VALUTAZIONE IMDb
6,4/10
23.225
LA TUA VALUTAZIONE
Adattamento moderno del "Romeo e Giulietta" di William Shakespeare in chiave indiana, il film narra la storia di Ram e Leela, del loro amore, della passione e del dramma che ne consegue.Adattamento moderno del "Romeo e Giulietta" di William Shakespeare in chiave indiana, il film narra la storia di Ram e Leela, del loro amore, della passione e del dramma che ne consegue.Adattamento moderno del "Romeo e Giulietta" di William Shakespeare in chiave indiana, il film narra la storia di Ram e Leela, del loro amore, della passione e del dramma che ne consegue.
- Regia
- Sceneggiatura
- Star
- Premi
- 32 vittorie e 88 candidature totali
Supriya Pathak
- Dhankor Baa
- (as Supriya Pathak Kapur)
Richa Chadha
- Rasila
- (as Richa Chadda)
Mohammad Faizan
- Goli
- (as Master Mohammad Faizan)
Krishna Singh Bisht
- Keshav
- (as Krishna Singh)
Recensioni in evidenza
Ram Leela: Film opens up with colors, guns and a mahool was tried to be created but it was simply studio environ and thus provided a fake feeling. But Bhansali has also shown tremendous potential as a director when you consider certain aspects. Credit to him to get out some exceptional performances from his cast, Deepika is definitely improving with every outing but he deserves applaud to get some real stuff out of Ranveer Singh. That's where Motwani was found wanting in Lootera. Ranveer's hot bod is flaunted with precision and no one will complain about it. Supriya Pathak as Deepika's mother deserves special mention here for her performance. Priyanka was simply mind blowing in her class title track, as well as Deepika in her red ghagra 'Dhol' song....both of them have some exceptional choreography with equally fantastic dance. Deepika also looked like a queen seductress in her act on bed while 'Ang laga De' was playing, in fact she played that role uninhibitedly in whole movie. Songs are pretty good except 'Ishqyaun' that reminds you of Govinda-Raveena of 90s, simply bogus. Chemistry is intense between the lead pair, it becomes hard to take your attention off.....you tend to drown in their acts, where their electric smooches are icing on the cake. Only worry is that it started too spontaneously. Cinematography is great, but there are places where you feel this should have been real instead of studio and animation. Bhansali saab please understand movie is supposed to be real and theater is drama unless you don't want it to be otherwise. Editing is done beautifully, you hardly get to cry about length or unwanted stuff. Screenplay is the weakest link of the movie, transition of Ranveer from lover to don and an unconvincing end without much weight will leave you dissatisfied. If you want to watch a fitting end, go for Romeo + Juliet starring Leonardo and Claire Danes (1996). All in all film has Bhansali's stamp-theatrical, lots of perfect scenes and moments.....but it fails when you talk of the whole package. Definitely a watch, but don't expect it to deliver as a movie. This is a classical example of how you can fail to deliver even when you succeed- 3.3/5
i don't get it why people are criticizing so much about this movie.... okay if its about the sultry dialogues i agree they were somewhat vulgar. but to be honest the movie had the elements of romance, chemistry and emotions. the cinematography was great and i loved the colors in the movie.... deepika padukone has become a fine actress and every film of hers depict her smooth acting abilities. ranveer singh is the coolest actor I've ever seen on the screen. the songs are nice and the choreography is outstanding. i couldn't take my eyes off deepika during the song "nagada sang dhol". it's a good movie to watch but surely is not a family movie.
