Disco Boy

A local militia against the big oil corporations and corrupt authority; a migrant from Belarus seeking to become a french by serving in the infamous French foreign region. Just from the setting, the film could have turned out to be an intense drama - a criticism on imperialism and exploitation, or deep psychological drama of moral conflicts. But 'Disco Boy' uses such subject matters as the ground to create a (rather moody) mood piece than actually getting into the drama.

The film carefully veers around what could easily have been violent and shocking - the death of a friend, training process of the Foreign Region, a village burnt down... -, and chooses to only hint them through more artistic compositions and camera techniques (the fight scene between 2 protagonists entirely shown as the first person view through Alex's thermal scope vision being the most clear example).

The overall result is artistically impressive and hauntingly moody... but also vague and pretentious. The story of 2 men, who had to play tough and do things against their nature just to survive in the world, only to be ultimately consumed by the ruthless system... could have been more gripping and gritty. But they become more like characters in a fable or rather fantastical tale in this film. To me, it feels like they are further exploited, this time by the artistic ambition of the director.

This multi-layered film depicts an internal journey that starts when two reckless guys from Belarus enter Poland with a three-day visa hoping for a life of a dream in France, where everyone drinks Bordeaux and eats Camembert. The journey changes its purpose and destination as the main character matures and experiences things one can never forget. His thoughts and dreams are hallucinating with memories and regrets, and by the end of the journey he will become someone else.

Throughout the film, we see a lot of injustice, violence, death and danger, as well as Alex and Jomo, the two main characters (or are they one?), with their two eyes: one black - for the real, the other one light - for the illusion.

PS: remarkable OST from Vitalic.

"Disco Boy" is a beautifully psychedelic film that takes viewers on a unique and thought-provoking journey. The plot, which weaves together the stories of Aleksei and Jomo in the midst of their personal struggles, offers deep symbolic meanings that encourage introspection about one's existence, regrets, and disillusionment.

This movie is undeniably arty and not for everyone. Its abstract storytelling and rich symbolism may challenge some viewers, but for those willing to dive into its enigmatic narrative, "Disco Boy" offers a rewarding experience.

One standout aspect of the film is the incredible soundtrack by Vitalic, which adds another layer of immersion to the already mesmerizing visuals. The music enhances the overall atmosphere and emotion of the film, making it an auditory delight.

Franz Rogowski's performance in the film is nothing short of extraordinary. His portrayal of Aleksei is both captivating and emotionally charged, adding depth to the character and the overall narrative. His acting truly elevates the movie to another level.

In conclusion, "Disco Boy" is a visually stunning and intellectually stimulating film that pushes the boundaries of traditional storytelling. With its symbolic themes, exceptional soundtrack, and Franz Rogowski's outstanding acting, it's a cinematic experience that will leave a lasting impression on those who appreciate artistry in film.

This is a great film which has so much to it that I feel like I need to see it again. It is a mesmerizing and at times hallucinatory experience. All the actors are great and even though there is not a lot of dialogue - the film is dense with layers of meanings. It is probably not for everyone - especially those expecting a Hollywood formula type thing. Many movies try to be "art films" and are difficult to stomach with predictable and pretentious art house tropes. This is really something different and new feeling. The soundtrack is incredible and sets ominous moods throughout. Every scene has its own power and depth. So great to see cinema like this.

If you're expecting some Bee Gees or Donna Summer here, then you're going to be disappointed. Indeed there's precious little disco at all in this story of "Alex" (Franz Rogowski). He and his friend "Mikhail" (Michal Balicki) have a cunning plan to get from their home in Belarus to Poland and then on to France where they may eventually gain citizenship by joining the Foreign Legion. That doesn't quite go to plan, but eventually he finds himself at boot camp and destined for a mission to Niger. It's there that the local "MEND" militia are demanding an end to the cavalier exploitation of the delta by oil companies leaving a trail of death, destruction and pollution behind them. A violent encounter with local leader "Jomo" (Morr Ndiaye) in a river ends up having quite a profound effect on our soldier, one which he must come to terms with when he returns to Paris and meets the enigmatic dancer "Udoka" (Laetitia Ky) - who would appear to be as connected with his recent past as with his present. The story itself is but an incomplete section of his life, it's the photography that makes this more interesting. The use of night-vision imagery, especially in the jungle, works well as does the presentation of the environmental carnage being left behind - oil leaking everywhere, discarded or bombed out pipelines. That sense of the invasive nature of industrial development is quite cleverly carried onwards as "Alex" and his colleagues themselves have little investment in anything but survival. There's not a great deal of dialogue - wanted or needed, and this is the sort of part Rogowski does well - he's neither here nor not a lot of the time. It has a slightly surreal look to it, and though maybe it does meander a little - it certainly does repeat itself now and again - it's still quite a compelling mix of the political and the emotional, and is worth a watch.