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Rebecca

  • 2020
  • VM14
  • 2h 3min
VALUTAZIONE IMDb
6,0/10
48.805
LA TUA VALUTAZIONE
POPOLARITÀ
4101
316
Armie Hammer and Lily James in Rebecca (2020)
A young newlywed arrives at her husband’s imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife Rebecca, whose legacy lives on in the house long after her death. A modern adaptation of Daphne Du Maurier's gothic novel comes to Netflix: starring Armie Hammer, Lily James, and Kristin Scott Thomas.
Riproduci trailer2: 22
22 video
65 foto
Dark RomancePsychological ThrillerDramaMysteryRomanceThriller

Una giovane sposina arriva nell'imponente tenuta di famiglia del marito su una costa inglese battuta dal vento e si ritrova a combattere l'ombra della sua prima moglie, Rebecca, la cui eredi... Leggi tuttoUna giovane sposina arriva nell'imponente tenuta di famiglia del marito su una costa inglese battuta dal vento e si ritrova a combattere l'ombra della sua prima moglie, Rebecca, la cui eredità vive nella casa molto tempo dopo la sua morte.Una giovane sposina arriva nell'imponente tenuta di famiglia del marito su una costa inglese battuta dal vento e si ritrova a combattere l'ombra della sua prima moglie, Rebecca, la cui eredità vive nella casa molto tempo dopo la sua morte.

  • Regia
    • Ben Wheatley
  • Sceneggiatura
    • Jane Goldman
    • Joe Shrapnel
    • Anna Waterhouse
  • Star
    • Lily James
    • Armie Hammer
    • Kristin Scott Thomas
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    48.805
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4101
    316
    • Regia
      • Ben Wheatley
    • Sceneggiatura
      • Jane Goldman
      • Joe Shrapnel
      • Anna Waterhouse
    • Star
      • Lily James
      • Armie Hammer
      • Kristin Scott Thomas
    • 540Recensioni degli utenti
    • 165Recensioni della critica
    • 46Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 1 vittoria e 3 candidature totali

    Video22

    Official Trailer
    Trailer 2:22
    Official Trailer
    Rebecca
    Trailer 2:24
    Rebecca
    Rebecca
    Trailer 2:24
    Rebecca
    Rebecca
    Clip 0:57
    Rebecca
    Rebecca
    Clip 0:43
    Rebecca
    Rebecca: Love Of His Life
    Clip 0:53
    Rebecca: Love Of His Life
    Rebecca: Bottle A Memory
    Clip 0:43
    Rebecca: Bottle A Memory

    Foto65

    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 60
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    Interpreti principali50

    Modifica
    Lily James
    Lily James
    • Mrs. de Winter
    Armie Hammer
    Armie Hammer
    • Maxim de Winter
    Kristin Scott Thomas
    Kristin Scott Thomas
    • Mrs. Danvers
    Keeley Hawes
    Keeley Hawes
    • Beatrice
    Jacques Bouanich
    • Taxi Driver
    Marie Collins
    • Guest with Dog
    Ann Dowd
    Ann Dowd
    • Mrs. Van Hopper
    Jean Dell
    • Restaurant Maitre D'
    Sophie Payan
    Sophie Payan
    • Restaurant Guest
    Pippa Winslow
    Pippa Winslow
    • Mrs. Jean Cabot
    Lucy Russell
    Lucy Russell
    • Mrs. Clementine Whitney
    Bruno Paviot
    Bruno Paviot
    • Terrace Maitre D'
    Stefo Linard
    • Terrace Waiter
    Tom Hudson
    Tom Hudson
    • Hotel Bellhop
    Jeff Rawle
    Jeff Rawle
    • Frith
    Ashleigh Reynolds
    Ashleigh Reynolds
    • Robert
    Bryony Miller
    Bryony Miller
    • Clarice
    Tom Goodman-Hill
    Tom Goodman-Hill
    • Frank Crawley
    • Regia
      • Ben Wheatley
    • Sceneggiatura
      • Jane Goldman
      • Joe Shrapnel
      • Anna Waterhouse
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti540

