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IMDbPro

C'è ancora domani

  • 2023
  • T
  • 1h 58min
VALUTAZIONE IMDb
7,7/10
16.394
LA TUA VALUTAZIONE
Paola Cortellesi, Emanuela Fanelli, and Romana Maggiora Vergano in C'è ancora domani (2023)
Guarda Official Trailer
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2 video
26 foto
Dark ComedyPeriod DramaComedyDramaHistory

Roma, metà anni 40. Delia è la moglie di Ivano, madre di tre figli. Essere moglie e madre sono i ruoli che la definiscono e con i quali si sente realizzata.Roma, metà anni 40. Delia è la moglie di Ivano, madre di tre figli. Essere moglie e madre sono i ruoli che la definiscono e con i quali si sente realizzata.Roma, metà anni 40. Delia è la moglie di Ivano, madre di tre figli. Essere moglie e madre sono i ruoli che la definiscono e con i quali si sente realizzata.

  • Regia
    • Paola Cortellesi
  • Sceneggiatura
    • Furio Andreotti
    • Giulia Calenda
    • Paola Cortellesi
  • Star
    • Paola Cortellesi
    • Valerio Mastandrea
    • Romana Maggiora Vergano
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    16.394
    LA TUA VALUTAZIONE
    • Regia
      • Paola Cortellesi
    • Sceneggiatura
      • Furio Andreotti
      • Giulia Calenda
      • Paola Cortellesi
    • Star
      • Paola Cortellesi
      • Valerio Mastandrea
      • Romana Maggiora Vergano
    • 47Recensioni degli utenti
    • 85Recensioni della critica
    • 59Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 22 vittorie e 21 candidature totali

    Video2

    Official Trailer
    Trailer 2:16
    Official Trailer
    There's Still Tomorrow | Official Trailer
    Trailer 2:28
    There's Still Tomorrow | Official Trailer
    There's Still Tomorrow | Official Trailer
    Trailer 2:28
    There's Still Tomorrow | Official Trailer

    Foto26

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    + 19
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    Interpreti principali49

    Modifica
    Paola Cortellesi
    Paola Cortellesi
    • Delia
    Valerio Mastandrea
    Valerio Mastandrea
    • Ivano Santucci
    Romana Maggiora Vergano
    Romana Maggiora Vergano
    • Marcella
    Emanuela Fanelli
    Emanuela Fanelli
    • Marisa
    Giorgio Colangeli
    Giorgio Colangeli
    • Ottorino
    Vinicio Marchioni
    Vinicio Marchioni
    • Nino
    Francesco Centorame
    Francesco Centorame
    • Giulio
    Raffaele Vannoli
    Raffaele Vannoli
    • Alvaro
    Paola Tiziana Cruciani
    • Franca
    Yonv Joseph
    • William
    Alessia Barela
    Alessia Barela
    • Orietta
    Federico Tocci
    • Mario
    Priscilla Micol Marino
    • Giovanna
    Maria Chiara Orti
    • Rosa
    Silvia Salvatori
    • Elvira
    Mattia Baldo
    • Sergio
    Gianmarco Filippini
    • Franchino
    Barbara Chiesa
    • Sora Ada
    • Regia
      • Paola Cortellesi
    • Sceneggiatura
      • Furio Andreotti
      • Giulia Calenda
      • Paola Cortellesi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti47

    7,716.3K
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    Recensioni in evidenza

    8Dello_

    Pretty, entertaining and thematically relevant

    "C'è ancora domani" is a very pretty film set in a post-WW2 Rome that centers around Delia and her family composed by two young children, a daughter who is about to engage, a violent husband and his father. Thematically the core of the movie is the treatment reserved to women in that era, which is still a significant discussion nowadays because though better than in the 40s' the issue is not solved at all. What I particularly liked about this discussion is the tone because it's not too dark allowing everyone to appreciate the movie and receive the message, but at the same time it's not too light thus avoiding to lose its impact. An example of this which I think was very effective is the treatment of the domestic violence scene that is depressing but there's a gimmick that lightens it while creating a bittersweet contrast. Furthermore the movie has more jokes than what I expected and it relies on a versatile cast able to be dramatic and comedic at the same time. However, even if properly done in most of the instances, few laughs were audible through the theatre because they are more tension reliefs than actual wanted funny moments. And also the final twist is pretty good. The movie did an excellent job in creating a narration that leads to something to then shift towards something else in an elegant way. There are few things that could have been better, in particular the final part of the engagement storyline which I think went outside of the overall tone, but in general they don't compromise too much the final result.

