The Dark Horse

I had some trepidation about it - mental illness and some Maori themes had been explored in excellent "The Insatiable Moon" - and the opening with film-effects rain didn't inspire.

However, a little further in and the film grabbed you by the throat and didn't let go. There are some very intense scenes and some things that are hard to watch though the violence is mostly off-screen. Chris Curtis delivers a truly stunning Genesis - an acting tour-de-force that just has to be seen. Telling his history to Mana up on the monument was a sight to behold - as well as his occasional slips out of the sane world. I know a few bipolars and it was very convincing.

While Curtis carries much of the film, he is very well supported by James Rolleston who has grown up since "Boy", Kirk Torrence, Hapi and the ensemble of kids. Te Hira's malevolence is also important to the script.

The script was brilliant. I thought Mana's attraction to Genesis was a little under-written but everything else came together in a very satisfying way. The linking of chess to warrior tradition and identification with family/tribe was inspired. I wonder if the real Genesis did this - it was certainly convincing as a way to touch these kids. Some excellent sets.

All in all, not one to be missed. The setting and culture are obviously very familiar to NZers, but I cant see why overseas audiences wouldn't enjoy it. The themes are pretty universal.

Behind the beautiful cinematography, engaging and detailed performances, and deftly-paced editing is a master work of a screenplay. A wholly empathetic protagonist, with his wellbeing so delicately balanced, bombarded by obstacles. The stakes continue to rise, the subplots interweave seamlessly, with the whole story building to a perfectly weighted, moving, climax.

Once filmmakers could be just "good" or "interesting" and pull a crowd to the cinema to see their kitchen-sink dramas. The new Golden Age of television has put paid to that. We get great storytelling and interesting ideas pushing boundaries all the time, delivered on-call to our living rooms. if filmmakers are not making blockbusters, or special effect laden sensual experiences, then the stories must be wonderful and totally captivating to get a crowd in the car and front up with the ticket price. There's no place to hide...

This film is a great reminder of why there is still a place at the cinema for a low budget, domestic drama, they just need to be this good!

WoW, what a sensational powerful story .. the plot is engaging and growing perfectly with so much heightened emotions. the script looks tight and connected and for a young man as James Napier Robertson to be writing and directing such a masterpiece is really outstanding.,. with many intense scenes distributed in balance over the two hours.

Honestly, this project turned out to be so much better than i expected , when i thought it was all produced in New Zealand which i can't recall i'v ever watched a movie of sorts. but they've really got so much potentials could even compete Hollywood. yeah i had a bit of trouble understanding some sentences because they really speak in a vague intriguing fast way but i managed it and understood it all and i surely felt the story to its end.

As for the cast,, i love Cliff Curtis , he is one of few from outside of the states who were able to shine and make a solid name for themselves in the film industry ,, so bravo for him.. as for the other members ,, the kids performance was commendable as for the others.

The only thing which you might agree or you might not , is see the production was spot on and perfect but i kinda started thinking what if it's been produced and directed in Hollywood !! would it overpower the level of Foxcatcher which i think it was one of the best Biography/Drama last year !! but again it doesn't mean here as is it wasn't good because it went perfectly.

Stamp recommended ;)

Other reviewers have summed this film up very well, it is a remarkable story and I can also see if you are a Kiwi coming from the area it would have even much more of a significant impact.

However, let me just take a minute to reflect on the performance given by Cliff Curtis. He is such a versatile actor! Having played in many Hollywood hits and also lower budget Kiwi productions, he has the ability to transition from cool, calm characters to angry, stormy characters and now to a perfect portrayal of Genesis, the Dark Horse, who is "sick" but doing his very best to help troubled kids in his community. Curtis' acting in every one of his films is horrifyingly convincing and it is fair to say he will be robbed if he doesn't win an award for this role in particular. He played such a gentle, caring character all you could do was feel sympathy for his situation throughout the entire duration of the film.

I have grown weary of ratings over 8 recently and I want to let anyone reading this that I don't give out a 9 or 10 without thoughtful consideration. I developed this trepidation towards highly rated movies in the last few years in reaction to the incredible ratings that I have observed for Hollywood blockbusters in the last few years on review websites.

I go into films expecting to have my mind blown after seeing an 8 out of 10 rating, instead I'm am confronted with formulaic shtick. This film wholeheartedly deserves a 9 or 10 out of 10. It subtly puts across a plethora of social commentaries that will leave you thinking for days.

I am from New Zealand so found it very easy to identify with the characters but I am fairly confident it will come across to anyone from any background or nation. Cliff Curtis deserves to be on the international stage for his performance in this film.

Go and see it, you deserve it! To finally see an 8/9 out of 10 that is actually worthy of it. The group I saw this with was left quietly affected for hours. I suspect for days, I cannot confirm as I was only in this groups company for hours.