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La talpa: USA

Titolo originale: The Mole
  • Serie TV
  • 2022–
  • TV-MA
  • 45min
VALUTAZIONE IMDb
7,5/10
5402
LA TUA VALUTAZIONE
Jacob Hacker, Avori Strib, Casey Lary, Greg Shapiro, Kesi Neblett, Pranav Patel, Samara Joy, Sandy Ronquillo, William James Richardson, Dom Gabriel, Osei White, and Joi Schweitzer in La talpa: USA (2022)
It follows twelve players as they work together in challenges to add money to a pot that only one of them will win.
Riproduci trailer1:39
4 video
45 foto
Chi lo saMistero e suspenseAvventuraGame ShowMisteroReality TV

Dodici giocatori lavorano insieme in sfide per aggiungere denaro a un piatto che solo uno di loro vincerà.Dodici giocatori lavorano insieme in sfide per aggiungere denaro a un piatto che solo uno di loro vincerà.Dodici giocatori lavorano insieme in sfide per aggiungere denaro a un piatto che solo uno di loro vincerà.

  • Star
    • Alex Wagner
    • Ari Shapiro
    • William James Richardson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    5402
    LA TUA VALUTAZIONE
    • Star
      • Alex Wagner
      • Ari Shapiro
      • William James Richardson
    • 65Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Episodi20

    Sfoglia gli episodi
    InizioI più votati

    Video4

    Official Trailer - Season 2
    Trailer 1:39
    Official Trailer - Season 2
    Official Trailer
    Trailer 1:51
    Official Trailer
    Official Trailer
    Trailer 1:51
    Official Trailer
    The Mole: Season 2
    Trailer 1:32
    The Mole: Season 2
    The Mole
    Trailer 1:44
    The Mole

    Foto44

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali26

    Modifica
    Alex Wagner
    Alex Wagner
    • Self - Host
    • 2022
    Ari Shapiro
    Ari Shapiro
    • Self - Host
    • 2024
    William James Richardson
    William James Richardson
    • Self - Contestant
    • 2022
    Joi Schweitzer
    Joi Schweitzer
    • Self - Contestant
    • 2022
    Kesi Neblett
    Kesi Neblett
    • Self - Contestant
    • 2022
    Avori Strib
    Avori Strib
    • Self - Contestant…
    • 2022
    Jacob Hacker
    Jacob Hacker
    • Self - Contestant…
    • 2022
    Hannah Burns
    Hannah Burns
    • Self - Contestant
    • 2024
    Deanna Thompson
    Deanna Thompson
    • Self - Contestant
    • 2024
    Sean Patrick Bryan
    Sean Patrick Bryan
    • Self - Contestant
    • 2024
    Michael O'Brien
    Michael O'Brien
    • Self - Contestant
    • 2024
    Muna Abdulahi
    Muna Abdulahi
    • Self - Contestant
    • 2024
    Ryan Warner
    Ryan Warner
    • Self - Contestant
    • 2024
    Greg Shapiro
    Greg Shapiro
    • Self - Contestant…
    • 2022
    Neesh Riaz
    Neesh Riaz
    • Self - Contestant
    • 2024
    Casey Lary
    Casey Lary
    • Self - Contestant…
    • 2022
    Quaylyn Carter
    Quaylyn Carter
    • Self - Contestant
    • 2024
    Pranav Patel
    Pranav Patel
    • Self - Contestant…
    • 2022
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti65

    7,55.4K
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    Recensioni in evidenza

    7sissyjer

    Enjoyable but pointless

    Let me start off by saying that the show has a great hook and I enjoyed it quite a bit.

    My problem came around half way through when I realized that the mole didn't really have a role. The mole can't be eliminated, the mole can't win, and the mole doesn't have to sabotage because 1. They gain nothing from it and 2. Everyone else is already busy sabotaging to draw attention to themselves. There's no point keeping track of who might have sabotaged consistently because the motives are all wrong.

    The most frustrating thing is that the mole literally CANNOT win or lose, NOTHING is at stake. Someone is just going to walk away with a bunch of money at the end.

    Lastly, I wish they would show more of the conversations between the characters so that we as viewers can feel closer to them and develop favorites etc. Nothing is at stake for the viewers either, because we don't get to care about the characters.
    9uzkngeweb

    A lot of copy paste from the mole Belgium season 9

    I am a huge fan of the original series: The mole Belgium (De Mol), that is running since 1998 and has 10 seasons and more to come.