    6,048.8K
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    Recensioni in evidenza

    4rux_z

    Unnecessary

    There should be a rule, don't remake a great classic movie if you have nothing new or interesting to add to it. This looked like the Hallmark version of Hitchcock's classic film noir. Lilly James is overacting the shy, inexperienced character, she walks like Forrest Gump in some scenes, for example where she's following Rebecca's ghost at the party. She also pouts all the time. Armie Hammer has the intensity of a carrot, he's too vanilla for the role. His suits are horrible, badly tailored, the mustard suit in the beginning is an eye sore. Kristin Scott Thomas as Mrs Danvers is the only saving grace of this movie. And finally, the cinematography is bad. It's like somebody wanted to make a rom com and changed their mind in the last minute. Those happy, ultra saturated colors don't fit the mood of a dark gothic romance novel in the least.
    5maysaif

    I really really wanted to love this movie

    It just kept me going back and forth, and I thought I'd land in a good place in the end, but no.

    The first half was good, but the second half is when everything started to fall apart for me.

    Without revealing too much, in the second half, especially towards the end (like the last half hour), the dialogue turned awkward & inconsistent. The events including significant revelations were RUSHED so much that there was no build up to them nor enough time to let them sink in before moving on to the next scene. The reactions to some news or events within the plot were dull & lacked sincerity and passion.

    The editing for those scenes didn't help either. It just kept jumping too fast to the next scene or cut to a different frame in a different location in the middle of a revealing conversation. That's when they lost me. The emotional connection I wanted to feel for the characters kept being interrupted.

    Though I still kept an open mind and was hoping I'll be pleasantly surprised that I'll love this movie by the end of it, but unfortunately, it just kept going the same kind of direction till the movie was over.

    I've been looking forward to this, and even with my expectations being reasonable and not too high, I still didn't get what I wanted.

    And just to be clear, I'm not comparing this to Hitchcock's version. In fact, I've never even seen it. So this is solely based on the execution of the story in this specific movie. It simply didn't do it for me.
    6Sleepin_Dragon

    Pretty good, perhaps missing a little something.

    I had such high hopes for this, anticipation was high, especially as new material has been somewhat thin on the ground this year, for obvious reasons.

    I did raise an eyebrow when I heard that Armie Hammer had been cast as Maxim, but I felt he did a decent job, it gives me hope for his upcoming part in Death on the Nile.

    The standout for me was Kristin Scott Thomas, she was a fearsome Mrs Danvers, very impressive.

    The film itself, very stylish, and had some good moments. If I'm totally honest, I was a tad disappointed, I think the pacing was a bit off, it perhaps felt a bit rushed at the ending.

    A few reviewers calling for no remakes, and yes the 1940 adaptation is the ultimate, but come on, many of us love seeing a retelling. However, if you haven't seen the adaptation with Olivier and Fontaine, I urge you to, it captures the atmosphere beautifully.

    Overall, it's a good watch, maybe it's the sinister atmosphere that's perhaps lacking. 6/10.
    6annlevtex

    Gothic Goes Glamorous

    I won't complain about the lovely costumes and scenery, the gawkable high-end interiors or the attractive cast. Lily James' costumes are to die for, even the demure little blouses and tweed skirts she wears when she returns to Manderly with her dashing husband Maxim. If anything, the actors are TOO pretty, especially Armie Hammer. Yes, James' bobbed blonde hair is glaringly fake against her brown eyes and crisp dark eyebrows (seriously, WHY do they always make her a blond?), but at least the style is period appropriate and highlights her sensible wardrobe and English Rose prettiness. But Hammer's towering, hunky frame, chiseled face and big baby blues make him look more like a GQ model in a Ralph Lauren ad than a 1930s English Posho. His accent is passable, as is his acting. He and James both give perfectly good, if not masterful, performances. They have chemistry and I rooted for their marriage to make it. They make a nice couple. The problem is, they're in the wrong movie.

