Lullaby

One of the many problems of this movie is the cast. People like Amy Adams and Terence Howard are wasted in small roles. RIchard Jenkins as always is great but he can't rescue the bad script, bad dialog and bad direction that often feels so forced and at times really cringeworthy. Look out for the scenes where the family falls into "fake" laughter. So you potentially have some really good actors but what do you do? You center the movie about the one who is attempting to act. Garrett Hudlunds acting is horrendous. I have never seen him being good but also never as painfully bad as here. I am sure he is trying but it just never works. And I don't know if it is him or the director but in every scene you get the feeling he is positioned in the scene a certain way to accentuate his looks. His pseudo artsy hair- and beardstyle doesn't help. He is a good looking dude but this is not a RomCom it is a drama. Focus on the acting not on looking good.

I first noticed Garrett Hedlund in On The Road, where I thought he was brilliant, in all senses of the word. The trailer for Lullaby also looked enticing. After watching the movie I can tell you that I don't regret my decision, I liked it very much, but it is not something that you can relax with or something that can be enjoyed at all times and by anyone.

The plot is simple: family patriarch is dying and the family gathers around him at this difficult moment. We get to understand each character, mostly Hedlund's though, and their interaction. Courageous bald cancer girl and ex-girlfriend clichés are also present to further the story.

People have talked about the length of the film and, indeed, to witness human uncomfortable suffering for two hours felt a little too much. However all actors played well, except maybe Jessica Brown Findlay, but she is just beginning, cut her some slack; the script was very nice and I could find no real flaws in the direction or other production values. Maybe bracing through two hours of good film is not so bad after all, is it?

My personal take from the movie is that people always expect something from you and when they have nothing to lose, like when they are dying or are overwhelmed by pain, they actually demand it. I am still not convinced that being annoyed rather than involved is the bad thing to do. It makes for a good movie to get involved, I guess.

Bottom line: watch out for Garrett Hedlund, he will be rising. The movie was great, but watch it when you are in the mood for consistent emotional dramatic tension, not at breakfast before you get to work. i think it is also cathartic for people who lost or are going to lose somebody soon. And Richard Jenkins is always good in the role of the dying or dead father, isn't he? :)

Don't let the present 6.2 rating here fool you. This movies is below the average. And please do not watch it because you like Amy Adams. She barely appears in the movie.

The whole plot looks forced, specially Adams' character, which was there probably to fool viewers into watching this. The story does not lead anywhere and tries too hard to be a lesson in life.

Pretentious, without any new ideas, and pointless are the best adjectives to describe it. It's the first work of this director, who clearly intended to make a emotionally loaded movie with a message, but ended with a broken piece.

Andrew Levitas makes his screen writing and directing debut in this little film LULLABY and for a first time effort, despite all the rough unfinished edges of the canvas, he gives notice of a man with a fairly keen perception of the complex interrelationships of dysfunctional families.

Jonathan Lowenstein (Garrett Hedlund) lives in Los Angeles attempting to become a singer of note and has been estranged from his wealthy New York family for years, always feeling as though he was unable to live up to his father's expectations. One day, he suddenly receives word that his terminally ill father Robert Lowenstein (Richard Jenkins) wishes to be taken off life support after a 12 year struggle with lung cancer and has 36 hours to live. When he agrees to visit his father, he unintentionally sets up a family conflict with no easy resolution. His mother (Annie Archer) has been caretaker of Robert and is happy to have the family reunited: Karen (Jessica Brown Findlay), the younger sister in law school, struggles with resentment for Jonathan, Jonathan detests the fact that he must observe the dying wishes of Robert (including setting up Seder when Jonathan has a history of disregarding his Jewish heritage), cope with Karen's acerbic flairs, deal with a stranger Meredith (Jessica Barden) who is 17 years old and dying of bone cancer who shares her needs with Jonathan and he with her, and re-encountering his lost love Emily (Amy Adams). Some of the best moments are provided by Jennifer Hudson as the potty mouth bitchy nurse, Terence Howard as the attending physician who is to aids Robert's 'assisted suicide', and Daniel Sunjata as a policeman who joins in the Seder. Though there are funny moments the story hangs on the subject of death and end of life situations, sharing the manner in which we evaluate our lives and our purposes in this life at that transformative moment of death of a loved one.

Though falling frequently into the overplayed anger/grief/sobbing triad the actors are very fine and they make the film worth watching. Grady Harp, July 14

(2014) Lullaby DRAMA

Co-produced, written and directed by Andrew Levitas that has inspired rock musician, Jonathan (Garrett Hedlund) returning back home to NYC to see his dad, Robert (Richard Jenkins) who suffering immensely from cancer, deciding to finally pull the plug. He wants to do this, not with his wife (Anne Archer) and son but also with his successful lawyer daughter, Karen (Jessica Brown Findlay) who is attempting to prevent him from what she felt was her dad making an irrational decision. I liked some of the general conversation exchanges between brother and sister, as they put their differences aside.