La mia amica Zoe

Giving eight out of ten might seem like I did not enjoy the film that much, but that is far from true: for me it is actually a really, really high rating (I am a very picky movie watcher)! I watched the film at the TFF in Turin a few days ago, and I was quite happy the director was there to tell us the story behind the film, the reason why he chose two female actresses (fair point, by the way), etc. I guess he put his heart and soul into it, and it shows. It is a very honest film about PTSD, which got me thinking and made me both laugh and cry, which not many movies manage to do. It is the best I have seen so far at this year's TFF. The acting is also great, I loved the two main characters.

The positive reviews and the unique general concept intrigued me enough to convince me to see "My Dead Friend Zoe." What could go wrong with a dramedy about a war veteran who sees her dead army friend? I knew nothing would go wrong, but I'm surprised it's way more complex, thought-provoking, emotionally moving, and mesmerizing.

First, the performances were incredible. Legends Morgan Freeman and Ed Harris were almost guaranteed to deliver, but the central duo - Sonequa Martin-Green and Natalie Morales as Merit and the titular Zoe - bring outstanding work. Merit is a tragic figure attempting to move on with her life post-war, which is uprooted by the simple fact that she sees the movie's namesake. Who I expected to be a hilarious character was to an extent, but Zoe's more than just that. That said, Morales outshines Martin-Green by being incredibly entertaining.

Next, Kyle Hausmann-Stokes does fantastic work directing- and script-wise alongside A. J. Bermudez and Cherish Chen. Their work makes the narrative much more simultaneously heartwarming and heartbreaking than it had any right to be, and it's more the latter. They didn't mess around in developing the seemingly silly premise into a strong piece that covers topics like PTSD. Even Zoe's inclusion and ensuing backstory are more shocking than I ever anticipated. I can't spoil it, as not knowing it beforehand will enhance the gut punch hinted at throughout the film.

Though it inarguably is a dramedy, it's more of a drama than a comedy. Admittedly, there are many solid jokes, mainly from Zoe, but the drama makes this movie what it is. Completely leaning into the comedic qualities would've lessened its overall impact.

Finally, the 1-hour and 43-minute runtime never wastes or bores. Every moment enriches the already rich narrative and its effect on others, which I appreciate immensely.

"My Dead Friend Zoe" should've made the Top 10 during its opening weekend because it deserved it. It's worthy of your attention for its uniqueness alone, but its unanticipated direction will grip you.

Technically, the acting, directing, and screenplay make for a 10/10 technical score.

For the enjoyment score, I loved it! It's far from an easy watch, but it's worth it for its authentic heart and earnest depiction of PTSD. As a bonus, Sonequa Martin-Green and Natalie Morales are so exceptional as Merit and Zoe that they make this a must-watch alone. For those reasons, "My Dead Friend Zoe" gets a 10/10 enjoyment score! Please check this gem out in theaters!

Throughout this movie I felt there was something missing or wrong with the entire premise or story line.

After some time thinking things over and re-watching the movie, I think I know what it is: It really shouldn't be a comedy.

The subject matter is important and I think it would have been much more effective had the movie been entirely dramatic.

The story of a multi-generational military family - having made sacrifices for the country at great personal cost - should be told with more seriousness.

I do understand the artistic choice to use an imaginary dead friend as a story device. But I think it could have been done well even without the comedy.

Still, the acting was very good. And I'm glad Sonequa Martin-Green got to be lead in a movie that has nothing to do with Star Trek.

This movie is absolutely positively not even in the slightest bit a comedy or a dark comedy. It is incredibly sad. And very boring for the first 55 minutes (i fell asleep multiple times, i never do that). That being said, the movie recruits real veterans to play the roles of the veterans in the support group. The movie as a whole shines a light on some incredibly important (and often forgotten/overlooked) topics. I cried for the last 1/3 of the movie. Veteran or not, anyone who suffers from PTSD/SI, or even knows someone who does, will relate to this movie. And if that's not you, you'll still most likely appreciate the significance of the themes in this film. I'd categorize this movie as (in this order): drama, tragedy, war.

While I can understand why some might have a real connection to this movie and rate it a 10 for that reason (ie you served in the military (thank you for your service), lost someone close to you, or had to deal with putting an elderly family member in an assisted living home against their will), this movie isn't an Oscar worthy film. At the same time it isn't a "1" , worth walking out on, not by a long shot.

Like many I saw this movie as it was playing as the Screen Unseen, Monday movie of the week (love this idea by the way). The script is ok, not terribly deep or thought provoking. There are some cute, funny moments scattered about, but not sure I'd put this in the dark comedy category.

Morgan Freeman isn't used very effectively as some scenes cried out for more interaction between him and the lead character. Without that character depth, anyone could have played that role as meaningfully as he did, which wasn't very.

The ending could have used a little more fleshing out of some details to really deliver. It wasn't bad, and it gets its point across just fine. But overall that's what this movie is, it's just there and it's just fine. That's not a terrible thing, but it's not an amazing thing either.

That said, I am glad I saw it and I enjoyed it.