VALUTAZIONE IMDb
4,5/10
3444
LA TUA VALUTAZIONE
La leggenda di Yamashita's Gold attira un cacciatore di tesori e il suo gruppo nella giungla indonesiana. Sono intrappolati in un bunker giapponese e affrontano una realtà terrificante.La leggenda di Yamashita's Gold attira un cacciatore di tesori e il suo gruppo nella giungla indonesiana. Sono intrappolati in un bunker giapponese e affrontano una realtà terrificante.La leggenda di Yamashita's Gold attira un cacciatore di tesori e il suo gruppo nella giungla indonesiana. Sono intrappolati in un bunker giapponese e affrontano una realtà terrificante.
- Regia
- Sceneggiatura
- Star
Yanda Djaitov
- Papa
- (as Jaitov Tigor)
Fernando Reinaldo
- Pirate
- (as Sgt Fernando Reinaldo)
Recensioni in evidenza
In an isolated island in Indonesia, an expedition is apparently seeking the legendary Yamashita's Gold. Out of the blue, they are attacked and seek refugee in an abandoned Japanese bunker. Soon they discover that the place was a secret laboratory in the World War II where the prisoners were guinea pig in weird experiments. Further, they are trapped inside with strong and resistant creatures created by these experiments. Will they succeed to escape from the dead mine?
I really do not understand how producers (HBO, not Sci-Fi) can spend their money in garbage like that. The story is a terrible rip-off of "The Descent" and I believe anyone who read it would have at least some doubts to make a movie. The dialogs are extremely poor and the motive of the expedition is a mess. Who are the guys that shoot the expedition? How the Japanese survivor had eaten and drunken along all those years trapped in the bunker with the creatures? How someone could inject a rusted syringe with a sixty and something year-old substance in another person with the intention of healing him? The group splitting to be more easily killed is one annoying clichés. The awful lack of conclusion seems to show the intention of a sequel, meaning more wasted money. Last but not the least; the acting is more dreadful than the creatures. My vole is two.
Title (Brazil): "Mina Abandonada" ("Abandoned Mine")
I really do not understand how producers (HBO, not Sci-Fi) can spend their money in garbage like that. The story is a terrible rip-off of "The Descent" and I believe anyone who read it would have at least some doubts to make a movie. The dialogs are extremely poor and the motive of the expedition is a mess. Who are the guys that shoot the expedition? How the Japanese survivor had eaten and drunken along all those years trapped in the bunker with the creatures? How someone could inject a rusted syringe with a sixty and something year-old substance in another person with the intention of healing him? The group splitting to be more easily killed is one annoying clichés. The awful lack of conclusion seems to show the intention of a sequel, meaning more wasted money. Last but not the least; the acting is more dreadful than the creatures. My vole is two.
Title (Brazil): "Mina Abandonada" ("Abandoned Mine")
With so many horror B-movies with the word 'dead' in the title, you could be forgiven for thinking that 'Dead Mine' would contain hordes of cheaply-made up flesh-eating ghouls hunting down a cast list of annoyingly-attractive drama students. It doesn't though. Instead it's more one of those films where a group of surprisingly unattractive platoon of soldiers encounter a bunker of undead Nazis (with disastrous consequences).
And it's always Nazis. It seems you can't tunnel more than two feet below Europe without unearthing a secret World War II experiment of some kind or another. But not here. Dead Mine is completely different. Here we're in an island off the coast of Japan and there isn't a single psychotic World War II scientist to be found. They're Japanese instead. Here, our hapless treasure hunters get trapped in (guess what?) a mine, only to be stalked by what can best be described as Samauri Golum gimps.
It's like if 'Decent' and 'Outpost' had a child, then 'Dead Mine' would be their offspring. Only it's not really as good as either. That's not to say that it's (that) bad. It's no classic (not even a cult classic), but, if you're in the mood, it's watchable enough.
Performances aren't anything special. You'll pretty much guess who's going to die and in which order from the beginning, as most people's motives are pretty self explanatory.
There's not as much gore as you might think, which will annoy some people. The budget obviously didn't allow for that much in the way of special effects.
The story is as you'd expect and starts off pretty well, however the final act gets a little weird and may leave you wondering what happened.
All in all, if you haven't seen Outpost or Decent and you find this film on some movie streaming website and you don't have to pay for it, then it might fill an hour and a half. As I didn't have to pay to watch it I'm being more lenient on it. I wouldn't say it was worth the price of a cinema admission though!
http://thewrongtreemoviereviews.blogspot.co.uk/
And it's always Nazis. It seems you can't tunnel more than two feet below Europe without unearthing a secret World War II experiment of some kind or another. But not here. Dead Mine is completely different. Here we're in an island off the coast of Japan and there isn't a single psychotic World War II scientist to be found. They're Japanese instead. Here, our hapless treasure hunters get trapped in (guess what?) a mine, only to be stalked by what can best be described as Samauri Golum gimps.
