Spoonful of Sugar

Considering the rather low ratings it got on here I wasn't expecting too much from this horror movie but I'm glad I gave it a shot because it was pleasant to follow. Horror movies will never please everybody, and even though I wouldn't class this one as hardcore horror, it was an entertaining movie. It's mild horror with a couple of bloody scenes, creepy for sure and that was mostly due to the performance of Morgan Saylor. She has good facial expressions to make it creepy, and of course her acting talent that was more than decent. The story was certainly not bad, just simple but effective, and easy to follow.

This is impressive.

It's The Hand That Rocks The Cradle, but way more weird and creepy.

I wasn't ready for this. This is going to sit with me for a while.

The Chapstick at the end was an interesting detail.

I watched this on AMC+/Shudder. It has a listed release date of March 2, 2023, but it dropped early. On the 21st or before. Probably after the Winter Film Awards International Film Festival in New York on Sunday the 19th.

I have dug Kat Foster in a bunch of TV shows, 'Til Death (2006-2008), Your Family Or Mine (2015) and more.

This is one of at least 9 Mommy Horror movie's we're getting this year. Also Baby Ruby, Birth/Rebirth, Blood, House/Wife, Huesera: The Bone Woman, M3GAN, There's Something Wrong With the Children and They Wait in the Dark. There's probably more I've forgotten. I think the moral of the stories is, don't have kids.

There's a definite lack of thematic consistency. The film isn't sure what it wants to be - Is it a take on acid trips and its effects? Is it about bad parenting? Is it about cheating in relationships? Is it about childhood trauma? The writing tries to dip its paintbrush in all of these buckets, but it doesn't come together in a very satisfying way. But, to the film's credit, the performances (especially Morgan Saylor, who effortlessly swings between sweet, menacing, and sexy) largely cover up for the holes in the plot. The visual effects looked pretty bad in the first act, though when the LSD elements kicked in, I felt the director executed the hallucinatory bits nicely. At least a couple of scenes made me aghast, and that includes a wild raw-dogging bit as well as the gory climax. A twist is revealed almost right before the end credits, and though it made sense from a storytelling standpoint, the ramifications seemed low.

If you like intelligent plots with a touch of bizarre and smart solutions, this is the film. Amazing acting, a sober direction and dark shades of obscure references anchored under the human psiqué (pay attention to 'The Shining' nod in the door sequence). Above all, no trace of the left-wing clichés that, nowadays, pollutes almost every script or the politically correct crap made in Hollywood. Just a tight screenplay that surprises and conquers the moviegoer with a slight touch of gore. The soundtrack also contributes to the result, along with LSD references that makes it more and more insteresting. A potential cult for the right audience.

This film is exhausting. The plot is scant at best. The idea, I think, might be interesting but the execution, writing, dialogue really don't help to understand it. I appreciate the idea I really do.

The end result though is a bunch of really disturbed characters and there's no one root for, not even the little kid. They're trying to make a disturbing horror film which it's not. It's not horror at all, maybe towards the end. But it's more just a muddled dream sequence/perverted LSD trip.

I couldn't summarize this move because by the end I didn't care what happened. There are some cool shots, cinematography, and some somewhat disturbing scenes. So maybe it's worth a watch for that. But besides that I just left feeling empty and sad. The end.