Berserk: L'epoca d'oro - Capitolo I - L'uovo del re dominatore

This movie is Short, whereas the runtime may be about 78 minutes but with credits and an opening "anime"-style intro, it's only approximately 70 minutes long. It's short, which Can work in certain films, the Main issue is that certain scenes that were Crucial in the overall Arc were rushed, badly. Especially one scene with Zod where this took up about 15 minutes in the 1997 series, a 10/10 series by the way, but the Movie made it seem less important than it was. Also, the lines are Very straight-forward, as in telling the audience exactly what happened with no room for interpretation. The Best way I've heard this described is "leaving no room for interpretation and just telling the audience what happened means bad writing," and there is a Lot of that within this film, compared to the series which is just superb. That being said, it is still a Great watch, especially if you like animation and anime-type cinema, and the story it goes on to tell is top notch... at least the 3 movie series and the 1997 anime which I recommend in English dub over the films; at least a first-watch. If the film was to be a 10/10, it would need to have edited the writing to make it more eloquent, extended the film to about 100 cinematic minutes Minimum, and certain Critical scenes needed to have been rewritten to be more obviously important rather than just line-dropping without time to absorb what was conveyed. Another great thing is many of the Original English Voice Actors Returned for this film series from the 1997 series! This is just amazing, as it was 15+ years and they came back. This is just Professionalism at its' finest.

Guts is a great fighter. Who, of course, gets into fights. His sword cleaves and kills, the bodies fall in front of his wreath, till he meets Griffith, who becomes his leader. From now on, Guts will work under Griffith's orders.

The first film of the The Golden Age Arc for "Berserk" is an entertaining, and not very long, affair, full of well developed fights, nice action, and great depiction of the fights, but a plot basically non-existent: Guts fights, Guts meets Griffith, Guts fights. However, the atmosphere is quite good, and it is easy to connect with the characters and enjoy the world they live in.

With two more movies after this first one, "The Egg of the King" just feels as an appetizer. But one that will fill the viewer.

Berserk is eye candy great animation, they have done well with the backgrounds and scenery's, matching emotions with color and light and detailed action bravo to the sword fights, all in all it is a superb movie, character with masochism, best suited for male viewers who likes gore and well feel macho...whatever, anyway the story is good too has a mystery element to it the flow is great, it keeps you involved, in the situation, keeps guessing and keeps the viewers in the dark. sex and violence a lot of it violence that is and it has 18+ on it, that is the whole 3 movies altogether. There are some scene that does look a bit similar to some other movie situations, namely LOTR but it's not that distracting or even significant at this point, i really enjoyed it, i think any one who enjoyed, LOTR, final fantasy, medieval action movies, should watch it, sex and violence with a meaning well who could say no to that. enjoy the movie!

If anything, the story of Berserk needs to be expanded upon, not shortened. Basically, they are taking a 10-hour long show, improving the visuals, and reducing to the story to 3-4 hours. I'm curious who thought this would be a good idea. Many pivotal moments that occurred during the series were completely glossed over in this movie, and in many cases, left out entirely. What was great about the show was the emphasis on the story and character development. How can you develop the characters when you're cramming everything into such a short amount of time? Sure, the re-imagined action sequences and animation are great to look at, but that was only ever a small part of what made the series so good. Berserk being my favorite (if not, second favorite) anime of all time, this was doomed to fail for me. This first part is entertaining, sure, but doesn't do justice to the original series. It's just not possible.

That being said, it might be a decent watch if you're a first time viewer of Berserk, but for true fans of the show, I don't see how this could be acceptable. They should have just redone the entire series and gave it a proper ending. Or, continued the show from where the original left off. I'm certain either of these options would please fans more, rather than giving them cheapened, hyped-up movies. I'll watch the rest of the movies just to see how they turn out, but I suspect I'll be disappointed with the rest. I can only give the first part a biased 5 out of 10.

Few stories can capture your mind and soul in a visceral way from the beginning, and never leave you. Berserk is one of them.