    In conclusion I think that "C'è ancora domani" is a film everyone should watch for two reasons. The first one is related to the messages conveyed, while the second one is also pretty relevant: it's a good movie that will entertain all audiences for almost two hours. And this is not a small thing at all.
    10morgenstern_88

    I hope it makes it to the Oscars

    This movie is perfect in so many ways and I hope it will win everything it can win, from the bottom of my heart. I haven't seen such a beautiful Italian movie in so long. And to think it's Paola Cortellesi's first movie as a director and co-writer makes it even more special.

    It is amazingly written, directed and acted. It's brave, powerful, original and you NEED to watch it. It tells a dramatic story with bittersweet tones, keeping it extremely real and revolutionary.

    I am Italian so I could obviously understand all the homages and nuances, however I am sure an international audience will appreciate this little gem in a whole.

    Go watch it and you won't regret that.
    10ikgoumas

    Great cinema!

    This is a masterpiece, a surprise because unexpected. Brilliant story based on true events, but full of symbolisms and deeper meanings that are all connected on the final scenes of the movie. Great directing and acting by Cortelesi, but also great choice of the characters and performancefrom the other actors. The women's universe in Italy back then was complicated and the road to the recognition of their rights was full of obstacles, with many dramatic stories happening. The movie manages also to be ironic and there are moments you laugh. Then suddenly it becomes dramatic again and you want to cry. Then you bacome angry. All these fluctuations are captivating, meanwhile represent the reason why Paola manages to give a powerful message through the art of cinema.
    8lilianaoana

    Good but major trigger warning for domestic abuse

    A saga of domestic abuse and deeply rooted misogyny and somewhat a celebration of female empowerment. Did not expect the ending, I was hoping for something grander for Delia's disobedience, but this goes to show how significant it was at the time.

    There is also some humour here and there, but I have to say putting a musical number over a scene of spousal abuse kind of has the opposite effect. It makes light of something awful and I cringed watching it. Or maybe that was also by design, who knows. It's certainly uncomfortable.

    The opening scene sure sets the tone and it only gets worse from there. Up to hearing don Ottorino advise his son on how to effectively discipline his wife. Initially I thought he was advocating for her, but no. And then Giulio showing his true colours and Marcella refusing to see it and you can feel Delia's whole being shuddering.

    I did not feel like watching an old (style) movie, and this is I imagine the reason why they chose back and white, but the actors' performances make it come to light.
    9eleonoraantonacci

    Great debut as a director.

    Ill start saying that an applaude rose spontaneously in the theater at the end of the movie. Everyone one was super emotional, I believe each of them for different reasons. Mine is that the movie depicted perfectly the status of women just right after the end of 2WW and the challenges they had to face in everyday life. Something that feels so far way from now, but still not so far away considering all the injustices women nowadays have to live with in every aspect of their life.

    Well, the protagonist tries really hard for find a balance dealing with a violent husband, multiple jobs, 3 children and an annoying father in law, but she also surrounds herself with good friends and women with strong personalities.

    The pace of the film Is entertaining, great comedy moments, costumes very on point, and the use of the camera very intelligent (at one point, I even recognize an angle that reminded of a famous painting of the Mantegna , the Cristo Morto) Beautiful selection of music as well.

    But honestly what really made the film great and emotional, is the finale. It's worth going to the cinema to watch this movie just for this reason.

    Obviously I'll not spoiler anything, but be ready to say: wow , what a great debut from Paola Cortellesi.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      One month after its release, the film was already the highest grossing Italian movie post-pandemic.
    • Connessioni
      Featured in Zomergasten: Liesbeth Zegveld (2024)
    • Colonne sonore
      Aprite le finestre
      Written by Virgilio Panzuti and Giuseppe Perotti

      Sung by Fiorella Bini

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    Dettagli

    Modifica
    • Data di uscita
      • 26 ottobre 2023 (Italia)
    • Paese di origine
      • Italia
    • Sito ufficiale
      • Official Site
    • Lingue
      • Italiano
      • Inglese
    • Celebre anche come
      • Siempre Habrá Un Mañana
    • Luoghi delle riprese
      • Via Giovanni Battista Bodoni 98, Roma, Lazio, Italia(Delia's family housing)
    • Aziende produttrici
      • Wildside
      • Vision Distribution
      • Sky Italia
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 8.300.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 180.426 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3936 USD
      • 2 mar 2025
    • Lordo in tutto il mondo
      • 50.129.681 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 58 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1
      • 1.85 : 1

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