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Dear White People

  • 2014
  • R
  • 1h 48min
VALUTAZIONE IMDb
6,2/10
26.950
LA TUA VALUTAZIONE
Tyler James Williams in Dear White People (2014)
A satire that follows the stories of four black students at an Ivy League college where a riot breaks out over a popular 'African American' themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a universal story of forging one's unique path in the world.
Riproduci trailer2:33
12 video
99+ foto
CommediaDrammaRomanticismoSatira

Le vite di quattro studenti di colore in un college della Ivy League.Le vite di quattro studenti di colore in un college della Ivy League.Le vite di quattro studenti di colore in un college della Ivy League.

  • Regia
    • Justin Simien
  • Sceneggiatura
    • Justin Simien
  • Star
    • Tyler James Williams
    • Tessa Thompson
    • Kyle Gallner
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    26.950
    LA TUA VALUTAZIONE
    • Regia
      • Justin Simien
    • Sceneggiatura
      • Justin Simien
    • Star
      • Tyler James Williams
      • Tessa Thompson
      • Kyle Gallner
    • 93Recensioni degli utenti
    • 133Recensioni della critica
    • 79Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 13 vittorie e 28 candidature totali

    Video12

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    Breakout Performances Before They Were 2021 Sundance Stars
    Clip 2:32
    Breakout Performances Before They Were 2021 Sundance Stars
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    Foto130

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    + 125
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    Interpreti principali59

    Modifica
    Tyler James Williams
    Tyler James Williams
    • Lionel Higgins
    Tessa Thompson
    Tessa Thompson
    • Samantha White
    Kyle Gallner
    Kyle Gallner
    • Kurt Fletcher
    Teyonah Parris
    Teyonah Parris
    • Colandrea 'Coco' Conners
    Brandon P Bell
    Brandon P Bell
    • Troy Fairbanks
    • (as Brandon Bell)
    Brittany Curran
    Brittany Curran
    • Sofia Fletcher
    Justin Dobies
    Justin Dobies
    • Gabe
    Marque Richardson
    Marque Richardson
    • Reggie
    Malcolm Barrett
    Malcolm Barrett
    • Helmut West
    Dennis Haysbert
    Dennis Haysbert
    • Dean Fairbanks
    Peter Syvertsen
    Peter Syvertsen
    • President Fletcher
    Brandon Alter
    Brandon Alter
    • George
    Kate Gaulke
    Kate Gaulke
    • Annie
    • (as Katie Gaulke)
    Brian James
    • Martin
    Keith Myers
    Keith Myers
    • Mitch
    Bryan Daniel Porter
    Bryan Daniel Porter
    • Gordon
    • (as Bryan Porter)
    Terry Hempleman
    • Professor Bodkin
    Naomi Ko
    • Sungmi
    • Regia
      • Justin Simien
    • Sceneggiatura
      • Justin Simien
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti93

    6,226.9K
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    Recensioni in evidenza

    7Garcwrites

    The satire that does not quite live up to expectation

    I was first exposed to Dear White People by its trailer. The trailer was so promising it put the movie to a much higher level of expectation than it actually is so it could have only been a slight disappoint. The film is smart, punchy, and funny, for a film about racism and racial tensions.

    The preppy college setting screams for an amazing story about racial tensions and racism. The black characters that the film follows - Coco the girl who wants to be white, Lionel the awkward gay guy that doesn't quite fit in, Troy who fits in but isn't quite himself, and the infamous Sam who is basically a modern day activist with a secret boyfriend - are actually good archetypes of nowadays college educated black people because they are all unique if not for the color of their skin.

    With this basis Simien delivered an interesting film about racial tensions between blacks and whites without shaming or blaming one of the two parties involved. But the film sort of feels like a fluff piece that didn't really dive deep into the subject. The white characters are mostly stereotypical, they are the same to be honest, arrogant, and entitled. The film quickly becomes more about about finding one's identity and western society in general than racial tensions. Maybe, that's the point, one of the message behind it is that racial tensions stems from the way our society is, with whites liking the black cultures but not its people? I don't really know but at least Dear White People is a good conversation starter.

    As for the actors, I mean the ones with layers to their characters, they gave a stellar performance. Tessa Thompson portrayed a riveting Sam with talent, wit and insolence. And Tyler James Williams was probably the easiest character to relate to, he likes what he likes and doesn't try to change who he is.

    For a first film Dear White People is interesting and if the trailer hadn't been so good I probably would have been in awe after watching it. @wornoutspines
    6MovieSonic

    I wanted to love this but....

    The film is essentially one big soapbox and dropped the ball many times and in many different ways.

    I want to talk about the positives first and the reason(s) the film is definitely worth watching: I was really impressed with the production value, the acting (most of it) and the humour. I think Teyonah Parris deserves special mention because she was the character I most empathised with simply because she was the only one looking at things from both angles. Tyler James Williams also stood out due to his humour and commitment to his role.

    Keeping in mind that a person (or persons) wrote this script with the intention of instigating discussion about the issues raised, I think it's only fair to discuss those issues in reviews especially as some of the commentary affected my enjoyment of the film.

