Le origini del male

"The Quiet Ones" focuses on a three students at the University of Oxford who join a research group led by Dr. Joseph Coupland (Jared Harris). The group is working to document parapsychological phenomenon in a young woman whom they believe has created and manifests a presence which she calls Evie. Isolated in the back country outside of Oxford, the group begins to unravel and secrets come to light.

I first off have to say that the primary reason I saw this film was because the poster was breathtaking— Gothic, beautiful, and unconventional. I wasn't even that impressed with the trailer, but the poster had some promise for me. Now, after seeing the film, I have mixed feelings.

It starts off well enough, and maintains a sense of ambiguity in its early stages, keeping the audience at arm's length; this is wonderful during the first act, but the problem is that it never seems to break free of this, even as the plot unravels and the truth comes out in the end— there is little surprise in the film because it never lets its audience in close enough to be affected by it. Clunky pacing and editing is largely the culprit here, which seems to prevent the film from ever really gaining steam. Instead, we are presented with a series of repetitious happenings that fail to build on one another, and the film edges on becoming an unmemorable blur as a consequence. The script feasts heavily on the staples of 21st century American horror films to its own detriment— we have possessed girls in white dresses, Satanic symbols, demons, religious cults, blah, blah, blah. You know the story.

That said, the film does have some strengths. The script is purportedly based on an actual experiment done in Toronto in the 1970s, so the film does have that working in its favor, no matter how ludicrous it is to take the events depicted at face value— the fact that there is at least a shred of truth to this is compelling in a world where every horror film released makes false claims of being based on reality. It is also remarkably well photographed; the interplay between the standard camera and the 8mm footage being filmed by the characters lends the picture a unique mood and sense of voyeurism, and the depictions of the experiments at times recall John Hough's British classic, "The Legend of Hell House." The performances in the film are also solid, with Jared Harris reeling everything in.

I think the overall problem I had with this film was, despite the fact that it roots itself in history as a period piece, the majority of it is just frankly underwhelming because it too often takes the route of 90% of the horror films we see released here in America every month. The premise is intriguing, but the execution leaves us with a relatively well-made film whose main problem is that is just isn't that darned compelling. 6/10.

I cut it off at 25 min...constantly having to adjust the volume. Loud as hell, characters whispering, loud as hell, characters whispering...SO ANNOYING

This isnt a bad movie. It just really irritates me when they purposely make the dialog barely audible so that you turn your tv up so you can follow the story. Then have all manner of loud noises to get cheap jump scares out of the audience. To me thats the biggest signal of a weak ass plot line or some other difficency the director or writers are trying to make up for. This movie is full of cheap jump scares with some real creepiness every so often.

A psychiatrist takes a team of people to a retreat with a mental health patient in order to help her. Part of the process is the conducting of a series of experiments which go terribly awry.

An initial struggle for me was how can a doctor be allowed to take a vulnerable patient away and use as a guinea pig; the ease with which it occurred, caused certain moral thrash. As the story moves on, certain inexplicable incidents occur with seem to trouble the entire team.

Of course these "incidents" have had to take place since this is after all a horror film. The events cause a certain split as the doctor in charge believes there is a naturalistic explanation behind it whilst some of the team hold the view that there is a transcendent reality beyond what we see, feel and understand.

On the whole, it is an effective horror film as the story progresses with good pace, upping the intensity with the passing of time. It is held back by a rather sense of predictability due to a highly worked story/theme (night/dark/silence interrupted by a sudden noisy intervention) and a not very believable initiating incident (the taking of a patient away for experimentation).

The Quiet Ones is a new British horror movie from the makers of The Woman in Black. Produced by the classic crafters of horror, Hammer Productions, the film follows an Oxford professor (Jared Harris), his tutees and a student cameraman (Sam Claflin) as they attempt to both prove and document the theory that supernatural powers are simply a manifestation of psychological trauma. They begin studying a young girl who believes she is possessed by an evil entity, and a strange relationship begins to develop between her and cameraman Brian as the professor's attempts to create a poltergeist take their toll.

In an era where endless Paranormal Activity sequels, squeezing every buck out of the found-footage genre and reliance purely on cattle-prod jump scares, it's refreshing to see a horror film that seems to have been made by people who understand how suspense works. In the same way that Woman in Black tricked you into thinking that it's going to be a run-of-the-mill horror flick set in a creaky old house but did something interesting, The Quiet Ones uses the 'house in the middle of nowhere' setting in a way that doesn't just turn the lights off and throw furniture around when things go wrong.

While rare (but noticeable), there are still uses of very loud noises out of absolutely nowhere to accentuate the scares, but asides from that, they are achieved through realistic and unobtrusive special effects, a sparing but effective use of a rumbling, mechanical musical score (there is something to be said for music that can make a scene of occult research feel intense) and an unflinching refusal by the camera to shy away from the horror. The camera-work is an interesting mix of live-action and old celluloid stock filmed from the perspective of the cameraman as he observes the increasing number of bizarre and terrifying events unfolding before the investigators.

As far as performances go, Jared Harris is well cast as the physics professor slowly declining into madness in a knowing manner very reminiscent of classic Hammer-horror and Sam Claflin builds a lot on his brief performance in Catching Fire, creating a very believable character struggling with his own beliefs as the absolute horror of the experiment becomes increasingly harder to deal with. Olivia Cooke is also very good as Jane, the tortured subject of the experiment, taking a very over-used character (the silent, unblinking possessed girl) and doing something interesting with it, alternating between an almost comatose recluse and a young woman dealing with adolescence and emerging emotions.

The running time of just less than 100 minutes means that some of the character development feels a little rushed, but it means that the film has adequate time to set up scares, deliver on the suspense, and create an intriguing story without feeling repetitive. Taking unexpected turns, featuring good performances and inciting real fear in the audience, The Quiet Ones is a very welcome breath of fresh air in mainstream horror movies, proving once again that constant scenes of exorcisms and annoying families with camcorders have become tired old tropes and that the best thing to do is wipe that all away and focus on believable characters and more interesting methods to create a genuinely tense atmosphere.