VALUTAZIONE IMDb
6,2/10
26.950
LA TUA VALUTAZIONE
Le vite di quattro studenti di colore in un college della Ivy League.Le vite di quattro studenti di colore in un college della Ivy League.Le vite di quattro studenti di colore in un college della Ivy League.
- Premi
- 13 vittorie e 28 candidature totali
Brandon P Bell
- Troy Fairbanks
- (as Brandon Bell)
Kate Gaulke
- Annie
- (as Katie Gaulke)
Bryan Daniel Porter
- Gordon
- (as Bryan Porter)
Recensioni in evidenza
I am glad that this film addresses the important issue of racism on college campuses, and I have no disagreement with its political or social justice messages. Any sincere attempt by a filmmaker to make these experiences visible to the broader public is a good thing.
As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.
This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.
For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.
As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.
This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.
For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.
Menippian and Juvenalian satire are at the forefront here. There's no comedy, there's just a message. Unfortunately, today, people have allowed this satirical work to become reality. Set at a prestigious Ivy League school outside of Chicago proper, "Dear White People" takes so much time on the inherent differences between black and white people, that it takes no real time or consideration to realize that it's the American culture that binds everyone together. It's not a bad film, and my opinion of it has grown for the better over time because it must be taken as a satire instead of a message. Obviously the filmmakers have it in mind that one particular group is the enemy, when the reality is that the far left politics are used to brainwash extremely smart and talented minds.
The first 20min was OK... I thought it was going to be funny. Then it gets laughably silly, campy and pretentious. The actors are caricatures of real people. At first you think in the next scene you'll suddenly find more depth and things will come into focus, but no... In the end it's got this sad "Stick to your own people, stop trying to pretend to be white/black if you're not" message which really makes me feel sad for whomever wrote this. What a dark little world they live in. The bits about colleges throwing black-face parties all the time are even a bit ridiculous. The movies based in some fictional ivy league school, but the examples they give are all of tiny colleges no-ones ever heard of. I'm not saying there isn't a race problem in this country, there is for sure. But what this movie is portraying is wildly exaggerated. This is the kind of movie the real racists watch and say "That doesn't happen! It's all made up!" and they're right.
I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.
The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.
The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.
Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.
The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.
The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.
Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.
The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
I give this movie an 8. It is funny, but can be uncomfortable at times. Its a movie I do not expect everybody to get. Like Spike Lee's do the right thing, It will make some feel uncomfortable and immediately go on the defense- which in turn makes them not appreciate the comedy the writing, the cast or the message.
This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).
The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.
I would give it a look, I thoroughly enjoyed this movie!
This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).
The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.
I would give it a look, I thoroughly enjoyed this movie!
Lo sapevi?
- QuizSam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie Nascita di una nazione (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
- BlooperWhen Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
- Citazioni
Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.
Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.
- Curiosità sui creditiThe end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
- ConnessioniFeatured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
- Colonne sonore45 Drum Break
Performed by The Co-Stars
Written by Neely Dinkins Jr. (as Neely Dinkins)
Vito Colapietro Courtesy of Atom Factory Music Licensing
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Botteghino
- Lordo Stati Uniti e Canada
- 4.404.154 USD
- Fine settimana di apertura Stati Uniti e Canada
- 347.959 USD
- 19 ott 2014
- Lordo in tutto il mondo
- 4.633.961 USD
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