    "Rebecca" is supposed to be a Gothic thriller, not a romantic adventure. Which is not to say it can't have a love story embedded in it. "Jane Eyre" is a love story, but Rochester is a genuinely dark character, and real danger looms (literally) above the heroine's head. Here, the second Mrs. De Winter allows herself to be cowed by Kristen Scott Thomas's (excellent) Mrs. Danvers, who, while disdainful, icy and manipulative, does not seem mentally unhinged enough to be truly terrifying. Even the house itself is just a large, old manor house full of portraits and servants standing at attention....remarkable to a young woman from a humbler background, but not to anyone who has watched other English period pieces. James' character is a fish out of water. Intimidated by her surroundings, especially the wing/rooms that belonged to her predecessor, yes. Unnerved by her husband's uncommunicative moodiness and sleepwalking, yes. But haunted? Driven to near madness? I'm not convinced.

    The sinister sexual undercurrents of Hitchcock's version are also missing. They really only rear their heads when the talk and action turn to horses (sorry!). It seems that whereas Mrs. DW2 doesn't even know how to ride., the aristocrat Rebecca, as Mrs. D tells her in racy detail, could break any stallion. Ahem. So when Rebecca's dissolute Toff of a cousin (Sam Riley, very good) shows up and sweeps the young bride up onto a horse in front of him for an impromptu lesson, squeezing her thigh and tossing off comments like "just move with me" and "you'll be sore tonight" with (almost) comic creepiness, I was kind of delighted at the diversion. She almost seems more scared here than at any other time, and I don't blame her. Honestly, I think Riley would have been better cast as Maxim. Hammer's version is just too darned wholesome.

    And speaking of shifts! (Again, sorry). About 3/4 of the way through the movie, there is a massive Info Dump and the train suddenly switches tracks, lurches off in another direction entirely and goes in and out of a few shadowy tunnels before almost unceremoniously dumping the viewer out at its destination, where I at least was left blinking in the sun. Twists and turns in a mystery are a good thing, and of course the end is supposed to be a surprise. But here, the characters turn on a dime. All at once she, at least, is almost a different person, their relationship transformed. She puts on a (gorgeous) tweed suit and does a whole Nancy-Drew-Goes-Noir bit for about five minutes, revelations come fast and furious, and......here we are! Wait, what? Where? The end, tacked on from the original, is satisfying in a way, but also random.

    The movie is engaging and beautiful. No one embarrasses himself or herself. If you like the book, like period pieces and mysteries and lovely things, then watch it. But don't expect to be on the edge of your seat. This isn't one for the ages.
    4TheLittleSongbird

    Style over substance

    The book by Daphne Du Maurier is amazing and a favourite, a masterpiece of suspenseful atmosphere and psychological depth. There are three versions of 'Rebecca' prior to this latest one from 2020, the best known one justifiably being the Alfred Hitchcock directed film. While the 70s adaptation with Jeremy Brett is the best version as an adaptation, Hitchcock's is my personal favourite. Even with inevitable changes to suit the code, it is superbly made, acted (Judith Anderson is unforgettable) and directed, true in spirit to the book's atmosphere.

    Unfortunately, this version is inferior in nearly all those aspects. It does have its good things, but of all the four versions of 'Rebecca' it is easily the worst for me. Being the only one to not work, the other three are excellent and more. Visually and stylistically, this 'Rebecca' is mostly very successful. When it comes to the substance however, this film adaptation and standalone wise is a failure. Actually don't think one needs to have seen any of the previous versions or read the book to see how badly flawed the film is, a friend of mine also saw it with no prior knowledge of the source material or previous adaptations and disliked it too, highlighting the lack of atmosphere, shallow characterisation, erratic pacing, messy final act and Armie Hammer as particular flaws.

