Lights, Camera, Christmas!

Lights, Camera, Christmas! Was a fun Christmas movie to watch. I think the Kimberley Sustad and John Brotherton pairing worked very well. I love the "big star falls for down to earth/girl next door" movie trope. Kim and John had a fun banter and chemistry together. I also liked the movie's supporting characters and the side storyline of the estranged directors finding their way back to each other. The movie's last minute conflict and ending seemed a bit rushed but overall, Lights, Camera, Christmas! Was a fun Christmas movie...and it was nice to see Kimberley Sustad as a Hallmark movie lead again!

This is really unique for a Hallmark holiday movie. It does not follow the typical formula and it even has Hallmark poking some playful fun at itself and the making of their Christmas films. The story is told in flashback, as the makers of a Santa movie participate in a "question and answer" at the premier of their latest film. The first hour is very funny as you get to know these characters and their circumstances. Sometimes, the humor is very cheeky and quick so you have to play close attention, but it can be hilarious. The second hour is more sentimental and dramatic, but it is still very engaging as these likable characters come to grips with their personal conflicts.

There is a lot of credit to be given all around here. Gary Goldstein has written a script that is fresh with crisp and realistic dialogue, the direction by Dennis Weaver is smart, attractive, and different, the production values, costumes, and sets are very well done, and casting director Jackie Lind has assembled an excellent cast, with some of the best Hallmark has in its stable, all of whom give it their all.

Kimberley Sustad and John Brotherton are just terrific as the big star, Brad, and his rather reluctant costumer, Kerry. The always excellent Sustad is the heart and soul of the story, and Brotherton is wonderful as the conflicted big time movie star. Still, they can be very funny and casting these two together makes the whole thing work. Their performances just shine here. Plus, there is Laura Soltis as Kerry's mother, a gushing fan of Brad's, who is very good, as is the rest of the cast : particularly Matthew Kevin Anderson as the director of the Santa movie, Leila Harrison as its screenwriter, and Veronica Long as Brad's co-star.

All in all, this is really different, really engaging, and really well done, thanks particularly to Sustad, Brotherton, director Weaver, and writer Goldstein. The best of the new 2022 Hallmark holiday season so far.

I am picky about my comedies. I laughed at this one. It wasn't overly silly, but had some silly moments.

The story is about a big time movie in a small town where a local gets pulled in. In this case, the production company's costumer never showed and they couldn't find a replacement, so they hired a local designer, Kerry.

Kimberley Sustad is perfect for this part. She is a good fit for this style of comedy. Her timing and demeanor work here. She also has decent chemistry with John Brotherton, who plays the overbearing, self-absorbed star of the show, Brad.

The best gags are early, as Kerry is trying to fit into a world she knows nothing about. I think the writers stretched her fitting in a little too well as more than once she saves the day in ways unrelated to costuming. After the novelty of her assimilation winds down, the tenor of the film switches to the developing romance. There is also a secondary romance which also has funny and sweet moments.

The conflict, climax and ending were a surprise to me, but also a little convoluted.

This is probably one I will watch again.

This movie stands by itself as one of a kind among the forever cheesy, irrelevant plots, terribly written and equally terribly delivered lines and poor acting so characteristic of Hallmark movies.

For once, we face an original plot with, all in all, very good acting. Leading and supporting cast all contribute to an entertaining, good quality flow. The lead actor is superb in the comedy passes, great facial expressions!

Believable, fun, multi-sided characters who can deliver lines and make good use of humor. Great settings, unobtrusive music appropriately used and good costumes.

I could have rated it 10 but for a couple of very cheesy scenes (one of them being the final scene).

