The Art of the Steal - L'arte del furto

Another heist movie with a little bit of humor. Why not? If I had to choose between the Ocean's heist movies and The Art of the Steal I would go for this one. It's basically the same, a heist explained by a narrating voice, but this time with a touch of humor. Not that you will laugh a lot or so, well at least I didn't, but it was an easy movie to watch. Not too much complicated entertainment for a laid back movie night. The cast is good, the conversations between the two brothers played by Russell and Dillon are fun to watch. In the middle of the movie I thought it was going down a bit but the end saved it all. There are enough good twists to make this movie better then the average heist movie.

I decided to review this one because some of the other reviews are slightly miss leading. I do not pretend in any way to be a film critic... Just your every day regular movie goer/watcher, and as such I must admit I really really enjoyed this one. It has enough twists and turns to keep you hooked till the end and delivers a nice sense of humor throughout the whole movie. Yes, maybe the movie did try a bit too much to be a type of Guy Ritchie meets Ocean's Eleven, but I wouldn't necessarily say that's bad, and I wouldn't say it failed at it either. Bottom line, if you are considering watching it don't think it over too much, go for it and enjoy it, I guarantee it'll have you hooked into the first 10 minutes.

The heist genre is old, so what is new and worth watching about this particular heist movie? The jokes. They are really sharp, fast, original and witty. And those jokes are delivered by a bunch of great actors: Matt Dillon, Kurt Russell and a delightful cool, calm and collected Terence Stamp. They all act really good.

The story is tight and fast moving and funny. Kurt Russell plays a gangster in need of money. Well, that´s news! He desperately needs money though and that's the reason he agrees to do an impossibly difficult heist. Will he succeed anyway?

Any bad? It's a bit too clever for the sake of wanting to be clever. And it's still a copycat of Ocean's Eleven, but an enjoyable copycat...

What a cast! I have to put that out there first. Matt Dillon, Kurt Russell, but also Terence Stamp (every word he's saying has such a weight and him going for comedy, is so great). Actually everyone involved makes it look so effortless. Heist movies of course might not be everyones thing and people might argue, that after Oceans Eleven (or the sequels), there is nothing left to say.

Yes this may be predictable and may or may not make much sense under scrutiny, but it is too fun to watch, twist and turn and go different directions, that it would be a shame for you not to enjoy it. And I can't stress out enough, that this also has a lot to do with the cast involved. The script is good, but you have to have people deliver it. Every role is cast in a great way and this movie makes no secret that it wants to entertain you. It's not as wrangled up as "Now you see me" (which is also better), but it doesn't have to be

The Art of the Steal doesn't have the class of Ocean's Eleven, Guy Ritchie's eccentric bad boys, nor does it have the wry wit of In Bruges, but it does have enough enthusiasm, convoluted plot, split- screen framing, and seasoned cast anchored by Kurt Russell and Terence Stamp to make this dead-zone time of movie year bearable until May.

This religious texts heist, however, does have some class—art to be specific—and the Seurat original, along with some Mona Lisa recollections, is the main object of the crime. Russell's Crunch Calhoun and Matt Dillon's half-brother Nicky do one last heist, a thriller mainstay that promises much will go wrong before the denouement. Writer- director Jonathan Sobol's double-crosses and cocky hooligans last to the twisted end for a real "last" one.

With Jay Baruchel playing the greenhorn, and therefore the vulnerable part of the plan, fun ensues as he questions the sanity of the plan's convoluted steps. Even more fun is watching a deadpan Terence Stamp play a federal informer whose British accent and considerable knowledge of art inform every suspenseful moment with the exotic, the cultural, and the dangerous.

Part of the joy is trying to figure out where his character fits in with the lawful and the unlawful. Not happy, however, is the over-the-top reactions of Jason Jones' Interpol agent, Bick. Blame director Jonathan Sobol for not seeing the chasm between this sophomoric performance and Stamp's nuanced turn.

Kurt Russell has been in showbiz for at least a half century, and while his face shows some wear, his actorly sensibilities are sharply delivered in a film whose comic moments and frequent plot twists offer a brief respite in a waning but still ornery winter.