Mother's Milk

I was able to catch a screening of Mother's Milk recently and I was surprised at how much I enjoyed it. The subject matter seems rather dark. It revolves around a lonely man who has a dark fetish for breast milk who kidnaps women. Although that may sound off-putting, don't fear. This isn't your typical horror or torture film at all. In fact, I would say this is a love story. At its core its about two desperate people who find themselves forced to connect with one another. I saw that it was about to hit the festival circuit and I hope that more people will be able to view the film, as it could really be a hidden indie gem.

The writer/director, Edward Pionke, really shows promise bringing a fresh and new type of film I hadn't seen before, and the cast was equally as strong. The two leads were fantastic as well (Casey Chapman and Mackenzie Wiglesworth). I would recommend this film to you if you enjoy character studies, and dark films. It can be rather slow moving, but I think that is intentional. Although it can take a while, I was pretty much hooked halfway through and wouldn't spoil the ending for you. So if you get a chance to see it, I say go.

One wonders (worries) how someone comes up with these things! I wish I could narrow down the reasoning behind my streaming this film from a vast array of titles. I am not a scary movie person - and my favorite films don't have much in common with this dark little film. However, it was inexpensive on iTunes and listed as a drama even though it looked like a horror.

I am big on searching out films that I have never heard of however. And there were some real surprises included in this unique and disturbing film.

First of all - although it only runs an hour and a half, its quite the ordeal. Its one of those films that doesn't take up much of your time, but it feels like it takes up a ton of your time. That comes from a mixture of it being pretty slow-paced at times, and also because the tension ratchets up and up and UP throughout the film. By the end I had to fight the nerve to get up and walk out and to put my hand down from my mouth because I had chewed off my fingernails.

It's a slow build - but it does have a pay off.

I will say I did NOT care for the end of the film, however I will give the screenwriter credit for the fact that it took a turn that I never saw coming.

This writer/director, Edward Pionke, I must believe is a somewhat disturbed man to have created such a realistic and often brutal film about love and entrapment. It is very well written and I would be interested to see where else he could go as a filmmaker, as it looks like he has more films coming down the pike.

The acting is on point as well. Although I feel the film could have really challenged its audience by eliminating all of the side-characters who do nothing to forward the plot anyhow and just have two characters (like Van Sant's "Gerry"). I feel that is the approach the characters (and actors) needed to really have pushed this over the edge. However I think you would be hard pressed to find acting this good in a movie with a budget this small (I can only guess). The lead Casey Chapman gives one of the most unique and odd yet thrilling and exciting performances I've seen in a while. Mackenzie Wiglesworth forms a perfect pair, and the chemistry they share on screen is pretty special.

There is a scene or two however that are so over-the-top that almost ruin the film. One is pure pornography and the other involves on screen vomiting in a way that you have never seen before and hopefully will never see again. This was simply not needed, as neither scene pushed the story forward in any way.

It's a movie I recommend with trepidation. I enjoyed it surprisingly so, but I could see people really not liking it. To each their own I say. In the end I think its the work of a talented writer/director who seems to be interested in making a different kind of movie, and that I can admire.

The debut film of director Edward Pionke is a trip to the dark side for the viewer. As with many direct to streaming services release, this one again falls victim of misleading a careless cover art. What we are lead to believe is we are about to see a horror film, and this is quite simply not what were given. The only reason I cannot rank this film a perfect 10 is because of the misleading cover art and synopsis. The tag line "family is forever" is a bit more fitting, however what we have here is a glimpse into the mind of a truly disturbed man - not a horror film to please the fans of the Saw franchise or the Hostel franchise. If that's what you're looking for, stray away.

We meet Claude, a professor who seems to live a solitary and lonely life. Early on we find out that he holds a woman captive in the basement of his modest home, we are unsure why. As the film dives down the rabbit hole we learn that he deals with issues from being raised by a mother who perhaps drank too much and perhaps nursed too long. Due to an unfortunate accident, Claude is left a broken and disturbed man.

The film takes place mainly in one room, the dank basement of Claude's house. And besides a few very minor side characters, the film circles around two characters, Claude and Kim. Kim is an attractive woman kidnapped under the wrong circumstances and forced to take the role of "mommy" to Claude.

