Impegnata in una relazione misteriosa con il suo migliore amico morto nell'esercito, una veterana dell'Afghanistan si scontra con il nonno veterano del Vietnam nella casa sul lago ancestrale... Leggi tuttoImpegnata in una relazione misteriosa con il suo migliore amico morto nell'esercito, una veterana dell'Afghanistan si scontra con il nonno veterano del Vietnam nella casa sul lago ancestrale della famiglia.Impegnata in una relazione misteriosa con il suo migliore amico morto nell'esercito, una veterana dell'Afghanistan si scontra con il nonno veterano del Vietnam nella casa sul lago ancestrale della famiglia.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 1 candidatura in totale
Recensioni in evidenza
This movie is absolutely positively not
even in the slightest bit a comedy or a dark comedy. It is incredibly sad. And very boring for the first 55 minutes (i fell asleep multiple times, i never do that). That being said, the movie recruits real veterans to play the roles of the veterans in the support group. The movie as a whole shines a light on some incredibly important (and often forgotten/overlooked) topics. I cried for the last 1/3 of the movie. Veteran or not, anyone who suffers from PTSD/SI, or even knows
someone who does, will relate to this movie. And if that's not you, you'll still most likely appreciate the significance of the themes in this film. I'd categorize this movie as (in this order): drama, tragedy, war.
The positive reviews and the unique general concept intrigued me enough to convince me to see "My Dead Friend Zoe." What could go wrong with a dramedy about a war veteran who sees her dead army friend? I knew nothing would go wrong, but I'm surprised it's way more complex, thought-provoking, emotionally moving, and mesmerizing.
First, the performances were incredible. Legends Morgan Freeman and Ed Harris were almost guaranteed to deliver, but the central duo - Sonequa Martin-Green and Natalie Morales as Merit and the titular Zoe - bring outstanding work. Merit is a tragic figure attempting to move on with her life post-war, which is uprooted by the simple fact that she sees the movie's namesake. Who I expected to be a hilarious character was to an extent, but Zoe's more than just that. That said, Morales outshines Martin-Green by being incredibly entertaining.
Next, Kyle Hausmann-Stokes does fantastic work directing- and script-wise alongside A. J. Bermudez and Cherish Chen. Their work makes the narrative much more simultaneously heartwarming and heartbreaking than it had any right to be, and it's more the latter. They didn't mess around in developing the seemingly silly premise into a strong piece that covers topics like PTSD. Even Zoe's inclusion and ensuing backstory are more shocking than I ever anticipated. I can't spoil it, as not knowing it beforehand will enhance the gut punch hinted at throughout the film.
Though it inarguably is a dramedy, it's more of a drama than a comedy. Admittedly, there are many solid jokes, mainly from Zoe, but the drama makes this movie what it is. Completely leaning into the comedic qualities would've lessened its overall impact.
Finally, the 1-hour and 43-minute runtime never wastes or bores. Every moment enriches the already rich narrative and its effect on others, which I appreciate immensely.
"My Dead Friend Zoe" should've made the Top 10 during its opening weekend because it deserved it. It's worthy of your attention for its uniqueness alone, but its unanticipated direction will grip you.
Technically, the acting, directing, and screenplay make for a 10/10 technical score.
For the enjoyment score, I loved it! It's far from an easy watch, but it's worth it for its authentic heart and earnest depiction of PTSD. As a bonus, Sonequa Martin-Green and Natalie Morales are so exceptional as Merit and Zoe that they make this a must-watch alone. For those reasons, "My Dead Friend Zoe" gets a 10/10 enjoyment score! Please check this gem out in theaters!
First, the performances were incredible. Legends Morgan Freeman and Ed Harris were almost guaranteed to deliver, but the central duo - Sonequa Martin-Green and Natalie Morales as Merit and the titular Zoe - bring outstanding work. Merit is a tragic figure attempting to move on with her life post-war, which is uprooted by the simple fact that she sees the movie's namesake. Who I expected to be a hilarious character was to an extent, but Zoe's more than just that. That said, Morales outshines Martin-Green by being incredibly entertaining.
Next, Kyle Hausmann-Stokes does fantastic work directing- and script-wise alongside A. J. Bermudez and Cherish Chen. Their work makes the narrative much more simultaneously heartwarming and heartbreaking than it had any right to be, and it's more the latter. They didn't mess around in developing the seemingly silly premise into a strong piece that covers topics like PTSD. Even Zoe's inclusion and ensuing backstory are more shocking than I ever anticipated. I can't spoil it, as not knowing it beforehand will enhance the gut punch hinted at throughout the film.