To begin with RAM-LEELA remains another self-obsessed, colourful but over-stuffed painting on the celluloid with some exceptional brush strokes failing to generate any huge impact on the viewer in totality. The film does have its worth watching moments which are mostly to be found in its first half watching the lead pair together doing their lusty sexual acts (questionably) portrayed as Eternal LOVE. But post intermission it all fizzles out drastically and the director tries to add too many unconvincing twists and turns taking it to an unnerving end sadly. No doubt few magical moments do come in at various intervals, consolidating the director's famous status in the industry. But regrettably they are not something fresh or path-breaking, since either they remind you of a song sequence of his mega hit "Hum Dil De Chuke Sanam" or of a powerful scene of "Devdas" giving you a seen before kind of feel, repeatedly. The soundtrack too is able to impress only partially with a few good tracks in the initial reels and as the film progresses their excessive use starts becoming annoying, particularly in the second half.
To say the truth, being a powerful love story as per its theme, I found the famous "Bhansali Feel of Love" also missing in the film replaced by lust, sex and double meaning dialogues quite surprisingly. For instance, I may sound to be an 'old timer' but I don't think a girl can easily come forward and give a straight smooch to a boy if he looks good and of her own type just in the first meeting itself in a public place. Moreover the way both the boy and girl start rolling over each other on the bed with several kisses one after another in their second meeting only , for me it wasn't anything close to 'Pure Love' but only lust, sex or body hunger and nothing else.
Interestingly such depiction of love was not there in any of Bhansali's earlier films. The director never showed his love birds in this kind of sexy, lusty avatars ever before. Hence undoubtedly this time Bhansali is more interested in reaching the masses with cheap insertions of a blue film parlour, David Dhawan like rhyming dialogues, guns, bullets, murders, rape attempts and bloodbath, may be in a state of desperation. Yes, he begins well with an exceptional sequence of rivalry between two groups in the first scene and then handles another sequence depicting the same with a superb camera-work & vision. But actually this isn't a Bhansali genre at all and once the love birds get separated, going into the violent mood, the film falls flat with everyone behaving in a confusing manner not suiting their actual character as defined in the first hour.
In the performance section, the actors simply surrender themselves to the vision of their director and the three winners coming out of entire cast are Deepika, Supriya Pathak, and Richa Chadda unarguably. Following the above are Abhimanyu Singh, Gulshan Devaiah, Sharad Kelkarand Barkha Bisht who play their parts well but the director should have given more mileage to Richa Chadda alone. Along with these good performances there are some pretty ordinary ones too including Raza Murad, Homi Wadia and the deliberately added poor item number of Priyanka Chopra. Talking about the lead pair, Deepika once again scores over her hero and she even goes shockingly bold this time as instructed by the so called love-guru i.e. SLB. Ranveer on the other hand, doesn't offer something new, as he plays the same old flirty lover boy with the only difference of his Rajasthani attire and nothing else through a great script too with something novel to share.
Revealing the controversy, SLB's film has nothing to do with either Lord Ram or his sacred Leela at all. So the director had a clear intention of using the phrase "RAM-LEELA" for his film's instant publicity alone and all this controversy could have been easily avoided by using any other name with a regional touch.
Regarding its subject based on Shakespeare's "Romeo-Juliet", I remember watching QAYAMAT SE QAYAMAT TAK when I was in school and then few other films too with the same theme. Plus just recently there was not one but two films made on the same subject namely ISHAQZAADE & ISSAQ, which forces me to think that perhaps except Vishal Bhardwaj, very few have read the other classics of William Shakespeare in reality in our own Bollywood. And that might be the reason why they repeatedly pick the same old, over-used Romeo-Juliet again & again to bore the innocent audience quite arrogantly. However there is one more reason which comes to my mind regarding the use of this same theme again and that is the 'Fear of Rejection'.
Anyway, for me CINEMA means "The Art of Storytelling" and if a film hasn't got a new or interestingly fresh story to tell then it is quite a waste of time despite all the great visuals, drama, music, performances and execution. To elaborate on the same, we have a small life here to live on this planet with a limited capability to read or know all the worth studying literature of the world. So we need the medium of cinema to introduce us to many unknown and unexplored gems written within as well as out of the country following a wider vision. And that is exactly what I search for while watching every new film coming my way in any form.
