Entrapped

"Trapped" season one was fantastic. It wasn't just the novelty of a crime drama taking place in Iceland, it was also the setting, the atmosphere, and especially the characters principally the chief of a small town police force Andri Olafsson.

Unfortunately, season 2 was much weaker and less interesting. And now "Entrapped," which is basically season 3, sadly continues the decline of the entire series from its excellent and hopeful first season. And I think I know why.

For season 1, if you remove Iceland, with its harsh and stark environment and nearly perpetual darkness, as the drop, the story would still stand up. The characters were well-designed and the protagonist and his small team quite interesting.

Season 2 didn't make such good use of the environment, and there were really no good character developments among the main ones who we follow. Also, the story was too far-fetched and thus not very engaging.

Come to season 3, what made the original so engrossing has completely disappeared. The series has become just another run-of-the-mill police and drama drama. The story could have taken place anywhere, and that's the shame of it.

A missed opportunity to showcase Iceland and its people.

Summary:

Entrapped (it is actually season 3 of Trapped) continues to expose the foreign as a threat to island peace and family conflicts as axes of the behavior of its characters, although without the almost Bergmanian depth of season 2. A more conventional crime series , but with all the ingredients to retain the viewer and always with the spectacular and decisive setting of the Icelandic landscape.

Review:

The murder of a young member of a neopagan sect coincides with the arrival in the Icelandic town of Siglufiörður of a gang of bikers willing to dispute the lands occupied by the sect.

The series (effectively a season 3 of Trapped, renamed Entrapped) finds Hinrika (Ilmur Kristjánsdóttir) as the new police chief of the northern Icelandic town and Andri (Ólafur Darri Ólafsson) and Trausti (Björn Hlynur Haraldsson) serving as in Reykjavik. The murder case will intersect with others, one of them related to the suspected bikers, which will generate tensions, interference and dilemmas in the respective investigations.

Entrapped recovers in this season a narrative that is generally simpler (although sometimes it is a bit difficult to retain the names of the characters), mostly linear, far from the almost Bergmanian depth and complexity of season 2, but mostly effective. Family conflicts always appear as underlying and in general determinants of the plot and foreign characters as disturbing elements of the island's peace. Although the series (quite short and with chapters of around 40 minutes) continues to take its time, the story knows how to change the rhythm with several scenes of suspense and action, always with the wonderful Icelandic landscape as the determining setting.

I expected something as fine as "Trapped" but was disappointed, as it seems as are others.

The basic fault is a script that can't seem to raise above grade B theatrics. The cops continue to act stupidly. The bad guys are "Sons Of Anarchy" on Ritalin. The main character bumbles around like Gentle Ben. No-one comes across as real, merely caricatures, and the dialog is stilted.

It's all been done before but with a hackneyed plot line it helps to have a better script, and character development.

It all shows in the acting, which simply follows the dialog faithfully rather than striking out and creating some risk.

We do not need another sequel. Let this one lie.

As someone who really enjoyed Trapped, I was looking forward to this. Sadly, it is not as gripping a tale. Even the Icelandic landscape and weather seemed less fascinating and forbidding. Trapped involved lots of artic ice and blizzards, whereas this is set mostly in a biker gang's hideout and a pagan cult's compound. There's lots of back and forth between the two on a coastal highway. Bikers and police, back and forth, back and forth. Every time a new issue came up, there was a road trip to one or the other.

The show attempts the obligatory task of making every character seem like a potential suspect for at least five minutes, but not all of these attempts succeeded. Without giving any details away, I didn't find the resolution very satisfying or worth the time I had invested.

"Trapped" was a pleasant surprise: A taut, emotionally-driven series with tight plots and engrossing environments. Sure, it was slow in parts but still amazing that a country of 400K residents can come up with something that blows much of Netflix programming away.

Saying that, this series lacks some of the tight scripting of "Trapped." Too often my mind wandered when it should have been glued to the TV. There just too much superfluous stuff, too many soap opera moments that the previous series avoided.

Still, it's an admirable show. I stayed with it and felt fully engaged with the characters. Perhaps a little too much at times as I would lose my place in the story. Thankfully, the ending neither disappoints nor insults the audience. Respect.