Closed Circuit

Martin Rose (Eric Bana) and Claudia (Rebecca Hall) are assigned to a case to defend Farroukh Erdogan (Denis Mochitto) who is accused of bombing a London market killing 120 plus. Because this case involves classified information Martin and Claudia cannot interact together or they will lose their licenses. Martin is the Defense Lawyer. Claudia is the Defendant's Advocate. Martin will defend in Open Court and Claudia will defend in Closed Session where classified information will be presented. In time, both learn that a government cover-up may be in play. Uh oh! What to do? What to do?

Not sure though if the Advocate person is only assigned when classified info is in play. No matter. It is what it is.

Well, of course, you know that Martin and Claudia will somehow interact and this will cause them to be most careful. Oh, they were lovers a while back. See?

This will not be the thriller you may have expected. No, it's a comfortable ride and the pacing is just right. Some things happen but nothing to put you on the edge of your seat. It's not that kind of thriller, but it is watchable. See?

I enjoyed this but the ending is really weak. Bummer. (5/10)

Violence: Yes. Sex: No. Nudity: No. Language: Yes.

Conspiracy theories. Espionage. Terrorist acts. All this is present in the film Closed Circuit. What are not present are depth in theories developed by the characters and explanations of crucial details of the film.

Starring Eric Bana and Rebecca Hall, the film shows us a little of the British judicial system. This is perhaps one of the biggest flaws of the script. The lack of explanation of how this system works and how it is structured, does not allow us to get into the story, just accept what is shown.

About the actors, Eric Bana is what to be expected for those who have seen his films. In contrast, Rebecca Hall shows the same talent seen in The Prestige (2006) and The Town (2010). Jim Broadbent gives us another opportunity to see his gift, even in fast appearances during a 90-minute film.

The film wants to leave the place where it started, however the lack of surprising elements in the script makes everything back to the beginning. This is the same path that follows the protagonist throughout the story.

Well watch this film to find out. Good actors, great locations, beautiful cinematography, what's left? oh, script and direction. Actually it's not that simple, It's hard to figure out just what is bad about this film. The pacing is out, it comes across as kinda boring, making out the sinister in the mundane and then turning down the heat. The all powerful unstoppable MI5 apparently has only a handful of operatives. The same people seem to be on 24 our call to do cliché henchmen work. Organisations that are all knowing and powerful seem to trip over their feet in the next scene. The ending (don't fight it, it's bigger than the both of us and in the end it is for the public good) was a decent point to make, but oh what a crappy way of making it. This film ended up being confused instead of exciting and intriguing. What a waste of good resources.

It was a bit difficult getting up the motivation to do a write up for this one, as it does not inspire. But it is very believable, with a realistic feel in script and action. Both sharp and taut throughout, this is meant to be more intellectually stimulating than adrenaline releasing. A movie that makes you think. I found the tone and atmosphere, at least in part, to be comparable to Roman Polanski's recent effort in The Ghost Writer.

There seems to be a resurgence in recent years in both the practice of and appreciation for the well honed tension that Hitchcock was famous for. This has some of that. It seems that making what most would call a good movie was not the aim here, as much as having something to say, and wanting it said well. Which it was. What was said bothers you a bit, after.

If you combined elements of the legal drama in Syriana, the syntax of a big brother government in Enemy of the State, along with the perfect pace and proper tension in The Ghost Writer, you'll have an idea of the movie. Perhaps that's what he was aiming at. It isn't as good as any of those films. But definitely worth seeing if you want something more cerebral.

Without giving anything away, it seems they were very clever in an almost feigned attempt at a happy ending. A bit of psychological warfare I think. You'll have to see it to know what I'm talking about. Much too lite for such a serious threat. But then, that was probably the intention. It kind of helps drive it home and makes it stick to you. Some complained about it being too short. I do want my money's worth, but I don't think the time affected the quality of the movie.

http://fullgrownministry.wordpress.com/2013/07/29/no-anxious-thought/

"From infancy on, we are all spies; the shame is not this but that the secrets to be discovered are so paltry and few." John Updike

Thrillers involving international heavy weights like the super British spy agency, MI5, are durable, reeking of intrigue and inscrutability. Such is the case of Closed Circuit with its terrorism incident killing scores of civilians and a subsequent trial at Old Bailey, where Martin Rose (Eric Bana) has been appointed defense counsel for accused spy, Farroukh Erdogan (Denis Moschitto). Many questions are unanswered before the trial, not the least of the answers sealed in documentation not even the accused may see.

The plot has intelligent qualities; the execution not so. Martin's colleague, Claudia (Rebecca Hall), is a special advocate for the defense—only she may see the secret information. Unfortunately they had an affair, a fact that may compromise their case. One of the main players in the investigation is a young boy, a plot turn with possibilities but never fully exploited.

And so it goes, nothing really new after that. Some good guys turn out to be bad, MI5 is not transparent, and the accused is not who we thought he was. The closed circuit motif, introduced at the titles and interspersed throughout, is not as important as the title and occasional shots would suggest. Except for the shots of London around the Eye, nothing seems to be worth spending millions on the film for.

After the secrets have been revealed and the plot twist dutifully rendered, you may leave the theater feeling you missed something. You didn't. It's all a part of the requirements of the genre, perhaps a comforting feeling that you knew it all along. As for me, I missed what it could have been in my favorite city in the world.