VALUTAZIONE IMDb
5,1/10
10.288
LA TUA VALUTAZIONE
In un mondo di finti castelli e roditori antropomorfi, inizia un'epica battaglia.In un mondo di finti castelli e roditori antropomorfi, inizia un'epica battaglia.In un mondo di finti castelli e roditori antropomorfi, inizia un'epica battaglia.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Kimberly Ables Jindra
- Man on Scooter's Wife
- (as Kimberly Jindra)
Alexis Ottier
- Lifeguard
- (as Lex Edelman)
Recensioni in evidenza
After reading just a few quick things on this and how it was similar to both The Shining and Eraserhead (two of my favorite horror films ever), I was quite excited for this. It looked like an indie experimental horror film that I would love. Sadly, while I think there are some very interesting things in here, or things that could be interesting, it never really amounted to much. Not enough horror, not enough intrigue. I think the acting was solid and the story decent enough, I just wish it had gone to further places, done more stuff with the concept. It's not bad and it's sort of really memorable, but I can't really say I liked it overall. Really mixed on it.
i have watched this movie (not film), and i feel compelled to warn everyone who are pondering about wasting their time on it. it is a bad one. the first thing to notice is the horrendous, bad "acting". if they were to come and say it was on purpose, to depict the average mainstream Joe and his family in the u.s. of a., it would be only an excuse. it is obvious this is a very low quality independent film that "has to" recur to the pathetic guerrilla filmmaking card, as though that itself were worthy of cinematic grandeur or merit of whatever kind. i am utterly baffled by the good reviews and comparisons to the works of Polanski or David Lynch! certainly, those who express such opinions are ignorant people who have very little knowledge of cinema (or even common sense), and have not watched quality work (ever?), mostly by European and some Asian filmmakers, who have a deeper human sensibility. but, compare it to David Lynch?! we are talking about a master artist here. have these people watched David Lynch films at all? if they have, they must have very bad perception problems (no, it is not about people having different tastes and all that; you don't compare plastic bottles with The Beatles' Blackbird). then, the plot: totally childish. does one have to praise this director for stating the obvious Disney's superficial appeal on the unthinking mass? umm, no. this looks more like a high school project, at best. then, the "surrealism" in this is so weak it's not even surrealism, it is a botched attempt at it, rather. all the situations are but puerile ideas that are as shallow as the criticism they pretend to attack. it all has a very "american" reek to it, but it cannot be claimed that it was on purpose. all in all, a very bad waste of resources. oh, wait! i may have missed the point! maybe these guys were just having a laugh! maybe they were like, hey guys, what if we make this "guerrilla film" at Disney...? hey dude, that would be awesome! let's do it! and then, it all turned even better, with promotion and people praising it and comparing it to a Lynch film!!!!! hmmm...maybe i could make a guerrilla film about a bunch of guys making a guerrilla film and being compared to David Lynch...! maybe i could even be compared to David Lynch...!!!
The fact that so much time and effort was put into putting together this guerrilla film does show in it visual return and the for the novelty factor it's totally worth dredging through once and it should stand as a resume for anybody on the production staff (and a couple of the actors) as a wonderful accomplishment, but for the writer, director and majority of the the cast all I can say is YICK! I'm sorry to say I think a lot of hipper then though people are trumpeting the wonderfulness of this movie more on it's "Sticking it to the Mouse" in it's having been made then on it's actual merit. I would have loved to see a movie that subversively used the "Disney World" as a back drop for darkness but this halfhearted Shining rip off and/or remake is by far not it. If not for some of the wonderful production sense you are watching a student film that may have received a C+. If I were Disney I would not bother suing either I would let this movie make the rounds and even help promote it because they can't do anything to the movie that it does not already do to itself.
I was intrigued by the premise of Escape from Tommorow after stumbling across a trailer a few weeks ago, with the notion of horror/paronia flooding a family during a day at Disney World sounding unique.
After finishing this painfully boring and uncreative slog of a film, I realized the whole black-and-white and "guerilla-style" film making, being a huge selling point of the film, was entirely a gimmick. I'm expecting most of this film's slim budget went towards getting Disney Park passes for the cast and crew, because the acting is atrocious (especially with the children and wife) the special effects are entry level After Effects, and the writing is piss poor. The various "twists" throughout the film are idiotic, the character motivations non exsistent (the father character literally stumbling through most of the plot trying to chase a pair of teenage girls in some unexplained perversion), and the Disney setting is painfully underutilizied (I'm sure this was partly because of legal issues).
Escape From Tommorow is one of the worst films I've ever seen. It's not even a worthwhile watch if you're looking for a B-Movie horror film. Not recommended under any circumstances.
After finishing this painfully boring and uncreative slog of a film, I realized the whole black-and-white and "guerilla-style" film making, being a huge selling point of the film, was entirely a gimmick. I'm expecting most of this film's slim budget went towards getting Disney Park passes for the cast and crew, because the acting is atrocious (especially with the children and wife) the special effects are entry level After Effects, and the writing is piss poor. The various "twists" throughout the film are idiotic, the character motivations non exsistent (the father character literally stumbling through most of the plot trying to chase a pair of teenage girls in some unexplained perversion), and the Disney setting is painfully underutilizied (I'm sure this was partly because of legal issues).
