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"If we don't love ourselves we use to attract towards new things but as soon as we began to love ourselves we feel confident and old things look prettier again." This is one dialogue from the movie's lead protagonist which teaches how one can come back to his normal life; English Vinglish is a sweet Laddu with almonds of a logical script, cashew nuts of nice music, raisins of love and pistachios of Hope. English Vinglish is not about just English classes, it's just a metaphor or platform to narrate a simple yet very effective story of self determination, self respect and love about family and love about ourselves.

English Vinglish is undoubtedly a movie about the Family, the children & their attitude towards their parents, the husband who does not see his wife skills and potential beyond a born Laddu Maker and yes, it's about a mother who lost her identity as a woman in the society after marriage being a house wife, as her world does not go beyond her family.

Shashi Godbole (Sridevi) is a simple middle class housewife living with her husband Satish (Adil Hussain) along with her daughter Sapna and a son named Sagar in Pune, India. She is an excellent cook searching for her own respect among children and husband due to poor understanding of English language. One day she got the call from her sister to visit New York to attend her daughter's wedding, but she was reluctant to go alone because of her poor English language, thou she finally agreed on her husband's persuasion. In New York, during her visit to a café she felt humiliated due to her understanding of English language which brought a reason for her to fight against the odds and make a place for herself. She left from there and suddenly saw an advertisement for four weeks English speaking classes and that's how she got the way to prove herself by learning a language which is global now and a synonym of 'Being Modern' in Indian societies called English, for Her VINGLISH.

Overall, English Vinglish is a memorable watch for the genuine script, superb performances, nice music and definitely the feel good factor it has. In Last scene, Shashi requests the air hostess a Hindi newspaper in English Language, and that's we called in Sridevi's MJ Style without getting 'Judgemental' –YoOO.

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English Vinglish is a beautiful journey that a middle class Indian housewife takes, to regain something she lost or probably never really got, ironically enough, in a foreign land with a foreign language as a tool.

The movie has a simple plan, and audience gets to know about it right at the beginning. There ain't any surprises or twists therein to wow you, its purely the execution of a simple yet universally appealing plot that makes English Vinglish one of the most beautifully made movie of the year.

This is a sort of cinema which has traditionally been oiled with loads of melodrama and any director would have wanted to do that considering the fact that people who are going to relate the most with the central character are most prone to be pleasantly affected by the overdose of melodrama ( Yes, I am being a little 'judgemental' here!). Credit must go to Gauri Shinde for shunning the temptation and going ahead with a recipe where she was able to create delight out of right mix of ingredients rather than putting a coating of sugar on the 'laddoos'.

Make no mistake, the feel good factor of the movie isn't there just because all the pieces have been put together in the correct order but also because there are layers attached to the story and the characters. These layers help English Vinglish surpass the expectations that an ordinary viewer would have had with it before stepping into the cinema theatre. These layers have been treated with utmost care and are interwoven in the script with great skill. Even though the plot of the movie doesn't encapsulate many genres, the scenes are successful in generating a range of emotions. Thanks to the central plot, humor becomes a part of majority of the scenes and it is never forced upon you.The entertainment quotient of EV is way more than one would have expected.

There are a few sequences which could have easily gone in the zone of 'Oh, thats ridiculous!' but yet they were right there in the 'that will do all right' category and this was only possible because of masterful Sridevi who hasn't lost even an inch of her charm and she still stands way ahead of any of the contemporary actresses when it comes to the art of acting. Her presence is so overpowering that one hardly notices or gets annoyed by certain instances of manufactured dialogues and stereotypical display of characters. The journey, the transformation and its impact on the movie and the audience wouldn't have had half the quality had there not been Sridevi at the helm. Every other actor (and guest actor) plays their part well enough to create the right garnish for this savory meal.

Without taking any credit away from Gauri Shinde, everything from costumes, to music and locations to screenplay had impressions of R Balki's(producer) previous works and he would have been of great help in the making of EV as well.

The affect that English Vinglish will have on a particular individual will depend on the relationship that he/she has with the one/two women that hold the most important place(s) in their lives. The degree of impact will vary, though one thing is for sure, it will only lie on the right side of the axis.

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After long gap of 15 years Sridevi's flick has released.The story of movie is so cute.Family,friends anyone can watch this movie. The movie is about a married woman who doesn't know English language and has always been humiliated by her daughter,hubby and people around her.. Later she decides to learn it and teaches a lesson to all people who humiliated her because of not knowing English well. This flick makes you realize that 1.Don't ever accuse and make fun of people about their weakness who knows what they will be in future.. 2.Its you yourself who can make you learn and be successful.Don't rely on anyone not even on family members. 3.Family love is everything else is worthless.

