Aggiungi una trama nella tua linguaAfter his mother is murdered, a gun-slinging bounty hunter finds the father he never met who is battling a range war against a powerful land baron.After his mother is murdered, a gun-slinging bounty hunter finds the father he never met who is battling a range war against a powerful land baron.After his mother is murdered, a gun-slinging bounty hunter finds the father he never met who is battling a range war against a powerful land baron.
- Premi
- 1 vittoria in totale
Stephen Bridgewater
- Jonesy
- (as Stephen W. Bridgewater)
Recensioni in evidenza
A movie is a collaboration of many technicians and artists working together to involve the viewer in the story the movie portrays. This collaboration failed because there was a strange paucity of motive or plot to the final conflict between the Dowdy's and the Eastman's. The movie that I was able to watch was, as an earlier viewer said, a collection of scenes cobbled together with little rhyme or reason for the characters actions. A their best they managed to be in chronological order. Mr. Martin, the writer, did manage some smooth and believable dialog, but without a plot or believable subplots the movies is just a hash or melange of scenes that fall apart without any believable motivation for characters actions or plot for the scenes to fit in. Maybe he can improve, since this was his first effort, but he need to learn a lot about structure and plot of a movie or play. The director, Mr. Cass, has directed a pretty good western in the past, "The Johnson County War." However, he must share in the lack of plot portrayed in the final film. The credits list a "Bronze Wrangler" Western Heritage Award,but it must have benefited from a lack of competition. If you don't expect a full story and can settle for watching the good scenes with some familiar television genre actors; and reading a book or newspaper until the next good scene then this will fill the bill. The sets, settings, costumes and actors were fairly good with a few inevitable anachronisms and contradictions, The western movie genre lost a lot of expertise in western period costumes and props with the death of the old studios systems.
The, feel, costumes, sets and actors,drew the viewer in from start to finish. Greg Evigan did excellent job as villain. I especially like when it was depicted when female character was shot and killed, no blood and gore shown.The villain with smile on face pulled trigger, viewer hears shot, does not see female get it. I thought that was very important considering all the violence again females today and back then. The point was made with out showing more violence. No romance, I found this a refreshing change of pace. With the type of conflict going on, the romance would not have been believable or had time to develop. Wes Brown played part with grit and edge of a fast draw from the westerns of the past with a modern take on it. Camera shots of the guns being drawn were excellent. Kevin Sorbo played well as the aging patriarch that showed wisdom and compassion when needed. This is one that could be watched over and over again.
The main character Rawlins has 1 more facial expression than Arnold as the terminator. He smiled once, maybe twice. His acting chops are wooden and I think the only reason they chose him is because he has those "squinty" gunfighter eyes that are in vogue for these types of movies. All of the costumes were not "aged" properly, same for the hats. Rawlin's holster was brand new, it looked like it was fresh out of the box, it had no evidence that he had used it before enough to be a "fast draw." It certainly didn't look like he had practiced with it. The rifle shots would have gone straight through the buckboard and hit the men taking cover behind it. And if I ever see another movie where a building blows up while the actors never look back it will be more irritating than the whole of this movie was. I can't see how this movie got good reviews. The acting was horrible.
The thing about reviewing every single film you watch, is that occasionally you run out of things to say. Such is the case now.
Shadows on the Mesa is a made-for-TV western which is roughly fifteen times better than I thought it would be. It has a good plot, characters that have more depth then you'd expect and a Star Wars-esque twist on your typical 'love interest'.
The shoot outs aren't that great, but that's because this was originally made for The Hallmark Channel, which is targeted at all the family. So don't expect any blood, swearing or other material that might make it unsuitable for those out of nappies to watch.
It doesn't need them anyway, as the movie is good enough to not have to bother with trying to attract a more 'adult' audience. I liked it. End of story. 6/10
Shadows on the Mesa is a made-for-TV western which is roughly fifteen times better than I thought it would be. It has a good plot, characters that have more depth then you'd expect and a Star Wars-esque twist on your typical 'love interest'.
The shoot outs aren't that great, but that's because this was originally made for The Hallmark Channel, which is targeted at all the family. So don't expect any blood, swearing or other material that might make it unsuitable for those out of nappies to watch.
It doesn't need them anyway, as the movie is good enough to not have to bother with trying to attract a more 'adult' audience. I liked it. End of story. 6/10
This movie comes from the period when Hallmark made and showed good movies. This was not one of the same, sappy, love movies they do today. Today they all have the same story, just different actors and different places.
Lo sapevi?
- QuizOne scene shows a wind turbine in the background.
- BlooperThe structure at about 49 minutes looks exactly like a modern wind turbine. The "tin" cans used as target practice are not of the period. The ribbing on the cans looks current.
- ConnessioniFeatured in Home & Family: Wes Brown/Kim Greenwood/Rebekka Johnson (2013)
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Dettagli
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
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