Jesus e Maria, una coppia in difficoltà, diventano genitori e decidono di acquistare un tavolino da caffè, cambiando la loro vita.Jesus e Maria, una coppia in difficoltà, diventano genitori e decidono di acquistare un tavolino da caffè, cambiando la loro vita.Jesus e Maria, una coppia in difficoltà, diventano genitori e decidono di acquistare un tavolino da caffè, cambiando la loro vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 20 vittorie e 1 candidatura in totale
Josep Maria Riera
- Carlos
- (as Josep Mª Riera)
Recensioni in evidenza
This movie is deceptively intense, all the way through. A man who has a habit of leaving things unresolved, makes one terrible accident that changes the trajectory of his life and because he can't cope, he chooses to stay silent. And as expected his silence makes it worse and the reveal coupled with other unresolved issues culminate to destroy his entire family. I was stressed the entire movie and though it had moments that were very bloody, it's not graphic, it hints at the graphic moments rather than shows it. There's a small but great cast, only a few locations but mostly takes place in an apartment. This was much better than I expected. Well done.
I thought I was going to be watching a horror movie. It was, in a way; it was real life, natural horror. Not the stuff of monsters and the supernatural and nightmares, or things that go bump in the night. I gave it a 6 because I think it deserves a smidge better than a middle of the road rating. Not a lot of character development, but we do get a very tiny bit on 3 of the characters - Jesús, María, and Jesús's brother, Carlos. Maria, at times, could be super annoying; there is really nothing at all likable about her. I did really like her husband, Jesús. The contrast between them is so profound, I don't see how they could be together. I've known couples who are opposites, but this couple wasn't believable for me. And Ruth, the 13 year old neighbor, ugh. She's a character on the periphery and at the end of the movie, I understood why she exists in this film at all. The actress did a good job with her performance, because, like Maria, I pretty much just wanted to reach into the movie and smack her a few times.
This is an emotionally dark, dark film. It was filmed in a dark light as well with very little color, except in one scene where there is a lot of bright color, which was done deliberately, I'm sure. It was all about the characters' emotions for me. It was really hard to watch sometimes. There is some dark comedy in the first Act, but it doesn't last long. I can't say if I'd recommend this film, I'm torn. I don't think it's a waste of an hour and a half, but I do think one has to be prepared going in, knowing this is dark, and emotionally raw, and NOT a Horror film. I don't know how IMDB comes up with in what genre they list films, but The Coffee Table is not a Horror film, or least not what I think the average Horror fan wants when he/she/they go looking for one. It is also listed as Dark Comedy, but there is so little of that, that I don't think it belongs there either. Drama is the only genre that makes sense - Tragedy would work too, if that was a category. Now I'm off to find a real horror flick that I haven't seen.
This is an emotionally dark, dark film. It was filmed in a dark light as well with very little color, except in one scene where there is a lot of bright color, which was done deliberately, I'm sure. It was all about the characters' emotions for me. It was really hard to watch sometimes. There is some dark comedy in the first Act, but it doesn't last long. I can't say if I'd recommend this film, I'm torn. I don't think it's a waste of an hour and a half, but I do think one has to be prepared going in, knowing this is dark, and emotionally raw, and NOT a Horror film. I don't know how IMDB comes up with in what genre they list films, but The Coffee Table is not a Horror film, or least not what I think the average Horror fan wants when he/she/they go looking for one. It is also listed as Dark Comedy, but there is so little of that, that I don't think it belongs there either. Drama is the only genre that makes sense - Tragedy would work too, if that was a category. Now I'm off to find a real horror flick that I haven't seen.
Short review: I've always loved the concept of one small decision changing everything in a massive way. We were actually warned by the director before watching this film not to watch it. I thought to myself, I've seen the worst of the worst, how bad could it be? This isn't a film like 'A Serbian Film' or 'Hostel' that sets out with no purpose other than to shock you as much as possible. But this film will drain you and have you thinking long after the credits roll.
