Spoonful of Sugar

... and I enjoyed it a lot.

First of all, I just like to mention that I wouldn't categorize this as a horror movie, I'd say it is a psychological thriller instead.

A psychological thriller about obsession, cruelty and insanity. Perfect job done by both lead actresses to showcase that, praises to them. Good acting was a vital part to allow this movie to bloom.

Relationships between characters felt so complex and brutal, yet realistic.

I really loved how there were multiple layers of what is going on and how they unraveled painfully and beautifully.

Overall good execution.

Even though I thought I knew exactly where this was all going, the ending got me pleasantly surprised.

"Spoonful of Sugar" succeeds to bring up some questions and thoughts on relationships between parents and their children. Some things to ponder on even after movie ends.

This is impressive.

It's The Hand That Rocks The Cradle, but way more weird and creepy.

I wasn't ready for this. This is going to sit with me for a while.

The Chapstick at the end was an interesting detail.

I watched this on AMC+/Shudder. It has a listed release date of March 2, 2023, but it dropped early. On the 21st or before. Probably after the Winter Film Awards International Film Festival in New York on Sunday the 19th.

I have dug Kat Foster in a bunch of TV shows, 'Til Death (2006-2008), Your Family Or Mine (2015) and more.

This is one of at least 9 Mommy Horror movie's we're getting this year. Also Baby Ruby, Birth/Rebirth, Blood, House/Wife, Huesera: The Bone Woman, M3GAN, There's Something Wrong With the Children and They Wait in the Dark. There's probably more I've forgotten. I think the moral of the stories is, don't have kids.

Considering the rather low ratings it got on here I wasn't expecting too much from this horror movie but I'm glad I gave it a shot because it was pleasant to follow. Horror movies will never please everybody, and even though I wouldn't class this one as hardcore horror, it was an entertaining movie. It's mild horror with a couple of bloody scenes, creepy for sure and that was mostly due to the performance of Morgan Saylor. She has good facial expressions to make it creepy, and of course her acting talent that was more than decent. The story was certainly not bad, just simple but effective, and easy to follow.

One of Shudder's low-budget horror stories. It is a slow-burning film. It takes its time to develop the characters. It's not a horror-action movie.

At the forefront of the story is a young couple who's struggling to take care of their only young son who is severely autistic. Johnny (Danillo Crovetti) throws violent tantrums and is sometimes hard to contain. Dealing with Johnny's issues puts a great strain on the couple's relationship and they look numb on the outside as well as inside.

After losing the last nanny, they hire Millicent (Morgan Taylor) without doing a background check. Millicent is a cookie herself with a whole sort of psychological issues. She perfectly plays the role of someone who has been abused and has been in and out of foster homes throughout her life.

When Millicent meets Johnny, an immediate rapport is established between them. Millicent first time feels a sense of family, and, Johnny first time feels safe. Soon after, Millicent quits her prescription LSD drops for feeling much better and gets the bright idea of using her LSD drops on Johnny's foods and medicine. What could go wrong?

It is not an exciting movie but it is a good story, good direction, and good acting. The script is good. If you don't like slow-cooking stories, it might not be your cup of tea.

This is an interesting film with some great performances that ultimately doesn't quite work. It's as if there are a few too many ideas going on and something got left on the cutting room floor. It also doesn't help that characters aren't clearly drawn, should you be rooting for them or hating them ? The twist was a nice touch but in the end it doesn't save the film. Someone dropped the ball, either the writer, director or both, but the film doesn't quite gel into something I would watch again. For the performances though, the strangeness of it all and the fact that it uses a rare case of a male as an object of desire, makes this worth a one time watch.