VALUTAZIONE IMDb
7,4/10
2454
LA TUA VALUTAZIONE
All'inizio del XVIII secolo, il dominio straniero significò tempi bui per gli Hutsul dei Carpazi.All'inizio del XVIII secolo, il dominio straniero significò tempi bui per gli Hutsul dei Carpazi.All'inizio del XVIII secolo, il dominio straniero significò tempi bui per gli Hutsul dei Carpazi.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 9 candidature totali
Sergey Strelnikov
- Oleksa Dovbush
- (as Serhiy Strelnikov)
Daria Plakhtii
- Marichka
- (as Darya Plakhtiy)
Roman Yasinovskiy
- Adam
- (as Roman Yasynovskyi)
Volodymyr Beliayev
- Scar
- (as Volodymyr Bieliaiev)
Recensioni in evidenza
10bohdanp
The story of Oleksa Dovbush is the story of a man in a feudal system. And moreover, this feudal system was made worse by the fact that the territory of Ukraine was occupied by Poland. In this story, the injustice of the lords towards ordinary peasants, oppression, humiliation, and all this provokes resistance. And this resistance in the film takes on a blockbuster scale.
The film is in some aspects similar to Quentin Tarantino's films, and echoes the story of Robin Hood. The plot develops dynamically. The acting is at a decent level. There are some questions about the performance of the mainstream actors.
A nice advantage of the film is that it was not made in Hollywood, which makes it unique, devoid of clichés.
This is a great film to learn a little more about Ukrainian culture and the suffering of this people throughout their difficult history.
The film is in some aspects similar to Quentin Tarantino's films, and echoes the story of Robin Hood. The plot develops dynamically. The acting is at a decent level. There are some questions about the performance of the mainstream actors.
A nice advantage of the film is that it was not made in Hollywood, which makes it unique, devoid of clichés.
This is a great film to learn a little more about Ukrainian culture and the suffering of this people throughout their difficult history.
10enotich
This movie is something else... It is an inspiring, beautifully shot, well choreographed and generally well-rounded biopic about life and glory of the legendary Oleksa Dovbush.
Historically accurate costumes and real castles make the impression of a sincere and honest depiction of that age, shining as a star above most fantasy movie that are shot indoors with a chromakey background. Shot in the most beautiful Carpathian mountains, as well as other colorful and authentic to the story locations, it is a masterpiece to behold.
Charismatic actors, nice battle scenes, deep symbolism make you want to watch it again and again.
DEFINITELY RECOMMEND.
Historically accurate costumes and real castles make the impression of a sincere and honest depiction of that age, shining as a star above most fantasy movie that are shot indoors with a chromakey background. Shot in the most beautiful Carpathian mountains, as well as other colorful and authentic to the story locations, it is a masterpiece to behold.
Charismatic actors, nice battle scenes, deep symbolism make you want to watch it again and again.
DEFINITELY RECOMMEND.
Captivating story from the European history, where a Robin Hood like leader of XVIII Ukrainian rebels stands against the oppressive Polish nobles. First thing why you should watch this film is scenery, it is simply out of this world. The film also conveys folk traditions in Ukrainian Carpathians and is done multi-lingual, which makes it very realistic. There are many side lines to the main plot, which makes the film captivating. The battle scenes are very professional, but I wouldn't recommend them to be seen by kids, as they're quite bloody. Interestingly, the film also shows Dovbush meeting Baal Shem Tov, a founder of Hassidic Judaism, though it's not explicitly mentioned in the film. Overall impression very good, much recommended!
I will start with caste. Serhiy Strelnikov was a good choice for the role of Oleksa Dovbush, at least he looked natural, but while watching the film I thought that Strelnikov was playing Batman, not Dovbush. I can single out Oleksiy Hnatkovsky in the role of Ivan Dovbush, who turned out to be the best character in the film. Ivan took all the attention when he was with Oleksa.
Cinematography sometimes pleased me, and sometimes disappointed me, especially in the very first battle scene, although this is probably a question for the director. Beautiful views of the Carpathians and beautifully staged battles.
The artists and directors surpassed everyone and everything.
Cinematography sometimes pleased me, and sometimes disappointed me, especially in the very first battle scene, although this is probably a question for the director. Beautiful views of the Carpathians and beautifully staged battles.
The artists and directors surpassed everyone and everything.
Dovbush is a technically competent film that impresses visually, especially with its mountain scenes. Despite a relatively low budget (by international standards), it manages to blend legends and myths about Oleksa Dovbush into an entertaining package. However, this blend is where the film stumbles, presenting a loosely connected mix of random retellings.
Apparently realizing the story lacked cohesion, the filmmakers chose to inject Pirates of the Caribbean-esque vibes, quirky humor, and intense action. This artistic decision makes for easy viewing if you're not too concerned with character motivation, coherence, or traditional script structure. The "final revenge battle" occurs prematurely, leaving the film without a strong climax.
Despite its flaws, Dovbush wasn't a bad film. As a Ukrainian, I was pleasantly surprised by my compatriots' ability to deliver a reasonably competent production. It wasn't as politically charged as I expected, though some character depictions might still ruffle feathers (despite the creators' attempts to distance themselves from controversy in the intro credits).
Should non-Ukrainians watch it? Possibly. Will they be sufficiently entertained? Probably not. While the film does a good job playing with Carpathian legends and myths, the lack of a comprehensive storyline significantly undermines its overall impact.
Apparently realizing the story lacked cohesion, the filmmakers chose to inject Pirates of the Caribbean-esque vibes, quirky humor, and intense action. This artistic decision makes for easy viewing if you're not too concerned with character motivation, coherence, or traditional script structure. The "final revenge battle" occurs prematurely, leaving the film without a strong climax.
Despite its flaws, Dovbush wasn't a bad film. As a Ukrainian, I was pleasantly surprised by my compatriots' ability to deliver a reasonably competent production. It wasn't as politically charged as I expected, though some character depictions might still ruffle feathers (despite the creators' attempts to distance themselves from controversy in the intro credits).
Should non-Ukrainians watch it? Possibly. Will they be sufficiently entertained? Probably not. While the film does a good job playing with Carpathian legends and myths, the lack of a comprehensive storyline significantly undermines its overall impact.
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- Citazioni
Oleksa Dovbush: We're fighting for our land! What are you fighting for?
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Dovbush: Lord of Black Mountains
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.700.000 USD (previsto)
- Lordo in tutto il mondo
- 176.588 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
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