Uno scienziato esperto in intelligenza artificiale riesce a salvare il contenuto del proprio cervello in in un computer prima di morire.Uno scienziato esperto in intelligenza artificiale riesce a salvare il contenuto del proprio cervello in in un computer prima di morire.Uno scienziato esperto in intelligenza artificiale riesce a salvare il contenuto del proprio cervello in in un computer prima di morire.
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- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
Recensioni in evidenza
'Transcendence' Synopsis: A scientist's drive for artificial intelligence, takes on dangerous implications when his consciousness is uploaded into one such program.
'Transcendence' has a marvelous first-hour, with the drama unfolding most impressively. The second-hour loses steam. The narrative becomes abstract & the film overstays its welcome by at least 15-minutes. Also, the culmination is half-baked. The desired impact is missing.
Jack Paglen's Screenplay is innovative & offers some truly well-written sequences, but the mostly low second-hour, plays a spoilsport. Wally Pfister's Direction is good. Cinematography is appropriate. Editing lacks sharpness. Art Design is super.
Performance-Wise: Johnny Depp, despite limited screen time, leaves a mark. Rebecca Hall is excellent. Paul Bettany is very sincere. Kate Mara is natural. Cillian Murphy & Morgan Freeman are okay.
On the whole, 'Transcendence' isn't amazing, but it holds some appeal nevertheless.
Now that I've just seen it, I can understand why they named it as they did; this wasn't just some usual commercially catchy phrase to sell a film, but after all is said and done (and viewed) that SPECIFICALLY was actually the primary theme of the film. It will be a little difficult to 'talk' about this aspect of it without entering Spoiler territory, which I do not wish to do.
There are deeper themes running through this film than one may think at first. Without being specific, the final few scenes reveal that 'Transcendence' is indeed what is going on here. So, first and foremost, PLEASE do not be put off by those who say that this is just a shallow Sci Fi film about a machine taking over; if you like serious Science fiction that is done very well, then you should like this film.
One caution though... My impression is that this movie is the moral antithesis of a film like, say, 'CHILDREN OF MEN', which I also just watched recently before this one. That film too is very beautifully shot and technically well done; AND, it also would be considered very serious, adult Science Fiction. But, I personally ***ENJOYED*** this one quite a bit more; the themes and mood of it resonated a LOT more with me personally than the other film. I just mention these particular films as a comparison of two well done, modern Sci Fi films, but with almost TOTALLY opposite philosophies behind them. Whereas 'CoM' is what I would call much more gritty and 'Realistic' and even quite Nihilistic in it's tone, where basically just about bloody EVERYONE dies, Mankind is shown to be nasty, selfish, and brutal, and with the supposed exception of it's last minute ending, completely without any hope at all. This film though, in my lowly and wretched opinion, is MUCH more subtle and enlightened in the themes that it is emphasizing, and it may not be until the very end when you fully realize what the point actually is (I'll give you a hint... It has to do with one of the last things Rebecca Hall says) Don't get me wrong, BOTH films are very well done, but I just wanted to show the extreme contrast in tone, so that it might help you to choose whether you would want to watch this one.
Also, quite frankly, it is just a great film. It's a lot of fun, there is excellent suspense where you do NOT know what is going to happen next or whether what is going on is truly Good or Evil...
So, as I mention in a lot of my reviews: If you are a bit on the cynical side and are the kind of person who likes their entertainment, whatever the Genre, to be of the more brutally 'Realistic' type, and you don't care for more imaginative or Idealistic films, then this one may not do much for you. BUT... IF you do appreciate films where the underlying themes may cause you to question your own attitudes towards Hope and Faith (and I DON'T mean anything Religious at all - Just Faith or Hope in things or people in general) THEN you might, as I did, really find this film quite refreshing and entertaining.
Hey, we all know this day may be coming and this movie may be a harbinger of that. But for now let's see where this takes us. Keep in mind, it's only a movie.
We see the dangers of Will becoming godlike and controlling the world's internet. However all we actually see is Will doing good healing the earth and people. But, the opposing forces see this as too controlling and fear it could get out of hand and doom everyone including the earth itself. There is that but what is forgotten - in this movie - is the love Will has for Evelyn for whom Will does everything. He constantly cites Evelyn's dream to her. The problem is that later on Evelyn also sees the dangers of a too powerful Will. The ending proves this point.
Some things were not brought into this scenario: no government including those worldwide, no religious groups demonstrating against Will and what he has become in their minds, and no worldwide denunciation by other nations. No, this stays with the small opposition group and the love story with Will doing everything he can to further Evelyn's dream although it may not be as evident as it could have been.
There is some excellent CGI in the works. A good supporting cast of Paul Bettany as Max and Morgan Freeman as Joseph were under used, but still good in this context. Kate Mara as Bree, a leader of the opposition is the only one who is animated and urges the end of Will and what he has become.
When a Johnny Depp character is on the screen or in a monitor on the screen, he is still a force to behold and performs in Oscar-worthy mode all the time. Kudos.
This movie provides us with something to think about. How far will we allow technology to go?
The pacing is slow, and we are never sure where this is leading us, but we are attentive and hope for the best. We like what Will is doing but we don't want him to become a god or godlike. How can he be stopped?
Yes, now only a movie, but one day (7/10)
Violence: Yes. Sex: No. Nudity: No. Language: No,Very brief soft stuff.
Lo sapevi?
- QuizContinuing his outspoken advocacy for the use of film stock over digital formats, cinematographer Wally Pfister not only chose to shoot the film in the anamorphic format on 35mm film instead of on a digital camera, but also finished the film photochemically, refusing to use a digital intermediate.
- BlooperWill Caster is killed by the highly toxic radio-active element, Polonium (the same one used to murder Alexander Litvinenko in true-life in 2006). Despite its toxicity (scientists estimate that 1 gram could kill 50 million people), his wife and friends are allowed to remain with him in close proximity until his death. Whilst intact skin is actually a barrier to the passage of alpha radiation particles to a nearby person (so we could let them off this goof), we later see Caster's cremated ashes being tossed into the breeze above a river for all to breath in. These are hardly actions that any homeland security or radiation expert would conceivably have allowed to happen.
- Citazioni
Will Caster: For 130,000 years, our capacity to reason has remained unchanged. The combined intellect of the neuroscientists, mathematicians and... hackers... in this auditoirum pales in comparison to the most basic A.I. Once online, a sentient machine will quickly overcome the limits of biology. And in a short time, its analytic power will become greater than the collective intelligence of every person born in the history of the world. So imagine such an entity with a full range of human emotion. Even self-awareness. Some scientists refer to this as "the Singularity." I call it "Transcendence."
- ConnessioniFeatured in Half in the Bag: Transcendence and the Amazing Spider-Man 2 (2014)
- Colonne sonoreGenesis
Written by Jorma Kaukonen
Performed by Jorma Kaukonen
Courtesy of RCA Records
By Arrangement with Sony Music Licensing
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- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 23.022.309 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.886.386 USD
- 20 apr 2014
- Lordo in tutto il mondo
- 103.039.258 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1