    'Rebecca' (2020) has good things. It does look gorgeous, though in my mind the film would have benefitted from a darker look either in a Gothic or noir-ish sense. The film is exquisitely photographed and the settings have beauty and vivid atmosphere, especially in Monte Carlo. Apart from the yellow suit, the costumes are nice and Manderlay is a beautiful and atmospheric house if not quite the character of its own kind that the previous three adaptations achieved. Clint Mansell's score has parts where it is ominous and stirs the emotions.

    Didn't care for the performances on the whole, but Kristin Scott Thomas is very good indeed as Mrs Danvers and there is a formidable quality that makes her very memorable. Sam Reilly's Favell is deceptively friendly but suitably manipulative, though could have afforded to have been more caddish.

    However, Lily James and Hammer didn't do it for me in their roles. Actually like James as an actress, ever since her charming 'Cinderella', but she lacks the plain mousiness that is needed for the 2nd Mrs De Winter and comes over as too neurotic in her more haunted moments. Hammer is also too young (especially considering that there is meant to be a big age difference, without it the story dynamic doesn't work) and too handsome, personality wise he is like a bland uncharismatic cipher as well as jerk-ish even when Maxim's character writing darkens. The lack of chemistry between the two really hurts the film and too lukewarm romantic comedy-like instead of the conflicted one it ought to be. The characters are stripped of their complexity and become one-dimensional, the most interesting is Mrs Danvers easily but that is down to Thomas mainly.

    Furthermore, the script could have flowed more and is too mundane with no spark. Some of it was awkward too. The direction is too constrained and tends to be pedestrian in the first half and then out of control and too reliant on a horror vibe in the second. The story is completely lacking in suspense and the omnipresent spookiness just isn't there, with the psychology of the characters being too muted. Likewise with the more mysterious elements in the story. The pacing is a mess too, it takes too long to get going and is too deliberate in the first half and then the final act especially becomes very rushed and jumpy. This part of the film is also far too melodramatic, the tone shift is not just completely uneasy and jarring but the second half feels like a different film altogether and in a schlocky horror way, not in a suspensefully psychological way. The ending is very tacked on and did reek of studio interference or of the writers not being sure how to end the film.

    In summary, liked the style but the substance underwhelms. Very disappointing. 4/10.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Just as in the book and the previous movie adaptation, Rebecca - La prima moglie (1940) by Alfred Hitchcock, the new Mrs De Winter is never given either a first name or maiden name, whilst the late Mrs De Winter is constantly referred to by hers.
    • Blooper
      (at around 1h 35 mins) Jack Favell blackmails Maxim with a note allegedly containing an invitation from Rebecca to meet up on the night of her death. However, the note is undated, so there is nothing that links it to the events of that particular day.
    • Citazioni

      [first lines]

      Mrs. de Winter: [narrating] Last night I dreamt I went to Manderley again. I dreamt that where our drive once lay, a dark and tortured jungle grew. Nature had come into her own and yet the house still stood. Manderley. Secretive and silent as it had always been. Risen from the dead. Like all dreamers, I was allowed to pass through my memory. Spanning the years like a bridge. Back to that summer in Monte Carlo when I knew nothing and had no prospects.

    • Connessioni
      Featured in The Graham Norton Show: Kristin Scott Thomas/Bruce Springsteen/Stephen Mangan/Mawaan Rizwan/Matthew McConaughey/Sam Smith (2020)
    • Colonne sonore
      Hungarian Dance No. 6
      Written by Johannes Brahms

      Arranged by Joseph Joachim

      Performed by Henri Marteau

      Courtesy of Deutsche Grammophone GmbH

      Under licence from Universal Music Operations Ltd

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    • What year was Daphne du Maurier's novel, Rebecca, published?

    Dettagli

    Modifica
    • Data di uscita
      • 21 ottobre 2020 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Rebeca
    • Luoghi delle riprese
      • Hatfield House, Hatfield, Hertfordshire, Inghilterra, Regno Unito(Manderley)
    • Aziende produttrici
      • Netflix
      • Working Title Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 18.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 3 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • Dolby Atmos
    • Proporzioni
      • 2.39 : 1

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