Aggiungi una trama nella tua linguaThe story of Mary, mother of Jesus.The story of Mary, mother of Jesus.The story of Mary, mother of Jesus.
Sergio Múñiz
- Antipatro
- (as Sergio Muniz)
Recensioni in evidenza
A wonderful telling of one of the most famous stories in history, the life of Christ, even though interestingly, there is a twist - the story is portrayed from the perspective of Mary, Christ's mother even to the point where a fragment of Mary's childhood is shown; the fact were she narrowly escapes danger sort of tells that the battle of Christ's work on Earth was fought from even when Mary was a little girl. All in all despite the suggestive scenes most of which indicate the element of truth in the story, this story delivers a message, and many of these suggestive scenes are dwarfed by the numerous touching scenes that deliver the message in this film. It's one of those movie where parental guidance is advised for younger viewers, but it is a MUST WATCH.
Not the actual story, but a cleaned-up version removing most of the things a modern audience would not wish to know about.
Quite nicely done.
Quite nicely done.
We just saw Mary of Nazareth last evening and it was wonderful! Our church rented the screen for the evening. The experienced was enhanced by our praying the Rosary as an audience prior to the movie beginning. What a shame that a movie like this is not readily available to the public. The portrayal of Mary was done so beautifully - her purity and innocence just shone through! The role of Joseph was realistic and heartfelt. I loved the respect that St. Joseph was shone in this portrayal as protector of his precious family. We loved the portrayal of Mary's relationship with Jesus which is very emotional at times. I have seen so many biblical movies but this one was the most tender, gentle and beautiful witness of our Mother and her Son. I would see this movie again in a heartbeat and would strongly recommend it to all believers.
Wonderful movie! For our family, the author and movie director employed their gifts and talents from the Holy Gospels to create another telling of the "Good News". On a sad note, did anyone notice the beginning of the movie, the husband had to approve the stoning of his unfaithful wife? That's something to ponder. I always wondered why Joseph wanted to break off the marriage proposal in secret. Perhaps to save Mary's life? The staged scenes of the second temple and homes made the movie realistic. All of the actors and actress preformed excellent. Christmas 2013 is just days away. We wish to thank the entire production organization and special gratitude to Netflix for offering us this selection!
The temptation to be very critic about it or to appreciate it very much are the basic traits. Few scenes are more than beautiful. The rhytm is too alert and it represents only a sketch. Paz Vega offers a splendid performance and the short portrait of Pilat of Pont , well acted by Remo Girone is a charming surprise .
Yes, it is a personal perspective about life of the Savior , with few serious licences.
No doubts, the clothes, rooms, atmosphere of first century in the Middle East are just seductive.
And the smile of Alissa Jung in the role of Mother of God or the clothes and jewels of Antonia Liskova as Irodiada are fundamental good points, like the powerful references to religious paintings.
It is a beautiful film. In fact, this is the only matters thing because it has the gift to offer a voice among so many adaptations of the life of Jesus. The perspective of Mother of God about His Son activity, sufferance and death, resurrection and words is not new and the temptation to compare with the work of Pernilla August is not strange.
But it gives more than a formalistic fresco. And this makes it more than interesting.
So, a voice, not bad at whole.
Yes, it is a personal perspective about life of the Savior , with few serious licences.
No doubts, the clothes, rooms, atmosphere of first century in the Middle East are just seductive.
And the smile of Alissa Jung in the role of Mother of God or the clothes and jewels of Antonia Liskova as Irodiada are fundamental good points, like the powerful references to religious paintings.
It is a beautiful film. In fact, this is the only matters thing because it has the gift to offer a voice among so many adaptations of the life of Jesus. The perspective of Mother of God about His Son activity, sufferance and death, resurrection and words is not new and the temptation to compare with the work of Pernilla August is not strange.
But it gives more than a formalistic fresco. And this makes it more than interesting.
So, a voice, not bad at whole.
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