All'interno di una megachiesa evangelica gestita dalla ricca famiglia Quinn, il suo carismatico fondatore annuncia l'espansione negli Stati Uniti. Fede ed ambizione si scontrano, minacciando... Leggi tuttoAll'interno di una megachiesa evangelica gestita dalla ricca famiglia Quinn, il suo carismatico fondatore annuncia l'espansione negli Stati Uniti. Fede ed ambizione si scontrano, minacciando di distruggere la sua famiglia e la sua chiesa.All'interno di una megachiesa evangelica gestita dalla ricca famiglia Quinn, il suo carismatico fondatore annuncia l'espansione negli Stati Uniti. Fede ed ambizione si scontrano, minacciando di distruggere la sua famiglia e la sua chiesa.
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Ah.. Here we go again. I did manage to watch this in one night and while I thought it was ok, I just want someone at Rebecca and Richard's agencies to apologise to them, oh an apologise to Jacek Koman as well this is one of his best performances in years and yet he got casted here.
The story jumps up and down and the B story is like three stories that mix together in some confusing way and someone in the script department just went "make everyone sound as nervous as possible." it's fine but gets old quick and most of the way the characters speak is like they aren't used to talking in such a way.
Maybe give it a few years and I might watch it again, but if it does get a second season I hope they replace the writing team.
The story jumps up and down and the B story is like three stories that mix together in some confusing way and someone in the script department just went "make everyone sound as nervous as possible." it's fine but gets old quick and most of the way the characters speak is like they aren't used to talking in such a way.
Maybe give it a few years and I might watch it again, but if it does get a second season I hope they replace the writing team.
When the trailers for this series first started to come out, I was skeptical at first as it seemed to be taking the approach of attacking the church and villainising modern Christians rather than presenting a balanced view of the current state of the modern church today.
As a man of faith myself, also processing the realities of faith and belief, I found this series pleasantly surprising. It masterfully takes on many of the current cultural issues of Christian Churches developed in the western world and the reality of creating more harm than good, despite the best intentions, as we see very human and relatable characters throughout, especially if you have ever spent any significant time in a mega church.
For one, they nail the culture of these types of churches, from the theological perspectives, to the buildings, the little nuances in rituals, and even some of the more unpleasant cliche's of Head Pastors with a dysfunctional family. The acting and cinematography is stellar, and the message conveyed by the end of it I think is very important, although uncomfortable for some modern Christians who may still feel compelled to defend the churches they dedicate themselves to. All in all, this is certainly a very niche topic, but brilliantly made and informative, thumbs up from me.
As a man of faith myself, also processing the realities of faith and belief, I found this series pleasantly surprising. It masterfully takes on many of the current cultural issues of Christian Churches developed in the western world and the reality of creating more harm than good, despite the best intentions, as we see very human and relatable characters throughout, especially if you have ever spent any significant time in a mega church.
For one, they nail the culture of these types of churches, from the theological perspectives, to the buildings, the little nuances in rituals, and even some of the more unpleasant cliche's of Head Pastors with a dysfunctional family. The acting and cinematography is stellar, and the message conveyed by the end of it I think is very important, although uncomfortable for some modern Christians who may still feel compelled to defend the churches they dedicate themselves to. All in all, this is certainly a very niche topic, but brilliantly made and informative, thumbs up from me.
Right off the bat I will say this is one of the slickest looking Australian shows I have seen. It looks expensive and I suspect it probably is.
Five minutes in it was clear the writers and producers are big fans of Succession as the family dynamics are very similar, though in this show the setting is a Sydney mega church. Most Australians will appreciate the direct associations with the Hillsong church right down to the fictional Bieber-esque pop star. There's also a bit of Jim Baker in the Roxburgh character, who is something of a cliche when it comes to the US megachurch culture.
For these reasons I felt I have seen the story before. But the pacing is fast and the performances are very good so it's a positive review from me all up, even if I wanted more originality.