    Also I like the Dutch version (with celebrities), Wie is de mol? Which has done 20+ seasons.

    Now I am enjoying this Netflix version set in beautiful Australia. The landscapes and locations are great, the group not so much. They are a bit to sporty, goodlooking and "in to it" for my taste. I would have loved a more diverse group, different body types etc.

    The games and missions look very familiar is you're a The Mole Belgium fan, a lot is copied from season 9, which was set in Germany.

    The part that's missing for me is the interaction between the contestants on location, that is we're the original series is so strong, you really live with the kandidates and can do your own mole search.
    6krissa75

    Room for improvement

    I don't think it's bad. I do think they fall into some of the same pitfalls that plague so many other reality shows.

    The weird thing is that this version is very clearly based on the latest Belgian run (some games are almost literal copies) but they don't quite get why that version is superior.

    * You barely see people interacting when not playing a game.

    * The constant skipping to the interviews/contestant voice overs make it seem very scripted. They need to limit those. Let the action and interactions speak for itself.

    * Notebooks! Bring back the notebooks!

    * Diversity. What you have is a group of people from a fairly narrow age range (25-40) who all look like they could start a modelling career and whose hobby is cross fit. Diversity is more than a bunch of attractive millennials with a different skin color. The Belgian runs have people between 18 and 50+. It's their personalities and different experiences that bring so much more to the game.

    * I do like the use of cell phones instead of the large screen they use in the Belgian version.

    * I didn't like the "ending on a cliffhanger" of the episodes. Why does everything have to end on a cliffhanger? Just finish after the selection. It destroys the pacing of the episodes because the elimination should be the emotional high point of the episode. Not the lead in.

    * More of a personal note but the Belgian presenter, Gilles de Coster, has a very dry, factual way of interacting with the contestants during the games. I think that works better than Alex Wagner's.

    If you want to see how good it can be, try and find the current Belgian version (especially series 9 (Germany) ).
    6lillyde

    Wasted potential

    I really hope someone in charge of making this series is reading this. I get that you choose selfish people for this show to make it interesting and also throw the viewer off but this is no longer a fun watch. Genuine people getting screwed over by a majority of selfish individuals that don't even care about the money! This game should be about winning, sure but also empathy and TEAM effort and respect. All of these shows only showing us how ugly people get in order to win- doesn't even matter whether there's money on the line or not... please cast less of the corporate screw over type. It's unfair und really sad to watch people who don't care about anything win this show at all costs. It hast potential but this is just a sad representation of human "nature" bred by a capitalist society.
    6jmrx-242-218325

    Addictive Concept but Missed Connection

    First let me say I've come to love "reality" television - that while it's over-the-top at times, the sense that a real human is behind the screen draws me into their story. I also love spy shows and mysteries. So I was pumped about this show, and the first several episodes had me hooked. There were so many characters sabotaging, the Australian views were incredible, and there was a fun energy in the cast. Above all, I wanted to see if my prediction about the mole was right, so I kept watching.

    But, a small missing piece grew into a gaping disconnect when I realized that 6 or 7 episodes in, I knew NOTHING about these people. I saw no footage of them interacting during down times that weren't missions or quizzes to see their personalities come to life. Their confessionals were SOLELY about the mole and the missions, nothing else, so I knew nothing about their lives outside of the game. We didn't get to watch them interact off-script, and that started to feel empty.

    "The Mole" needed Survivor-esque moments where a player catches two people forming an alliance, or finds them plotting. What about times where characters get to read letters or watch video from their family? Why are these people on this show? The "real" drama was just missing here, as was character building. By the end, I found I didn't care who won the money. And once it became more obvious who the mole was, the show dragged - it appeared the contestants felt that as well.

    I hope they continue and build the concept, but if it continues as only a game show without any "real" people or vulnerability, I don't see this lasting beyond another season.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The format of this show was created in Belgium and aired for the first time in 1998. Nowadays the format is sold to 50+ countries. In Belgium the show runs for 10 seasons now (2022) and in the Netherlands for 20+ seasons.
    • Connessioni
      Referenced in Film Junk Podcast: Episode 867: Triangle of Sadness (2022)

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    Domande frequenti11

    • How many seasons does The Mole have?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 7 ottobre 2022 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official Netflix
    • Lingua
      • Inglese
    • Celebre anche come
      • The Mole
    • Luoghi delle riprese
      • Sydney, Nuovo Galles del Sud, Australia
    • Aziende produttrici
      • Eureka Productions (II)
      • Netflix
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 45min
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital

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