The Walk-In

I absolutely adore Stephen Graham who chooses tough, hard hitting drama rather than any routine roles offered to him.

So it's personally disappointing to only give this a 7/10 because I think it could have been so much better.

The real life situations are hard enough to bear, but when dramatised then I just felt that they should have had more impact.

Acting was great, direction was a bit iffy and the editing was bearable.

But here was something missing which I can't quite put my finger on.

Maybe there was more of a story here regarding the conversion of Graham's character, or a deeper analysis of the different right wing factions and how they differed from each other and what drove them apart.

I could be alone in this, but I was disappointed.

I thought Stephen Graham was truly fantastic in this gritty true to life turn of events that shows what actually happened in a real life case of an MP being murdered and all of the associated nonsense that went about prior to it happening.

It's a nonsensical and totally ridiculous murder that has the grounds for the entire story, but the way we get there is truly terrifying and very much an eye opener. As ever, Graham delivers an amazing performance and his supporting cast deliver a truly wonderful act of bringing us a masterpiece of British TV.

This is a hard watch but not because of brutal scenes, more that it requires a sane head to be able to compute it all.

It goes without saying that if Stephen Graham's name is listed on a new drama series, then you know it is an excellent bet to watch.

And The Walk-In is just that. A hard-hitting and tough drama to watch. Based on real events, amidst the shocking murder of Jo Cox in 2016 - a week before the Brexit Referendum - this drama series is raw, gripping and highly disturbing throughout. The script was authentic and most sensitive to what really happened during this time. The direction was very intelligent balancing some very difficult scenes with humanity and sensitivity.

The acting was superior throughout but the stand-out performance for me was Robbie Mullen's character played by Andrew Ellis: he simply lived and breathed the role and it would not be unfair to say he gave Stephen Graham a run for his money. He has a bright TV future ahead.

This is yet another top-notch drama series to hit our screens and yet another which more than delivers.

I highly recommend.

Stephen Graham as always is amazing, being mixed race himself I love seeing him in these roles, similer to his work on This is England.

The story tracks showing how young, disenfranchised, confused lads can be sucked into the far right and for how some of the quickly see this isnt the violent world they want to be apart of.

The show trys to offer a fair representation of the modern far right, without the usual over the top portrayl of racist, drunk, dumb, working class louts. The show also quite rightly suggests that the rise in domestic islamic terrorism has pushed the far right to more aggressive retaliation and may be a reason alot of english lads sign up.

Worth a watch.

The Walk-In sets out to tackle a serious issue: the growing threat of far-right extremism in the UK. Based on true events, it follows Matthew Collins, a former neo-Nazi who now works as an anti-racism activist, attempting to infiltrate and stop a white supremacist group from carrying out a violent plot. While the series' intentions are good, aiming to highlight the dangers of radicalization, its approach leaves much to be desired.

The first thing that stands out is the series' dramatization of neo-Nazi groups openly marching and demonstrating in public. While such groups undoubtedly exist, the portrayal of them as easily identifiable and brazenly active in the streets of the UK is, to put it bluntly, exaggerated. Most far-right groups today operate in the shadows, using online platforms and encrypted chats to spread their message-far removed from the kind of public Nazi marches shown in The Walk-In. The series risks inflating the threat by focusing on the spectacle rather than the more subtle, insidious methods of recruitment and radicalization that are far more common in today's climate.

For those who have lived in the UK and followed the political landscape closely, the portrayal of white supremacy as a visible, openly confrontational force feels out of touch. Instead of focusing on the quiet, dangerous ways extremist ideologies spread-through online echo chambers and hidden networks-the show leans into sensationalism for dramatic effect. This kind of exaggerated portrayal not only misrepresents the nature of the threat but also feels like a piece of politically charged content rather than a nuanced exploration of the issue.

While there is value in shedding light on the dark reality of far-right extremism, the series risks contributing to a narrative that may feel more like propaganda than a genuine attempt to inform. The danger here is that by making the threat of white supremacy seem like an obvious, easy-to-spot issue, The Walk-In distracts from the real, subtle ways these groups influence minds and shape society today.

Ultimately, The Walk-In serves as a reminder of the risks of sensationalizing complex issues. By pushing a narrative that plays into the fear-mongering of the far left, it feels disconnected from the reality that many of us live in. A more grounded, realistic portrayal would have been far more impactful, offering a clearer understanding of how extremism truly operates in modern Britain.