Aggiungi una trama nella tua linguaVeteran detective Sang-gil and beat cop Eun-yeong are in charge of a case that seems to involve a simple act of self-immolation. Sang-gil initially thinks that it was an accident, but dog bi... Leggi tuttoVeteran detective Sang-gil and beat cop Eun-yeong are in charge of a case that seems to involve a simple act of self-immolation. Sang-gil initially thinks that it was an accident, but dog bite marks discovered on the body lead him to believe that someone had terrorized and murder... Leggi tuttoVeteran detective Sang-gil and beat cop Eun-yeong are in charge of a case that seems to involve a simple act of self-immolation. Sang-gil initially thinks that it was an accident, but dog bite marks discovered on the body lead him to believe that someone had terrorized and murdered the victim. He and Eun-yeong investigate the source of the drugs found in the body and ... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Sang-gil's son
- (as Lee Min-ho)
Recensioni in evidenza
This movie is actually a cop thriller that many of us like to see with some intense scenes and it stars in my opinion one of Korea's best actors "Song Kang-Ho" (Memories of Murder) who plays the role of the not so straight cop with family issues.
Detective Sang-Gil played by Song Kang-Ho is being assigned to solve what appears to be a small suicide case and to train the new unwelcomed lady recruit Eun-Young (Lee Na-Young) to which he refuses. Being bitter because he was passed over for a promotion to another colleague, the detective reluctantly agrees, while his new colleague is being treated differently by her very sexist colleagues.
During the course of the movie the new partners discover that a string of murders could be connected and they wonder if the murders are justified and intentional or not, while trying to overcome work and family problems.
The lead star gives a good believable performance along with decent performances from supporting actors.
The film has a good original story on hand that may have fell a bit short due to a mix of directing, writing and probably length of the movie? Otherwise this is a good movie that could have been a powerful thriller.
The team gets busy with what could have been a straightforward open and shut case of suicide involving self-immolation, but soon the clues start to pile and point to homicide, and then with more bodies turning up with fatal wounds seemingly caused by a wolf going for the jugular, before investigations reveal a loose link between all the victims, and a drug and underaged prostitution ring. Based on the novel by Asa Nogami, The Killer Wolf has plenty of red herrings thrown around, typical of any detective stories to keep you engaged, interested, and hooking you in to contribute your own thoughts about what's true, what's not and who's guilty, but in essence this investigative development turned out to be rather secondary.
Written and directed by Yu Ha, whose last film was 2008's A Frozen Flower, The Killer Wolf is very much about the leading characters, and both Song Kang Ho and Lee Na Young excelled in their partnership as unlikely cop comrades who have to transcend their personal prejudices and baggage in order to work together toward their respective goals. For Sang-Gil (Song), he needs a big case all by himself to provide just cause for a promotion, and in Eun Young's case, something to justify her transfer from the traffic police department and to make it as a homicide detective. Emotional baggage comes in the form of Sang-Gil's delinquent son, and in Eun Young's broken marriage no thanks to her late nights as a cop, but these are as fleeting as introduction goes in an attempt to provide a little more depth to the cops.
What made this a compelling watch isn't really how the duo went about their investigations, but like what's been seen in other Korean crime thrillers, how sometimes cops can effectively be inept, hampered by their lack of coordination and cooperation amongst themselves, and strangely enough, the sexism here is very much pronounced. Eun Young gets verbally abused countless of times, and what took the cake was that tight slap delivered by a fellow colleague, to which her response was to stand in silence. And all that stemming from listening to her partner and not calling their investigations in for backup purposes for personal and professional selfish reasons.
But what doesn't break you only makes you stronger, and the narrative for the most parts deals with Eun Young's determination to make it in her career and posting of choice despite having many first time jitters, and her dogged (pardon the pun) nature puts her very much in the driver's seat as far as investigations into the killings go. Song Kang Ho would fade off into the background from the mid way point, but Lee Na Young more than makes up for his absence with strong charismatic screen presence, who balanced her demure demeanour (some may even claim that it's submissive to her male colleagues) with some action sequences when called upon to become more physical.
The suggestion of a wolf-dog hybrid is also intriguing for tossing up plenty of questions, creating an entire arc and characters involving motivation to do what got done, together with bringing on plenty of sleaze factors amongst the guilty. Some may cry foul over how convenient this actually was in coming up with scenes and characters to link everything together, but as already highlighted, the story's really secondary to the strength of characters on display, and has the director keeping every development on a very tight leash, paced well and delivered where it mattered most. Recommended!
The Leading actor got the great acting talent anyway.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 10.368.295 USD
- Tempo di esecuzione
- 1h 54min(114 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1