Nessuna via d'uscita

There will be no middle ground on this one. If you don't like slow burns, and psychological horror then move on. Other viewers will be in for a treat.

There are fair comparisons to "Maniac," but unlike the 1980 cult classic, I don't think you'll see the twist coming. Brendan Rock is phenomenal in the lead role of Patrick. The cat & mouse game of paranoia between him and Jordan Cowan keeps you guessing.

No spoilers here, but stick with the film to the end. It is absolutely a slow burn. But the third act grabs ahold, takes you on a psychotic ride, and makes you ask "What the Hell is happening?!"

Then it all comers together in a really clever ending. Everything was laid out for you the whole time. Just pay attention and enjoy.

The challenge with single-location thrillers or Chamber Pieces (as they call it in cinematic term) is the scarcity of inciting incidents.

Due to the narrative being confined to a singular space with limited number of characters and resources, there is minimal room to expand or experiment

As a result, stories often become repetitive, caught in tiresome cycles. Only exceptional performances from the ensemble and a captivating script with impressive dialogue writing can elevate these elements beyond the anticipated stillness.

I'm pleased to report that "You'll never find me" possesses all of the above qualities and more.

The remarkable cinematography and stunning sound design immediately draw us in from the opening shot, The narrative style keeps us on our toes, with morsels of information prompting us to question the unfolding events. Not to mention, the dynamic between the two central characters maintains our interest until the very end.

There were indeed some moments of ambiguity in the storyline that mandated clarification, I still consider it to be one of the standout psychological thrillers that came out in the recent times.

This movie had the potential to be something amazing with the initial one hour that it takes to set everything up. However, in the end the creators went for a weak ending which didn't stack up to all the investment made by the viewers upfront. It almost seemed like theu ran out of ideas on how to end the movie and took the easy way out. The acting is on point and the tension is always there. The camera work and the lighting is also done super well. The ending for horrors or thrillers are hard to set up, but the disappointment becomes even more pronounced when the story holds a lot of promise upfront. This is such a case.

I feel sorry for those who can't develop critical thinking and understand the meaning behind what's shown to them.

This movie is meant for those who can catch simple details AND PAY ATTENTION to the dialog. Everything you'll need to know is there, between the lines: the reason why Patrick thinks the woman's face is familliar, the reason why the woman "changes" her story (where she came from, why she initially says she wants a lift...).

The movie got me hooked till the very ending, when it all made sense.

For me it's a solid 7, they made the best they could with what they had, and succeeded....

Great first act of tension building and mysterious intrigue... starts to lose itself pretty quickly and by the final act it's a complete and total mess with zero resolve. There seems to be this recent trend of writers just completely unable to create an ending. In this case it feels a bit like they not only ran out of ideas, but budget as well- as the finale just ends up being a disjointed pile of cheap horror imagery. Great performances, and there's probably a movie in here somewhere that could have been great- sadly it just feels like it has no idea what it wants to be, and never recovers from the confusion. Ends up being a waste of time unfortunately.