Written and illustrated by the legendary manga artist Kentaro Miura, Berserk (ベルセルク) is an epic fantasy saga that knows no time, no boundaries, and no has end. It tells the story of a Guts (ガッツ, Gattsu), a boy born from the corpse of a woman hung on a battlefield, who struggles to fight his unfortunate destiny. Set in a fictional version of medieval Europe, Gatsu is a young mercenary who travels with no direction nor purpose, swinging his huge sword in merciless fights in order to survive. He buries his blade deep into the flesh of his opponents, fighting like a madmen in battle, reminiscent of the nordic berserks, coming closer and closer to death, maybe to finally feel alive. His life is meaningless, his actions have no honor nor reason, except survival. He strives to escape his nature, that of a man born from a dead body, already between this world and the other, with nothing to lose except his miserable life.

That is, until he meets Griffith, the impossibly beautiful and charismatic leader of the undefeated mercenary band called "the Band of the Hawk" (鷹の団 Taka no Dan). This encounter will forever change his life, and that of everyone else.

Beware, Berserk is not an ordinary series. It is hard, violent, and not easy to follow. There are no flashbacks constantly reminding you of what happened before, no fill-in episodes, no sweetening of the pill. It is a solid punch of crude reality hitting you in the stomach, and you have no way of guarding yourself. Miura's genius permeates in each page, down to every minute detail. The themes treated are difficult, and never simplified for the sake of the reader. Reality has no shortcuts, no easy way, and that is reflected in the story. The characters in Berserk are genuine, real, endlessly complicated, troubled. They hold secrets, they cheat, murder, conspire, but they are also capable of great kindness. Friendship, ambition, causality, the supernatural, our ambivalent nature, the struggle for power, love and hate. Twenty-two years in, still going strong, in what is possibly one of the greatest stories ever told.

With that premise, you would think that the task of turning such a story into a series of animated feature films would be arduous. And you would be right. Only an animation studio capable of immense greatness could be up to the task. STUDIO4°C is one such group.

From the opening scene we know what kind of film we are dealing with. A clear, peaceful blue sky is contrasted by the presence of ominous birds flying in circles, while balls of fire fly over them. Guts looks up at the sky with sad eyes, a scar in the middle of his nose and a helmet on his head immediately tell us what he is. A heartless mercenary. The deaden sound of the blasting gives us a hint of where we are. Everything moves slowly, as if underwater, or inside a womb. How appropriate for someone who was born in a battlefield, who is neither truly alive nor dead, until he begins to fight. Gatsu's heart starts pounding, as he watches a black hawk fall down, the sound increases, until the bird drops dead in the middle of the fight, crushed beneath the boots of armed mercenaries, assaulting a castle. That is the time when the sound rises up at full blast, and we are catapulted into the battle.

The fight is cruel and violent, unlike anything I have even seen. The Lord of the Rings, Braveheart, Game of Thrones, list what you want, nothing compares to the level of horrifying realism that Berserk has to offer. The animation is top notch, the colours vivid and stunning, you could take any frame from the film, hang it on the wall, and it would work as a painting on itself.

The soundtrack by Shiro Sagisu is perfectly calibrated to match the already spectacular animation sequence, the epic chorus elevates the scenes to a sense of greatness, without ever overdoing it. The first eight minutes are a masterpiece of action down to the last second, flawlessly directed by the talented Toshiyuki Kubooka.

In every moment we can see something in motion, be it the clouds in the background or the hair on someone's face, the level of maniacal details is lessened only by the overuse of 3D animation (which is a bit irritating at times). But action sequences of crude violence, great animation, and impeccable sound effects are just a spec of dust in the whole opera. The real value lies in the moments of silence, when the characters quietly ponder about their lives, or study each other, looking into their souls. We can see through their fears, their dreams and aspirations, their hate, without them needing to utter many words. And the few words that are spoken weight a million tons.

Berserk Golden Age Arc I: The Egg of the King covers volumes 4,5 and half of 6, each of which requires a few hours to read, all delivered in 70 minutes. As you can imagine, they had to make some choices and not everything was included. When this happens, the story usually loses value, the characters are simplified, and everything becomes dull. Surprisingly, this is not the case here. The first part of the Berserk Saga Project, which should cover the Golden Age Arc of Berserk does not disappoint. In fact, it excels, in both execution and presentation. The climatic drama and the anticipated tragedy yet to come reach the peak at the end of the film, accompanied by an epic final score by Susumu Hirasawa.

STUDIO4°C has delivered a compelling and engaging story, masterfully animated and directed, which breathed life to Miura's pencil, and gave it voice.

Full review: http://goo.gl/8HNpB