Five minutes in it was clear the writers and producers are big fans of Succession as the family dynamics are very similar, though in this show the setting is a Sydney mega church. Most Australians will appreciate the direct associations with the Hillsong church right down to the fictional Bieber-esque pop star. There's also a bit of Jim Baker in the Roxburgh character, who is something of a cliche when it comes to the US megachurch culture.
For these reasons I felt I have seen the story before. But the pacing is fast and the performances are very good so it's a positive review from me all up, even if I wanted more originality.
Enjoyable, all to poignant depiction of an evangelical church. So much glitz and glamour, with Rebecca Gibney once more displaying excellence in her character portrayal of the family Matriach.
Richard Roxborough managed to convince me that he indeed thinks God speaks to him and he has deep seated beliefs that he is making the world a better place despite being so flawed.
I can see links to Hillsong, Sheila and the oOrange people to name two.
Great music, written by great local musicians.
Characters are so extremely and wonderfully flawed
Everyone has their own agendas and foibles.
I certainly hope there will be a season two.
Richard Roxborough managed to convince me that he indeed thinks God speaks to him and he has deep seated beliefs that he is making the world a better place despite being so flawed.
I can see links to Hillsong, Sheila and the oOrange people to name two.
Great music, written by great local musicians.
Characters are so extremely and wonderfully flawed
Everyone has their own agendas and foibles.
I certainly hope there will be a season two.
Prosper is blessed with an outstanding cast of respected Australian actors and is based on a timely and relevant premise given the unsettling influence megachurches and pentecostal Christianity more broadly claim to wield in many secular societies, despite their overall insignificant numbers.
However as an ex-Pentecostal with an all too familiar understanding of the whys and wherefores of that strange world, I feel Prosper's writers and actors would have benefited from developing a deeper knowledge and understanding of the language, cultures and idiosyncrasies of both the on-stage performances of celebrity preachers and the jargon and deluded self-assurance that those people employ in their everyday lives.
There are definitely moments in Prosper where Richard Roxburgh's talents as an actor are allowed to truly shine, particularly during some of Cal's darker moments. But when Cal is "in character" as a celebrity man of god in front of his congregation or praying on his own, his portrayal becomes more wooden and inauthentic. Rebecca Gibney is in fully Lady Macbeth mode for much of the series which I think is also a missed opportunity given the public role of the typical Pastor's wife in this world is to be a happy, shiny accessory. More juxtaposition between the persona and the person would have made her character richer and given Gibney a wider repertoire to work with.
My other reservation with this show is the number of subplots going on in each episode. Some end up feeling undercooked as a result. I would have preferred to see a slower build and more nuance and more tension around fewer threads of the story.
Hopefully if a second series is made, the will be opportunity to bring on writers or consultants who really, truly know how the murky world of pentecostalism works and thereby add a sorely needed layer of authentic credibility to this show which will reduce some of the cringe.
However as an ex-Pentecostal with an all too familiar understanding of the whys and wherefores of that strange world, I feel Prosper's writers and actors would have benefited from developing a deeper knowledge and understanding of the language, cultures and idiosyncrasies of both the on-stage performances of celebrity preachers and the jargon and deluded self-assurance that those people employ in their everyday lives.
There are definitely moments in Prosper where Richard Roxburgh's talents as an actor are allowed to truly shine, particularly during some of Cal's darker moments. But when Cal is "in character" as a celebrity man of god in front of his congregation or praying on his own, his portrayal becomes more wooden and inauthentic. Rebecca Gibney is in fully Lady Macbeth mode for much of the series which I think is also a missed opportunity given the public role of the typical Pastor's wife in this world is to be a happy, shiny accessory. More juxtaposition between the persona and the person would have made her character richer and given Gibney a wider repertoire to work with.
My other reservation with this show is the number of subplots going on in each episode. Some end up feeling undercooked as a result. I would have preferred to see a slower build and more nuance and more tension around fewer threads of the story.
Hopefully if a second series is made, the will be opportunity to bring on writers or consultants who really, truly know how the murky world of pentecostalism works and thereby add a sorely needed layer of authentic credibility to this show which will reduce some of the cringe.
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