Bhagavanth Kesari

Honestly I couldn't watch the whole movie. Typical cliched movie offering nothing new but also kind of tests your patience. NBK tried to do a role suitable to his age which is a good thing but the storyline and the performance do not match. Kajal Agarwal, Sree Leela, Arjun Rampal and other actors did their part with not much of an impact on the viewers. The bus fight scene is amusing. BGM by Thaman is okay and good at parts but no one will remember the songs. Cinematography is nice. Stunts are unreal. Direction by Anil Ravipudi is as usual with no novelty. If you're a fan may be you can watch it once otherwise totally skip it!

NBK new avatar does take a scenic route thats worthy of his age factor with usual rib tickling action sequence but a bold attempt to shed his trump card of mass dance numbers is somewhat a tough ask that he succeeded surprisingly... Kudos to young producers Sahu & Harish for rich production values that deviates NBK career to a new trend... Special thanks to director Anil ravipudi for thought provoking narratives about women empowerment that Keeps u emotionally glued until the end... A few action portions & some lagging scenes with Kajal could have been trimmed for better results... Take a bow to Thaman bgm without which the movie couldnt achieve this success... Overall a notable Pucca commercial hit for NBK in his last three outings.

"Bhagavanth Kesari" offers a refreshing change with Bala Krishna portraying a character more suitable for his age, a welcome departure from his usual roles. Unfortunately, Kajol Aggarwal's potential is underutilized, leaving her with an unremarkable role that fails to make an impact.

Anil Ravi Pudi's direction shines in the first half, which is filled with intrigue and excitement. However, the second half of the movie takes a disappointing turn, becoming rather dull.

SS Thaman's music is a letdown, with the exception of "Roar of Kesari," which stands out. Sree Leela delivers a strong performance, but her youthful appearance contrasts with her character's maturity.

The action sequences, though entertaining, lack logic and physics, but they still manage to engage the audience. The villain's acting falls within the realm of mediocrity.

Overall, "Bhagavanth Kesari" can be described as a family entertainer, suitable for a one-time watch. It's a film that showcases Bala Krishna's age-appropriate role but falls short in utilizing the potential of its cast and soundtrack, ultimately leaving room for improvement.

No fan of any actor, watched the movie out of boredom n was quiet surprised. Yes, it is a typical masala movie with insane fights but it also treats it's women well (except for one scene where BalaKrishna calls Kajal aunty, just because she is above 30, though he is playing a 50 year old) and gives a very good message to train our girl child to be physically strong. A movie where women r treated well is a rarity in Telugu movies. It would have been better if they would have done away with the romantic angle. Kajal falling for Balakrishna just by looking at him was quiet unrealistic but so were all the action scenes, but they were fun. I would rather watch this movie than an Animal.

Oh, what a cinematic masterpiece we have here! The story is an absolute gem, filled with groundbreaking, never-before-seen plot twists that will surely blow your mind... if you've been living under a rock for the past century. And who doesn't love those silly, forced elements that make you question your life choices?

The narration, oh, the narration! It's a comedy goldmine that will have you in stitches from start to finish... or maybe not, because apparently, the jokes are so advanced that they're on a whole other level. We should all take a moment to appreciate Bala Krishna's valiant effort. His looks and acting are just okay, but let's not forget his courageous attempt at speaking in Telangana slang, which is obviously a linguistic masterpiece.

And now, Kajal, the shining star of this film. Her impeccable acting skills and stunning looks are truly a sight to behold. I mean, who doesn't find her utterly irritating? It's almost like she's trying to be a comedian or something.

Sri Leela, on the other hand, got a role that showcased her unparalleled talent in dancing but left a lot to be desired in the acting department. Who needs a good actor when you've got the moves, right?

Let's not forget the music and cinematography, which are just the epitome of mediocrity. I mean, who needs memorable melodies or visually stunning scenes when you can settle for just "average"?

Last but not least, the direction. It's so refreshingly routine that you'll be left wondering if you accidentally stumbled into the wrong theater and ended up watching a "How to Make a Generic Movie 101" tutorial instead. Bravo!