Un giovane del New Jersey fatica a trovare il vero amore dopo essere stato influenzato dalla visione di troppi film porno.Un giovane del New Jersey fatica a trovare il vero amore dopo essere stato influenzato dalla visione di troppi film porno.Un giovane del New Jersey fatica a trovare il vero amore dopo essere stato influenzato dalla visione di troppi film porno.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 28 candidature totali
Recensioni in evidenza
Where a typical Hollywood romance would end, Don Jon just gets started. This is not a romantic comedy, this is a character-study within an anti-romantic comedy with great performances by an excellent cast in perfectly written roles. Tony Danza and Glenne Headly, as Jon's parents, provide some of the film's biggest laughs while Julianne Moore's character gives the story genuine heart. Joseph Gordon-Levitt proves to be just as talented behind-the-camera as he is in-front of it.
Don Jon does more in one small, 90-minute film than most 2 hour big films have ever accomplished. There is much to learn about relationships in this little tale yet it's never preachy and it keeps the laughs coming. This isn't the kind of film couples will feel comfortable or even want to see but it's the film they need to see. It's sincere and honest truth, no fluff.
Stories of sex addiction aren't new, having been dealt with most recently in 2011's Shame, but Don Jon feels different. Jon loves porn; he says it many times in voice-over and is consistently shown getting up in the middle of the night to go watch porn after just having sex in real life. He doesn't see it as an addiction, saying "It's porn. It's not heroin," as his excuse. To show the media influence on sex, the film opens by crosscutting many sexualized commercials, film scenes, and television clips over the credits, while actual pornography clips are spliced throughout. But unlike Shame, which treats this topic in an intense, dramatic way, Jon keeps it light, funny, and tries to show how easy it is for someone to unknowingly fall into this addiction in today's sex- obsessed culture.
The film also tackles an exploration of today's relationships. Barbara's own "porn" is romantic Hollywood films that Jon hates. These films have influenced Barbara's ideas on dating (she yells at him to stop cleaning his apartment because it's not sexy) and enforced her beliefs that typical gender roles are the only means to a happy relationship. This film speaks truths about ideas young people may have about dating in today's culture, and while spinning these topics in a mostly comedic light, it is still interesting to consider how much media pertains to our understanding of the world.
Don Jon succeeds in most areas, and one large part is due to its cast. Tony Danza is really funny as Jon's father and Scarlett Johansson (and her hilarious Jersey accent) steals every scene she in. The film offers up a good amount of laughs, and the purposeful repetitive narrative works in showing Jon's changing lifestyle. Most of the film is so upbeat and fast that the last twenty minutes may feel like its dragging, but it can be considered necessary due to Jon's slowed-down new lifestyle.
The fact that this is the first film by writer-director Gordon-Levitt is extremely impressive. Don Jon flies at a mostly fast pace, has a fun cast, and gives a great commentary on sex, relationships, and addiction.
The film heavily satirizes stereotypical straight New Jersey Catholics - the easily offended of which should probably stay away along with anyone who expects a slick date night romantic comedy that doesn't require them to THINK - but it IS a beautifully structured and polished first directorial effort and very funny in its way. Man or woman though, it is not your usual DATE film to see with the opposite sex. The litmus scene for the film was probably when Johansson (Barbara) confronts Gordon-Levitt (Jon) over watching porn! Foolishly trying to evoke simple reason, he (accurately) tells her that "EVERY guy watches porn - and that anyone who says he doesn't is lying." The theatre got absolutely quiet there for a moment in any section where dates were sitting, as each side wondered what the other was thinking. What YOU may think in that scene will determine a lot about how you view and react to the film. You may enjoy it regardless of what you think of that (for the film) core issue, but you sure won't want to see it with anyone who you can't comfortably talk about it with.
The "home" scenes with Jon's family and Barbara's are probably excess baggage, but they give the central characters broad context (the broadest performance in a very stylized film is probably Tony Danza's performance as Jon's father) - and set up the one totally human moment in the film when Jon's silent sister defines what a good sibling should be when she finally has a line! Ultimately, there is one unexpected, rational woman (Julianne Moore giving a remarkable imitation of Susan Sarandon!) who Jon meets in the night class Barbara insists he take who not only "gets" him but broadens his horizons for the kind of growth any central character in a good film must have.