    Obviously the film deals with more substantial issues but those applied (mainly) to the USA so to address a few lesser issues: Hair. This subject grates a little (/a lot) for me because I've never heard white people make comments about black hair. Again, this might be a bigger, more well-known topic in the US but here in the UK, I don't think anyone has ever looked twice at a black person's hair. The obsession appears to lie with black (USA) people, not with white people. What is the problem with someone touching your hair? I had a fringe cut in a few months back and people touched it and made comments. When I have my hair curly, people touch it and make nice comments. It might be annoying for you but hair isn't a race issue, it's a hair issue and anyone who focuses on this 'issue' needs to get over it. When Teyonah's character expressed annoyance with being asked if she 'weaved' her hair, I couldn't help but wonder why that was a problem. First of all, how many people say 'Google it'? We make verbs out of nouns all the time and the fact that her white friend asked if it was her own hair, instead of assuming that it wasn't, actually says a lot. Women discuss hair. White women ask each other if they have extensions, if they've had plastic surgery etc. and so for anyone to be annoyed at being asked if they are wearing a weave actually highlights how insecure they are. Not every question or action by a white person is about race. Sometimes it's genuinely about curiosity and taking interest in another person. If you are so touchy about every subject, white people will not want to talk to you for fear of offending you, not because they are racist.

    There were other bits of commentary that I took issue with but I don't want my review to turn into a soapbox, so I'll move on to the main gripes I had with the film: When Tessa's character stated that it wasn't possible for black people to be racist, the film lost all credibility. The definition of 'racist' is not up for debate. We have dictionaries to clarify and after consulting one, there is absolutely no mention that in addition to holding the belief that one race is superior to another "the race believed to be inferior must also be negatively affected in some way". It is indeed possible for a black person to hold the belief that one race is better than another which would in fact, make them a racist. How their racist beliefs affect the race they believe to be inferior is irrelevant to the fact that they would be considered racist.

    Finally, I disagree that white people dressing up as black people (make-up and all) is (always) the same thing as 'blackface' and I think the more that people focus on these scenarios as opposed to the real blackface which goes on in the industry, the more that film makers will get away with continuing the real tradition of blackface right under everyone's noses.

    It's all about intention. Going to a party and dressing as your idol, make-up and all, is flattering and should be encouraged. There is nothing wrong with wanting to look like someone you idolise and when white people are accused of being racist for donning an afro wig and make-up, all that happens is that white people try to isolate themselves from 'ethnic' people to avoid being accused of racism.

    The party in the film however, was 100% racist and offensive because the invitation was decidedly unflattering and had nothing to do with celebrating black people.

    True blackface is about 'presenting an acceptable image of black people to the world'. Which is interesting when you consider that the main protagonist of this film is mixed-race. It appears that the lead role was written in such a way that allowed the casting of a light skinned woman when it could just as easily have been written in a way that would allow for a dark skinned woman to make all the same points. Casting a light skinned actress to play a dark skinned black woman, is blackface. Especially considering that they will likely apply dark make-up to her skin. Casting a white woman to play a dark skinned Latin-American woman is in the spirit of blackface. Every time a white or light skinned person is given the role of someone who 'should' be darker, that is blackface.

    It's not about the make-up. It's about why you're wearing the make-up and any film which tries to hammer home a point about racism using the controversial theme of blackface, while casting a light skinned woman in the leading role, loses a few stars on IMDb for the sheer hypocrisy.

    6/10 (it's good entertainment but the message is a bit off)
    7abcvision

    Fight the Power

    • I think every generation has a film that touches on race and the inequalities of color. Spike Lee, Do the Right Thing comes to mind as do other countless films. In Dear White People (a take off on a character's name that is White) it explores the state of college campus today. Where the halls are segregated and the division is along social economic lines and on the fringes of race. There is the commentary that Obama is half white, so that makes him half right, touches on the degrees of it means to be black today. Not all a series manner, but sometimes you do become the change you want to bring, but often it is much harder to live the talk than to talk the talk. I saw this movie as part of the 2014 Atlanta Film Festival.
    3Reno-Rangan

    Is it about the student politics or racism?

    Actually, I don't understand this film, I mean the story, what it intended to tell us. Maybe it's for Americans only. I thought it could be some underrated cool comedy, but what I just saw was definitely not expected. I kind of felt it was a student politics and if it stayed like that way I would have had no problem. But they said it is a comedy and I did not get any, in between it became a racism thing. I never understood this American racism, why they're making it so complicated. Especially the condition of the US is not looking good right now and this film pours a more oil to it. I'm neither white nor black or an American, and sorry I did not find it a good film. Even more, I don't get, how a television series is getting ready to follow-up it. So no offense for those who liked it, seems I'm in a wrong place. I just rated and reviewed what I felt it deserves, other than that I'm not against the film. I'm out of here!

    3/10
    7cherold

    Quite good, but pales in comparison with the TV series

    I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.

    The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.

    The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.

    Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.

    The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.

    Trama

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    Lo sapevi?

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    • Quiz
      Sam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie Nascita di una nazione (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
    • Blooper
      When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
    • Citazioni

      Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.

      Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.

    • Curiosità sui crediti
      The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
    • Connessioni
      Featured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
    • Colonne sonore
      45 Drum Break
      Performed by The Co-Stars

      Written by Neely Dinkins Jr. (as Neely Dinkins)

      Vito Colapietro Courtesy of Atom Factory Music Licensing

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    • How long is Dear White People?Powered by Alexa

    Dettagli

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    • Data di uscita
      • 4 dicembre 2014 (Brasile)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Sevgili Beyaz Irk
    • Luoghi delle riprese
      • University of Minnesota, Minneapolis, Minnesota, Stati Uniti
    • Aziende produttrici
      • Code Red
      • Duly Noted
      • Homegrown Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo Stati Uniti e Canada
      • 4.404.154 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 347.959 USD
      • 19 ott 2014
    • Lordo in tutto il mondo
      • 4.633.961 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 48min(108 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby

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