There are a couple of moments of humour in the film, and they are genuinely funny moments, but because of the subject and tone of the film you feel like a monster if you laugh. I can't remember experiencing that before.
This is an emotionally draining film and not one that is designed for everyone to watch. However if you are game I think you will find it both rewarding and memorable. 8/10.
There are a couple of moments of humour in the film, and they are genuinely funny moments, but because of the subject and tone of the film you feel like a monster if you laugh. I can't remember experiencing that before.
This is an emotionally draining film and not one that is designed for everyone to watch. However if you are game I think you will find it both rewarding and memorable. 8/10.
Not at all what I was expecting. I got the impression from people's remarks when this first hit streaming services that this would be some new trash shocker in a category with films like The Human Centipede and/or A Siberian Film, however it is nothing like that. While both of those films have their share of underlying humor, The Coffee Table is almost entirely almost humorless, and attempts to take one idea and stretch it out into a feature length film.
Unfortunately, a rather creative concept and some admirable acting performances are tainted by a film that's entire second half has virtually no worthwhile elements, and seems to simply draw itself out until it's long enough to be a feature length. The entire second half of the film is nothing but meaningless dialogue between 4 characters that in no way furthers the story, or ups any tension or intrigue - instead it actually slowly diminishes the tension as the runtime progresses, and by the time the finale hits, it is very difficult to actually feel anything for any of the characters. While the characters are relatively realistic archetypes, none of them are especially likable - so there aren't a lot of emotive stakes when the film's chaos ensues.
But, massive flaws aside, I have a bit of respect for The Coffee Table, for its ambition, creativity, and commitment, however it is not a very good movie, and I think it might take it self a bit too seriously. But, who knows, maybe it's someone's true story?
Unfortunately, a rather creative concept and some admirable acting performances are tainted by a film that's entire second half has virtually no worthwhile elements, and seems to simply draw itself out until it's long enough to be a feature length. The entire second half of the film is nothing but meaningless dialogue between 4 characters that in no way furthers the story, or ups any tension or intrigue - instead it actually slowly diminishes the tension as the runtime progresses, and by the time the finale hits, it is very difficult to actually feel anything for any of the characters. While the characters are relatively realistic archetypes, none of them are especially likable - so there aren't a lot of emotive stakes when the film's chaos ensues.
But, massive flaws aside, I have a bit of respect for The Coffee Table, for its ambition, creativity, and commitment, however it is not a very good movie, and I think it might take it self a bit too seriously. But, who knows, maybe it's someone's true story?
Very unpleasant to watch. Not cause its frightening or shocking or gore/splatter. None of these things. But the accident that happened made the rest of the movie unbearable to watch. Im not sure about the comical parts, doesn't fit well with the rest and it would have worked better without it with more realism and seriousness. But the director probably wanted to light up the movie a little cause the premise is grimm enough. With that saying, for me it felt over the top and silly in some parts, which i didn't like. Compared to hanekes funny games it lacks the suspense and u just want it to be over. So you dont care much what happens after till the reveal happens. I couldn't even focus on their conversations anymore cause i was in such unease the whole time. I can't say if thats good or bad. It really puts you in the situation of the father 1:1, so therefore goal achieved! But its a waste of that very long middle part that you just wanna skip and dont wanna invest watching cause it drags you out that much.
Lo sapevi?
- QuizWhen Carlos says "We've got 10 minutes before we go back and María finds out", there are 10 minutes remaining in the film.
- BlooperJesús's telephone is missing one number; thou Jesús may be purposely giving the salesman a false number.
- Curiosità sui creditiThe opening credits appear in the table's instruction manual.
- ConnessioniFeatured in Half in the Bag: Top 10 Horror Movies (2024) Part 1 (2024)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La mesita del comedor
- Luoghi delle riprese
- Terrassa, Barcellona, Catalogna, Spagna(location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 29.605 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 2.39 : 1
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