Don't expect a pat happy ending or a cheap thought-free throw away comedy (and DON'T make it first date material with someone you don't know yet!), and the open minded will have a wonderful time. My take-away image is really of a few years ago at the first Broadway preview of a Tony winning musical called AVENUE Q. Just before it started, a student of mine at the university where I teach came over to introduce his mother who was seeing the show too, sitting in front of each other all the way over at the side. Midway through the show there was a very funny, very outrageous musical number called "You Can Be As Loud As You Want" (When You're making Love). I glanced over to see how my student and his mother were taking it and, as you can imagine, my student, sitting in front of his mother, was sinking onto the floor with embarrassment. What he *couldn't see* was his mother rocking with laughter both at the insouciance of the number and her son's embarrassment! I think my mother (who, as far as I know, probably doesn't approve of pornography) or my minister would be howling with laughter at DON JON too - but they probably wouldn't want anyone they knew to see them doing so.
Recommended - but with noted reservations.
Joseph Gordon Levitt plays Don Jon (and directs), a deplorable man living in New Jersey. Don Jon has the cringeworthy qualities of modern day pick-up artists: he is unchaste, disrespectful of the women he watches and meets in real life, and views sex as a wholly selfish endeavor (expects oral, does not like to give it). His friend group refers to women as numbers (she's an 8), "things" (using words like "it"), or disrespectful nicknames ("ponytail"). When Jon meets Barbara (Scarlett Johansson), he falls in love with what he calls "the most beautiful 'thing' I've ever seen." Barbara expects more of her men: she expects to be wooed, doesn't sleep with him right away, and flips out when she catches him watching porn. Barbara herself is not without her flaws; most of all, she is certainly naive, expecting a selfish dude-bro like Jon to respect monogamy being one mind-boggling assumption she makes.
Don Jon explores more than just porn addiction; it also explores nature v. Nurture. Jon himself claims his addiction is normal for men (obviously believing it to be in his nature), but we see glimpses of his home life (where his father continuously disrespects women in front of his wife) and friend circle (where his friends are incapable of treating women like people rather than objects to be conquered). Don Jon also hints at Barbara being conditioned to want the "perfect" relationship based on her obsession with romance movies, which few men (but in particular someone like Jon) could hope to compete with. When Esther (Julianne Moore) character comes into the focus of the story, the movie's once unlikable protagonist finally begins to see hope. Esther is arguably the most important character of all, helping Jon to realize his porn addiction is the main source of his poor sexual performance, and helping him mature from a porn-sick little boy into a man with some amount of promise.
While Don Jon covers a lot of territory and themes that most movies wouldn't dare touch, it doesn't quite make any daring or definitive conclusions. It also manages to be triggering to the same audience it is trying to reach. I am a former porn addict myself, and there are enough flashes of what appears to be actual porn in the film that could threaten the sobriety of any current or former addict. Be warned! Otherwise, Don Jon is a fairly good drama (I would not call it romantic or a comedy by any stretch of the imagination given its serious and bleak themes) about the addiction that is the least spoken about in modern society, and I recommend it to current addicts or the victims of addicts.
Lo sapevi?
- QuizPornHub, a real-life pornography video website Jon goes on, supplied videos for production.
- Blooper(at around 22 mins) When Jon is driving, his speedometer is at 0 the entire time.
- Citazioni
[last lines]
Don Jon: This fuckin' lady! Now I don't usually like it when a girl looks me right in the eye, and this girl does that a lot. But I don't know what it is about her, when she does it, I don't mind. I just look right back at her, and pretty soon, I'm hard as a fuckin' rock. It's like she knows what I'm thinkin', or I know what she's thinkin'. I don't know, it's a two-way thing. Fuckin' love it! And I don't mean love like, oh I love her or wanna marry her, definitely not thinkin' about all that shit. And she's not either... she can't. I guess I just mean love like, you know like... we're making love. And while we're doing it, all the bullshit does fade away, and it's just me and her right there, and yeah I do lose myself in her. And I can tell she's losing herself in me. And we're just fuckin'... lost together.
- Versioni alternativeAccording to the Trivia link for this movie, the "Original cut of the film ran for 93 minutes on its Sundance premiere. When the film was given a wide release on September 2013, three minutes were cut from the film. Most of the removed materials were the porn videos Jon watches, some extended one night stand scenes and an extended first love scene between Barbara (Scarlet Johansson) and Jon."
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #22.7 (2013)
- Colonne sonoreBout That Life
Written by DeYon Dobson, L. Young (as Lawrence Young) and Antoine Vick
Performed by Toine feat. L. Young
Courtesy of Yon Ti Entertainment
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- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Un atrevido Don Juan
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.477.704 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.677.009 USD
- 29 set 2013
- Lordo in tutto il mondo
- 39.439.355 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1