So with a hope that these reputed film-makers of our industry would soon find their old courage back, I can only recommend RAM-LEELA to the viewers who are more interested in just the bodies and not their souls.
To say the truth, being a powerful love story as per its theme, I found the famous "Bhansali Feel of Love" also missing in the film replaced by lust, sex and double meaning dialogues quite surprisingly. For instance, I may sound to be an 'old timer' but I don't think a girl can easily come forward and give a straight smooch to a boy if he looks good and of her own type just in the first meeting itself in a public place. Moreover the way both the boy and girl start rolling over each other on the bed with several kisses one after another in their second meeting only , for me it wasn't anything close to 'Pure Love' but only lust, sex or body hunger and nothing else.
Interestingly such depiction of love was not there in any of Bhansali's earlier films. The director never showed his love birds in this kind of sexy, lusty avatars ever before. Hence undoubtedly this time Bhansali is more interested in reaching the masses with cheap insertions of a blue film parlour, David Dhawan like rhyming dialogues, guns, bullets, murders, rape attempts and bloodbath, may be in a state of desperation. Yes, he begins well with an exceptional sequence of rivalry between two groups in the first scene and then handles another sequence depicting the same with a superb camera-work & vision. But actually this isn't a Bhansali genre at all and once the love birds get separated, going into the violent mood, the film falls flat with everyone behaving in a confusing manner not suiting their actual character as defined in the first hour.
In the performance section, the actors simply surrender themselves to the vision of their director and the three winners coming out of entire cast are Deepika, Supriya Pathak, and Richa Chadda unarguably. Following the above are Abhimanyu Singh, Gulshan Devaiah, Sharad Kelkarand Barkha Bisht who play their parts well but the director should have given more mileage to Richa Chadda alone. Along with these good performances there are some pretty ordinary ones too including Raza Murad, Homi Wadia and the deliberately added poor item number of Priyanka Chopra. Talking about the lead pair, Deepika once again scores over her hero and she even goes shockingly bold this time as instructed by the so called love-guru i.e. SLB. Ranveer on the other hand, doesn't offer something new, as he plays the same old flirty lover boy with the only difference of his Rajasthani attire and nothing else through a great script too with something novel to share.
Revealing the controversy, SLB's film has nothing to do with either Lord Ram or his sacred Leela at all. So the director had a clear intention of using the phrase "RAM-LEELA" for his film's instant publicity alone and all this controversy could have been easily avoided by using any other name with a regional touch.
Regarding its subject based on Shakespeare's "Romeo-Juliet", I remember watching QAYAMAT SE QAYAMAT TAK when I was in school and then few other films too with the same theme. Plus just recently there was not one but two films made on the same subject namely ISHAQZAADE & ISSAQ, which forces me to think that perhaps except Vishal Bhardwaj, very few have read the other classics of William Shakespeare in reality in our own Bollywood. And that might be the reason why they repeatedly pick the same old, over-used Romeo-Juliet again & again to bore the innocent audience quite arrogantly. However there is one more reason which comes to my mind regarding the use of this same theme again and that is the 'Fear of Rejection'.
Anyway, for me CINEMA means "The Art of Storytelling" and if a film hasn't got a new or interestingly fresh story to tell then it is quite a waste of time despite all the great visuals, drama, music, performances and execution. To elaborate on the same, we have a small life here to live on this planet with a limited capability to read or know all the worth studying literature of the world. So we need the medium of cinema to introduce us to many unknown and unexplored gems written within as well as out of the country following a wider vision. And that is exactly what I search for while watching every new film coming my way in any form.
So with a hope that these reputed film-makers of our industry would soon find their old courage back, I can only recommend RAM-LEELA to the viewers who are more interested in just the bodies and not their souls.
SANJAY LEELA BANSALI once again comes with Beautiful Love Story - Which will make you entertain throughout the movie.