Escape From Tommorow is one of the worst films I've ever seen. It's not even a worthwhile watch if you're looking for a B-Movie horror film. Not recommended under any circumstances.
DisneyLand, the land of dreams to come true right in front of your eyes, and your nightmares too.
The film is about a middle-aged American husband and father of two learns that he has lost his job. Keeping the news from his nagging wife and wound-up children, he packs up the family and embarks on a full day of park hopping amid enchanted castles and fairy tale princesses. Soon, the manufactured mirth of the fantasy land around him begins to haunt his subconscious.
Escape from Tomorrow is one of those films that you have to wait about two days after seeing the film, to get all my thoughts of the film to come together it's basically like solving a jigsaw puzzle. I tried my best to dissect the hell out of this movie by it's story, it's different and new style and the movies uncomfortable tone. I found out a lot of interesting things of this movie and the fact that they didn't have Disney's permission to film and get away with it, blows my mind how they pulled it off.
I enjoyed Escape from Tomorrow, I enjoyed it in a way that it feels like a guilty pleasure for me and overall I think this movie is weird, messed up, but still a well done film from a first time director. What the movie does so well is putting you in the main character shoes and showing you the anxiety and what it can do.
The cinematography in this movie are some of the best and perfect shots I have seen in a movie. I love the black and white look to it, it made the movie more sinister and nerving to watch, which worked so well. I kept thinking to myself of how they didn't get Disney's permission to film but still got away with shots that I have no idea how they got away with, Moore you are a genius.
Randy Moore first time film and straight away I want to see him doing other films, because he went for it and it didn't back fire on him.
Some people may be put off by the weirdness of the film and it's style and it's laughable moments, which is fine because people can like what their want to like, but what the movie dose so well and I think so people might agree on and that is Randy Moore made DisneyLand look like a place to avoid.
Overall I enjoyed watching Escape from Tomorrow and I'm not going to give it the perfect rating, because I don't feel that this movie is "amazing" or "the best movie of century", no but the movie is still worth checking out.
The film is about a middle-aged American husband and father of two learns that he has lost his job. Keeping the news from his nagging wife and wound-up children, he packs up the family and embarks on a full day of park hopping amid enchanted castles and fairy tale princesses. Soon, the manufactured mirth of the fantasy land around him begins to haunt his subconscious.
Escape from Tomorrow is one of those films that you have to wait about two days after seeing the film, to get all my thoughts of the film to come together it's basically like solving a jigsaw puzzle. I tried my best to dissect the hell out of this movie by it's story, it's different and new style and the movies uncomfortable tone. I found out a lot of interesting things of this movie and the fact that they didn't have Disney's permission to film and get away with it, blows my mind how they pulled it off.
I enjoyed Escape from Tomorrow, I enjoyed it in a way that it feels like a guilty pleasure for me and overall I think this movie is weird, messed up, but still a well done film from a first time director. What the movie does so well is putting you in the main character shoes and showing you the anxiety and what it can do.
The cinematography in this movie are some of the best and perfect shots I have seen in a movie. I love the black and white look to it, it made the movie more sinister and nerving to watch, which worked so well. I kept thinking to myself of how they didn't get Disney's permission to film but still got away with shots that I have no idea how they got away with, Moore you are a genius.
Randy Moore first time film and straight away I want to see him doing other films, because he went for it and it didn't back fire on him.
Some people may be put off by the weirdness of the film and it's style and it's laughable moments, which is fine because people can like what their want to like, but what the movie dose so well and I think so people might agree on and that is Randy Moore made DisneyLand look like a place to avoid.
Overall I enjoyed watching Escape from Tomorrow and I'm not going to give it the perfect rating, because I don't feel that this movie is "amazing" or "the best movie of century", no but the movie is still worth checking out.
Lo sapevi?
- QuizFilmed at Disney World and Disneyland without permission.
- BlooperWhen Jim is talking to his boss on his cell phone, he looks down from the balcony. You can tell that their room is on a high floor. But when the family leaves the room and goes to the elevator it has a number 2 near the elevator door, indicating the scene was filmed in the 2nd floor hallway.
- Citazioni
Elliot: [about young girls] Dad, they're pretty, huh?
Jim: Well, ya know, pretty depends on your definition of pretty. Do you think they're pretty?
Elliot: I guess.
Jim: Well then, there you go. That's *your* definition.
Elliot: Is mommy pretty?
Jim: Your mother... Yeah, she's beautiful.
Elliot: I think so, too.
Jim: Yeah. I mean, not in a classical sense, but more in an Emily Dickinson, kind of bookish Tina Fey kind of thing.
- ConnessioniFeatured in Some Jerk with a Camera: Boy Meets World Meets Disney World! (2013)
- Colonne sonoreFeels Like Home
Performed by Meck featuring Dino
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Побег из завтра
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 650.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 171.962 USD
- Fine settimana di apertura Stati Uniti e Canada
- 63.297 USD
- 13 ott 2013
- Lordo in tutto il mondo
- 171.962 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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