There's no explosions, no high gore, no jump scares or BOO moments. This is a film that hinges upon the audiences ability to allow themselves to be locked in a room with a borderline psychopath and wonder what you would do in similar circumstances. Would you risk dying alone by fighting against your captor or would you get to know who this man is and find your own way out. In many ways the film is a cat and mouse thriller. It's very much Kim Vs. Claude. And as the film goes on it's very much Claude Vs. Claude.

There's not a lot of movie making like this out today. The film was probably dumped direct on video because a studio would be afraid of how to market the film, afraid there would be no audience for it. I cannot imagine that there was a big budget behind this however, so I wouldn't believe it would be hard to make back its budget, because it is a highly interesting film that could be marketed towards an art house crowd - I know they exist.

Besides featuring an interesting and fresh script and solid directing, it contains a performance that you just don't see even in mainstream films. The actor who plays Claude, Casey Chapman, does the unthinkable. Personally, although he does some unforgivable things, I was rooting for Claude. The actor has sympathized the devil. It's a remarkable performance.

With solid support from the co-lead Mackenzie Wiglesworth, Mother's Milk amounts to a solid art house film that's perfectly worth the price of a rental. Besides the weird marketing angle, this is a dark dark gem.

Rented this unknown film last night suffering from yet another night of insomnia. This is the story of a man who keeps a woman chained in his basement for the sole purpose of using her lactating breasts to feed his fetish. Sounds like pretty family far huh? I jest.

Well the problem is, she is not lactating, and he made a mistake. When capturing her she was jogging along with her sisters child and he is left not knowing what to do with his new victim.

What follows could be described as a cat and mouse game between two lost souls. One a man scarred from childhood and the other a college graduate facing real life problems and that dreaded "what next" phase. This material has been covered similarly in other films (the more recent "Chained" has many similar moments) however it's never really been handled this way.

Its a quiet film. One that may be overlooked by some based on its slow movement. The director doesn't seemed interested in making any bold statements or showing off for an audience. Here is a movie that basically takes place in one room between two characters. There's no real outlandish violence, no one scene that could be considered the ultimate climax - yet there is a sense of overwhelming dread the entire run time.

It's an uneasy experience for sure. Due to the performance of the lead actor, Casey Chapman, the biggest sense of unease is that you have sympathy for his character throughout. His is a performance like many of the classic movie villains (Norman Bates really comes to mind). Like Anthony Perkins, Chapman has created a character that all at once you feel sorry for and are scared by. He is tender, personable, pleasant, attractive, yet all at once someone you would not want to be alone in a room with. If anything at all ties the film together and makes it a must-see it's this leading performance.

It does take some twists and turns I didn't expect, and it showcases solid direction from a new director. I would highly recommend it.

I came across this at the video store (yeah they still exist) and rented it sight unseen. It sounded interesting and looked pretty screwed up due to the title and the woman on the front of the box clawing to get out. As an avid horror fan, I figured it would be a little torture experimental film to pass a few hours.

I will admit as it started, I thought there was a chance I could fall asleep. It seemed as if nothing was happening after a pretty mysterious and exciting opening sequence where our leading man watches water boil and mysteriously seems to destroy a woman in his basement. But it's all done "behind closed doors" - offering a much classier experience than the DVD cover alluded too.

After that though, it seems to plod along. There is a scene at our lead professors classroom, he plays cards with a friend, were introduced to our lead female, she is kidnapped. It all seemed pretty run of the mill after the exciting beginning.

If I am being honest, I almost turned the film off wondering where it would go from here - it just wasn't holding my attention. Well I am so very pleased I did not. After about the 30/45 minute mark I was hooked. Not to a horror film, but to a truly sad character piece. If there is any reason to watch this film (and there are more than one) its the leading performance. I have never heard of Casey Chapman before, but I cannot imagine not hearing about him again. This is the kind of performance an actor would die for with so much material to sink his/her teeth into.

So go into this film looking for a killer leading performance, not so much a killer killing people off film. (This is NOT to say this film isn't disturbing .. it is. Perhaps more-so than the type of film I thought I was getting into)

I would recommend the film to those who enjoy something a little darker, a little quieter.