"English Vinglish" is a film that only a woman could have made. Gauri Shindi lends her feminine sensibilities to the film which is why it is a big success. She captures the nuances in a typical Indian housewife's tryst with her kids and husband.

Although there is no true villainous character in the film, it is painful to see the leading lady Shashi (Sridevi) suffer unintentional humiliation at the hands of her teenage daughter and husband because of her inability to converse in English.

It is very satisfying to see her grasp the basics of the English language and thereby gain self-confidence. Her English class has an interesting mix of students from across the world including a Frenchman who is besotted with her.

The feel-good nature of the film can be attributed to the final scene in particular in which Shashi delivers a thoughtful speech in English. Loved the film but didn't think too much of the soundtrack, especially the track "Manhattan". Also felt that her experiences with people in America were sugar-coated.

Nonetheless, the film was worth its time. I'm looking forward to introducing my mother to this film.

Many will know I have been following Bollywood films over the last few years with keen interest, with one of the prime reasons being, why not? We have dedicated halls and screens which are always showing the latest the industry has to offer, very often having same day premieres, and I cannot fathom having to close this option off for the lack of language ability. English subtitles is a boon, and my only option to understand what's being said on screen. English is of course the plot element here in this film, written and directed by Gauri Shinde, who has made a film that's strong in heart, and powerful in performance.

I'm talking about Sridevi's comeback to cinema, having retired some 15 years ago to raise her kids. And this leave of absence surely helped her in her protagonist role here, but more on that later. For those unaware, like I was previously, Sridevi is arguably the best actress Indian Cinema has produced over the last few decades, and it is only today that I fully understood why. Her performance as Shashi, the traditional Indian housewife, is impeccable, and the littlest of nuances put into her role, reaped results in the manifold. As a line of dialogue described, her eyes are like coffee drops in a saucer of milk, and that in itself is an understatement.

Charisma is something that you have, or have not, and Sridevi's presence is something that arrests your attention immediately when she comes on screen. Carrying the entire movie, it's unbelievable to think that she's pushing 50 already, as her performance here will probably inspire many actresses of today's generation sit up and take note, to realize that they still have a long way to go to reach a fraction of her level. I'm sold, impressed, and very eager to catch up on her filmography to see what more she had to offer during the 80s and 90s when she was at the peak of her popularity then.

Her comeback in English Vinglish is a casting coup for its filmmakers, and let's not forget Shinde's story which was custom fit for her as well, playing the role of a mother, which probably made it quite an easy transition back to the industry. But it's an important role because one of the key takeaways from the narrative, is how we often take those who love us for granted, and as part of the process, inadvertently hurt them too. We may not realize it, or sometimes we do, but these hurt will likely be the worst possible. A callous word and a careless comment go a long way, and is difficult to, or sometimes cannot be taken back.

It's something many of us have been through and experienced, regardless which side of the equation one was on, where respect does not get accorded, and where words go out to make others feel small about themselves. In Shashi's case, this happens to be her lack of command in the English language, perceived to be an ability of social status, made quite unbearable when her children thinks it so, and when her husband (Adil Hussain) also gets in on a private joke with their daughter.

The film's story worked on many layers, and what I especially admired is how Sridevi becomes the spokesperson for lessons without being too overt about it, save for the ending speech that hammers in the emotion, and is sure to make your eyes well up. It deals with, on a macro level, how as humans we should be helpful and tolerant to those who don't speak our language or understand our culture, that one shouldn't be made to think one's superior just because, or make the other look small. And on the more micro level, the structure of the family and its importance. All these and more, told through a story about a woman finding her inner strength to stand out, stand up and be counted, building and reinforcing confidence that she's more than just a Laddoo machine.

But social factors aside, the more obvious ingredient that's put into the movie, is the Mind Your Language type scenes when Shashi enrolls herself into an English crash course to learn conversational English in four weeks. Instead of Mr Brown, there's Mr David (Cory Hibbs) the teacher (whose sexual orientation again highlights the differences in the human race and the need for tolerance and acceptance), and a motley crew of classmates from various parts of the world bonding together. From a woman who centered her life around family, building a network of friends became something of a lifeline of sorts, in keeping life interesting through the sharing of experiences, and of course, food.

English Vinglish has everything a typical Indian film contains, from comedy to romance - handled with such maturity - culture and language. What more, it has Sridevi's remarkable return, showing why she was, and still is, one of the iconic female actresses ever to grace the screens of Indian Cinema. A definite recommendation, and though formulaic at parts, is delivered with such slickness, that I'd shortlist it as one of the best this year.