Theme: RAM-LEELA is Story of RAM who belong to RAJWADIS & LEELA who belong to BAWAALS . Basically there's a Big conflict between the two Villages & the Love Birds comes across when RAM goes to his RIVALARY Village for playing HOLI.
The movie comes with Eye catching visuals and framed beautifully.Songs are beautifully and suited well for the them.
Acting:Good chemistry between lead couples.
Note:An excellent love story just like a beautiful poem
Can i watch with family:Yes but some mild love making scene
Theme: RAM-LEELA is Story of RAM who belong to RAJWADIS & LEELA who belong to BAWAALS . Basically there's a Big conflict between the two Villages & the Love Birds comes across when RAM goes to his RIVALARY Village for playing HOLI.
The movie comes with Eye catching visuals and framed beautifully.Songs are beautifully and suited well for the them.
Acting:Good chemistry between lead couples.
Note:An excellent love story just like a beautiful poem
Can i watch with family:Yes but some mild love making scene
Apparently, this was one of the most awaited and anticipated movies of the year and the controversy just before the movie release ensured that the shows were sold out! I too was eagerly awaiting for this one and had really high expectations considering the SLB tag.
Let's talk the good stuff first. Brilliant performances by all, stunning and spectacular sets, fabulous music and a whole lot of color. Up till now I had some doubts about Deepika's acting talent, but boy can she act. She was superb and fantabulous in the movie, and I am not talking about her beauty. Supriya Pathak was incredible as Ba. Ranveer again displayed what a brilliant actor he is.
So with all this amazing stuff about the movie, why doesn't it still work. Poor story or should I say, no story whatsoever! The movie just keeps rolling and you end up thinking how is this scene different from the previous one. The story is so bad (and believe me I am not exaggerating even one bit) that nothing else works for the movie. All the viewers with me in the theater were yawning and loudly calling out for the movie to finish.
God knows why the critics are going gaga for this one. I had always believed in Rediff's review and I just wish I had done the same this time as well. Rediff gave it just 1 star.
Do yourself some favour, don't watch it at all.
Let's talk the good stuff first. Brilliant performances by all, stunning and spectacular sets, fabulous music and a whole lot of color. Up till now I had some doubts about Deepika's acting talent, but boy can she act. She was superb and fantabulous in the movie, and I am not talking about her beauty. Supriya Pathak was incredible as Ba. Ranveer again displayed what a brilliant actor he is.
So with all this amazing stuff about the movie, why doesn't it still work. Poor story or should I say, no story whatsoever! The movie just keeps rolling and you end up thinking how is this scene different from the previous one. The story is so bad (and believe me I am not exaggerating even one bit) that nothing else works for the movie. All the viewers with me in the theater were yawning and loudly calling out for the movie to finish.
God knows why the critics are going gaga for this one. I had always believed in Rediff's review and I just wish I had done the same this time as well. Rediff gave it just 1 star.
Do yourself some favour, don't watch it at all.
Lo sapevi?
- QuizThe song 'Mor Bani Thangat Kare' is originally written by Gujarati poet Shri Zaver Chand Meghani.
- BlooperEven after Ram and Leela's finger are chopped off, we see their full fingers in some of the scenes that follow.
- ConnessioniFeatured in 59th Idea Filmfare Awards (2014)
- Colonne sonoreAng Laga De
Music by Sanjay Leela Bhansali
Lyrics by Siddharth-Garima
Performed by Aditi Paul, Shail Hada
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Goliyon Ki Raasleela Ram Leela
- Luoghi delle riprese
- Udaipur, Rajasthan, India("Nagada Sang Dhol" Song)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.738.863 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.449.174 USD
- 17 nov 2013
- Lordo in tutto il mondo
- 4.840.849 USD
- Tempo di esecuzione
- 2h 30min(150 min)
- Colore
- Proporzioni
- 2.35 : 1
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