As a long time Hallmark movie fan, I've often wished that they would poke fun at themselves and their movies every now and then as kind of a "wink wink" and nod to the audience. But I can't recall a movie that ever did that before "Lights Camera Christmas", a Christmas movie about Christmas movies. There's multiple references to fake snow and It even stars a character who calls himself the "King of Christmas Movies". At this point, that title probably belongs to Andrew Walker, but a less used John Brotherton is perfectly cast as the pompous fictional movie star Brad Baxter. He is, as Kerry puts it: "a little full of himself" (although Brotherton is effective in making Brad less of a caricature as the movie progresses)

Kimberly Sustad plays Kerry, a clothing store owner and wannabe designer. She's great as always (I loved her in "Christmas by Starlight"). Laura Soltis plays her mom Nancy and she's also delightful. She's one of my favorite "Older Moms" in Hallmark movies along with Barbara Niven. When, at the beginning, Kerry pleads ignorance about who Brad Baxter is, Nancy rattles off some very Hallmarky fake movie names including "There's No Christmas Like Snow Christmas" (that really needs to be the name of a future movie):

Nancy: "How come none of these movies even ring a bell?" Kerry: "Well they all sort of blend together."

So true. I love inside jokes like this. Then, during a panel discussion, there's this:

Audience member: "How did you end up choosing where to shoot?" Caleb: "Two words- tax incentives"

Ever since the U. S. Canada free trade agreement in 1988, and the implementation of generous government subsidies, Vancouver has become known as "Hollywood North", resulting in nearly $5 billion in film production spending there last year alone. A lot of that was spent making Hallmark movies. So yeah, tax incentives.

Although the use of a go between (Jamie) between producers Jill and Caleb was a bit silly, I can attest to what's it's like when the acrimony is so great you need a middle man to communicate with an ex spouse. But there's actually a touching scene about the line "When you have the right person on your side anything's possible" and a nice thaw later on. Matthew Kevin Anderson as Caleb and Leila Harrison as Jill were impressive in fleshing out their characters, as was Veronica Long as Mariah and Kallie Hu as Jamie. The entire cast was strong.

I've always thought of Kimberly Sustad as kinda like the beautiful somewhat dorky girl next door who doesn't realize she's beautiful. There's one scene in which Kimberly Sustad is wearing a loose white blouse, with her hair done up a little different, surrounded by Christmas decorations, where she looks...absolutely gorgeous. Then again, she looks gorgeous throughout the movie, all while exuding a unique quirky charm that sets her apart from other actresses.

There's also one point in the story where I was annoyed that she had done something that I thought was really stupid (and not something a modern woman would do) but then her powerful performance explaining herself to he mother was very effective in convincing me that she, in fact, actually did what she honestly thought was right for her. She's a very talented actress. And she has some serious "dagger eyes".

One of the best moments in the movie came when I thought for sure we were going to get another stupid "almost kiss" (I'm soooo tired of that trope) but then the couple actually kissed. In what was a surprisingly sensual scene. Far from the end of the movie. That was definitely not cookie cutter Hallmark. And I loved it.

I enjoyed the movie, but there were a few things that bothered me. I'm not in the movie business, but I am a lawyer. If my client's costume designer breached their contract to go work on a Matt Damon film, I'd let that designer know she'd be coming back to a big fat lawsuit if she didn't fulfill her contractual obligations. Hallmark writers often sacrifice real world legal and financial considerations in order to make their plots work. But having the original costume designer suddenly drop dead, instead of doing another job, would have achieved the same result without sacrificing realism.

And speaking of real world financial considerations, Kerry may be a great designer, but she's apparently a lousy businesswoman. She owned a store that seemed constantly empty (except when Brad and Mariah showed up) and she was 3 months behind on the rent (a notice that flashed on the screen indicated that she owed $5,500). Her mom offered to help but she candidly acknowledged that if her business is to survive, "it needs to be self sufficient".

But then the movie producer inexplicably offered to buy her entire store stock. First, that's unlikely given that it seems unrealistic for a movie production to show up on location without ANY costumes and why would they need a bunch of random women's clothing? And yet she doesn't negotiate a "no returns" sale, even though her store would be left without anything to sell before the holidays.

Even worse, when offered a job by the desperate producer, she is reluctant to accept. It's one thing to fail to use her superior bargaining position to extract the kind of compensation that would resolve her financial problems, but to initially pass on the opportunity altogether? Thankfully, Nancy's colorful threat to Kerry convinced her to accept the position.

I liked the panel discussion format, but that may have left them short on time at the end which seemed a bit rushed and poorly set up. And that final green screen shot looked way too fake.

But I enjoyed the movie, in large part because of the cast, especially Kimberly Sustad.