the build ups not too foreseeable and parts did make me bite my nails and my palms sweat. The third act is where the film is strongest, with great atmosphere and kept me engaged and glued to the seat, capped off by an unexpected ending. The acting is better than average and even most cases quite good.
However, the pacing is rather dull to begin with, parts could have been tightened and less stretched and not everything felt necessary, and some of the middle act could have done with more clarity in explanations, not everything makes as much sense as ought.
Despite not having a problem with the acting, the characters are thinly sketched with vague motivations and there are decisions that don't always ring true. The script tends to be pretty weak in momentum and flow (needed to be tighter and more natural) and didn't seem complete.
Overall, watchable and not a film to avoid but could have been much more. 5/10 Bethany Cox
Seeing 'Welcome to Mercy', it may not be a great film and could have done much more with its potential. 'Welcome to Mercy' doesn't completely squander this potential though and there are good, the best very good, assets to the film, so it's far from a bad watch and a long way from a must avoid. Instead one of those watchable if uneven film worth a view once but not one of those films that will hold up to repeat viewings. Personal opinion of course.
Lets start off with the good things. 'Welcome to Mercy' looks surprisingly good, would go as far to call it great. It is very slick and stylish, with photography that does not look amateurish despite not being made on a big budget, and very atmospherically lit, a creepy moodiness is effectively evoked. The sound has an eeriness and doesn't come over as over-bearing or obvious.
Atmosphere-wise, 'Welcome to Mercy' is quite effective quite a lot of the time. There is an unsettling vibe, tension and jolting creepiness that keeps one glued, the build ups not too foreseeable and parts did make me bite my nails and my palms sweat. The third act is where the film is strongest, with great atmosphere and kept me engaged and glued to the seat, capped off by an unexpected ending. The acting is better than average and even most cases quite good.
However, the pacing is rather dull to begin with, parts could have been tightened and less stretched and not everything felt necessary, and some of the middle act could have done with more clarity in explanations, not everything makes as much sense as ought.
Despite not having a problem with the acting, the characters are thinly sketched with vague motivations and there are decisions that don't always ring true. The script tends to be pretty weak in momentum and flow (needed to be tighter and more natural) and didn't seem complete.
Overall, watchable and not a film to avoid but could have been much more. 5/10 Bethany Cox
Lo sapevi?
- QuizThe film premiered at TIFF in 2018.
- Colonne sonoreEzers
Written by Haralds Simanis
Performed by Haralds Simanis
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- How long is Welcome to Mercy?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Proporzioni
- 2.39:1
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