The Wasp

No pun intended - the movie has some strong and stellar main performances! It also has some strong and not easy to watch scenes - for a thriller it does quite a lot right ... on the other hand it also relies heavily on chance, convenient timing and luck ... not to mention certain things that do not make sense at all .. or rather should void the plan in and of itself.

If you've seen the movie you understand what I mean - if not you may scratch your head while you are watching this. I reckon memory can be strange - we do forget things from our childhood ... on the other hand those things are touched upon ... and it doesn't seem to gel ... so it suspension of disbelief is quite high ... this really bets on the viewers not caring too much about logic ... and just being entertained by the story and the twists that come along the way ... what will it be for you then? Don't hold it in for too long.

In dark Bath-based British dramatic-thriller "The Wasp" middle-class Naomie Harris is stuck in a loveless marriage to douchey Dominic Allburn, so reaches out to pregnant old school-bully 'friend' Natalie Dormer with an indecent proposal... but as the two discuss details etc together, it becomes apparent that all ain't what it seems. For his debut screenplay Morgan Lloyd Malcolm adapted his own play (it has the clear feel of being based on a play) which Guillem Morales brings modestly home (with its various flaws) as his first English-language film as director. It's original, and decently engaging, though it lacks the strong stinging edge that woulda made it great.

This movie is a remarkable testament to the power of a finely crafted screenplay and the intricate show of character interactions, both of which the writing executes with admirable skills.

The story may not be particularly resourceful, but those who appreciate conversation heavy drama enriched with well timed dialogues will find themselves pleasantly surprised.

Discourses are artfully crafted and delivered with impeccable timing and finesse, a credit to the outstanding performances of Naomie Harris and Natalie Dormer, who have brought their roles to life, kept me engaged from start to finish.

Spanish director Guillem Morales delivers an intense thriller that pleasantly surprises with its interpretive strength. It is one of those rare feature films that exudes its theatrical origin from the beginning, but remains absolutely cinematic in every sense.

As we enter into the story proposed by screenwriter Morgan Lloyd Malcolm, who adapts her own play, obtaining a film that constantly surprises you with the force with which it explores past traumas and desperation so that as spectators we fall into a game of mental duels that bring out the best in its two performers. Both main characters feel trapped like the eloquent metaphors with which their director gives us clues in its powerful beginning.

Both Naomi Harris and Natalie Dormer enter into a duel of characters with intense monologues and all the expressive talent of two great actresses who absolutely take over the film and make you have great moments of resentment, sorrow and madness. All stimulated by the talent of the Spanish director who manages to make his debut in English with all the intelligence and wisdom of a director who knows how to handle suspense with absolute greatness. If we take into account his previous works, it is a sure bet for the film to be as efficient as it is, and to have a great director behind it.

The Spanish director's direction takes us on a journey full of tension and suspense, with the particularity of having some wild and attractive twists, with a disturbing and dramatic piece that contains a lot in its 96 minutes and that remains in the memory beyond its final credits.

A surprising and distressing ending with a masterful handling of atmosphere, tension and details make this a great film that is worth giving your time to and enjoying as one of those little gems that always come to surprise us with satisfaction.

Ladies and gents, what we have here is a well-acted, well-written, well-cast, well-directed, psychological thriller. It works well, it keeps you offguard, and the time passes very quickly indeed. These sorts of films were all the rage in the 1940s, a time when the industry was still transitioning from the static feel of a stage play (few backgrounds, lots of dialog) to the more kinetic medium of film. The only unusual thing about it is the fact that some big-name critics went nuts for the project, saying it was the best thing they had ever seen. Not really. But it does hold the attention. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))