Though it inarguably is a dramedy, it's more of a drama than a comedy. Admittedly, there are many solid jokes, mainly from Zoe, but the drama makes this movie what it is. Completely leaning into the comedic qualities would've lessened its overall impact.
Finally, the 1-hour and 43-minute runtime never wastes or bores. Every moment enriches the already rich narrative and its effect on others, which I appreciate immensely.
"My Dead Friend Zoe" should've made the Top 10 during its opening weekend because it deserved it. It's worthy of your attention for its uniqueness alone, but its unanticipated direction will grip you.
Technically, the acting, directing, and screenplay make for a 10/10 technical score.
For the enjoyment score, I loved it! It's far from an easy watch, but it's worth it for its authentic heart and earnest depiction of PTSD. As a bonus, Sonequa Martin-Green and Natalie Morales are so exceptional as Merit and Zoe that they make this a must-watch alone. For those reasons, "My Dead Friend Zoe" gets a 10/10 enjoyment score! Please check this gem out in theaters!
Soooo...I went to see this film at AMC's Scream Unseen, which is exclusively for horror flicks. So that was upsetting, this home is absolutely not horror in any way shape or form. Secondly, since it was an early release the director begins the film with telling you about his newest dark comedy. This is assuredly not a dark comedy or even funny at any point. With that out of the way, this is a film about and for veterans and addressing the higher suicide rate of those who have served our country. Of course this is an important topic and I appreciate the directors and writers who made the film. Unfortunately there isn't much here till about 70 minutes into the film. More of a slice of life that happens to have veterans in the film. I would wait to stream this film. Not really worth a romp to the theatre.
Yes it is a movie about veterans but it is not just about that, for me till the first half it was like omg not this same old story again specially I was watching the movie in a film festival but secondly half movie started to reveal more details and it was ooohhh thats different and nice, director made an amazing job you will feel his touches in a lot of things. Big shout out for Natalie Morales amazing acting, I loved every scene she was in. I would have loved if the movie main characters was males just because of the stereotype of men should be strong and control feelings bla bla bla which lead eventually men not revealing there emotions, but director had a fair point of why main characters were women.
Throughout this movie I felt there was something missing or wrong with the entire premise or story line.
After some time thinking things over and re-watching the movie, I think I know what it is: It really shouldn't be a comedy.
The subject matter is important and I think it would have been much more effective had the movie been entirely dramatic.
The story of a multi-generational military family - having made sacrifices for the country at great personal cost - should be told with more seriousness.
I do understand the artistic choice to use an imaginary dead friend as a story device. But I think it could have been done well even without the comedy.
Still, the acting was very good. And I'm glad Sonequa Martin-Green got to be lead in a movie that has nothing to do with Star Trek.
After some time thinking things over and re-watching the movie, I think I know what it is: It really shouldn't be a comedy.
The subject matter is important and I think it would have been much more effective had the movie been entirely dramatic.
The story of a multi-generational military family - having made sacrifices for the country at great personal cost - should be told with more seriousness.
I do understand the artistic choice to use an imaginary dead friend as a story device. But I think it could have been done well even without the comedy.
Still, the acting was very good. And I'm glad Sonequa Martin-Green got to be lead in a movie that has nothing to do with Star Trek.
Lo sapevi?
- QuizUtkatdh Ambudkar (Alex), stars on the CBS TV show Ghosts where his character's wife also see ghosts like Merit in this movie.
- ConnessioniFeatures MASH (1972)
- Colonne sonoreUmbrella
Written by Jay-Z (as Shawn Carter), The-Dream (as Terius Gesteelde-Diamant), Kuk Harrell (as Thaddis Harrell), & Christopher Stewart
Performed by Rihanna featuring Jay-Z
Courtesy of Def Jam Records under license from Universal Music Enterprises
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- My Dead Friend Zoe
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Botteghino
- Lordo Stati Uniti e Canada
- 1.250.703 USD
- Fine settimana di apertura Stati Uniti e Canada
- 740.088 USD
- 2 mar 2025
- Lordo in tutto il mondo
- 1.265.163 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Proporzioni
- 2.39:1
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