It's like if 'Decent' and 'Outpost' had a child, then 'Dead Mine' would be their offspring. Only it's not really as good as either. That's not to say that it's (that) bad. It's no classic (not even a cult classic), but, if you're in the mood, it's watchable enough.
Performances aren't anything special. You'll pretty much guess who's going to die and in which order from the beginning, as most people's motives are pretty self explanatory.
There's not as much gore as you might think, which will annoy some people. The budget obviously didn't allow for that much in the way of special effects.
The story is as you'd expect and starts off pretty well, however the final act gets a little weird and may leave you wondering what happened.
All in all, if you haven't seen Outpost or Decent and you find this film on some movie streaming website and you don't have to pay for it, then it might fill an hour and a half. As I didn't have to pay to watch it I'm being more lenient on it. I wouldn't say it was worth the price of a cinema admission though!
http://thewrongtreemoviereviews.blogspot.co.uk/
I wish I could say this review contained spoilers because it would suggest there was something to spoil about this film. However, it was so abject that the director and assembeld cast have already done that for you.
I won't bore you with the details of the risible plot because there are plenty of other reviewers who have done that. What they have not told you is that this film is a cheat. Yes a cheat. I don't care if you haven't paid a penny to watch it, if you watch it to the end, as I stupidly did, it will cheat you out of almost two hours of your life.
You know that when a horror film starts out with a group of six, the monsters/ aliens/ zombies/ evil incarnations et al will pick them off one by one. Par for the course. Except in the final scene, we have one character turned into a zombie/ living dead figure another who submerges into a lake to escape the ridiculous Samurai warriors and a plaintive girl struggling up a beach with the warriors emerging behind her and.........roll the credits. Seriously, as the warriors approach her, it goes to black screen and then credits. So what happened to our hero who dived into the lake, the zombified character and the girl? Don't know.
I am only writing this because I feel so angry that the film didn't even offer a cop-out ending. There wasn't even an ending! Did they run out of money? Did they become as bored as the rest of us and thought "Hey what, y'know everyone let's call it a wrap because there's a great cocktail bar near here and it's gotta be more fun than doing this."
Cheats!
I wanted to watch a horror movie yesterday and after a quick search I chose Dead Mine. Well,the "horror in a mine" concept is nothing rare so I didn't expect to encounter something new plot wise to begin with. What I was expecting to see in an Indonesian B-movie like this were some nice killing scenes and probably some scary or intense moments. Also, most horror B-movies nowadays usually make up for their "bad" plot with lots of blood and gore but that's not the case here. This movie isn't much scary either. Even at moments that the protagonists are hunted down and the watcher should feel the intensity of it the director just failed to make it happen.
Coming to the story now, I have to say it was not that bad.It actually had more potential than it delivered if I can say that. Of course, there are cliché characters placed here and there but it happens to most movies(I even found myself liking the character of Warren's gf) .The plot is quite good at first(not something entirely fresh but decent) and seems like it might lead somewhere good. Still the bad pace, the lack of attention to detail and the horrible 15-20 last mins of the movie where the story goes off track ruin the effort made before.
I know that what I've said so far will probably make you not wanting to watch this movie at all but its not entirely unwatchable. It's still better than many movies out there. So if you like horror movies and got nothing else to watch give it a try. It will be a decent one-time watch, though the last part of the movie might leave you with a bad aftertaste like in my case.
Coming to the story now, I have to say it was not that bad.It actually had more potential than it delivered if I can say that. Of course, there are cliché characters placed here and there but it happens to most movies(I even found myself liking the character of Warren's gf) .The plot is quite good at first(not something entirely fresh but decent) and seems like it might lead somewhere good. Still the bad pace, the lack of attention to detail and the horrible 15-20 last mins of the movie where the story goes off track ruin the effort made before.
I know that what I've said so far will probably make you not wanting to watch this movie at all but its not entirely unwatchable. It's still better than many movies out there. So if you like horror movies and got nothing else to watch give it a try. It will be a decent one-time watch, though the last part of the movie might leave you with a bad aftertaste like in my case.
Here we go again, different location, different nation, but the same WWII bunker story. Instead of the German's and the Nazi's we have the Japanese and the undead Samurai. This in itself should have made for some great and spectacularly gory fighting scenes... but it doesn't.
This isn't just down to the direction and special effects though; the story plays a major part in this disappointment. The writers, Ziad Semaan and Steven Sheil, meanders through the telling. It starts well and then gradually slows and slows. There are a lot of pregnant pauses and translating. All of which isn't necessarily needed. Then by the time, the crap hits the fan and the undead Samurai super-soldiers appear (which is way too late in the film) the director cannot increase the pace enough to re-envigorate the viewer.
The director, Steven Shiel, isn't too bad, though a bit more imagination wouldn't have gone amiss. Everything about the shoot is average. There's no play with light. Even though they're in an ancient bunker the lights work brilliantly - Great Japanese Electronics. Not once do the lights go out to create tension. Unfortunately, Sheil isn't able to create tension or suspense in the light. He could have tried different camera angles, blurred backgrounds with moving shapes-come-shadows. But, no. However, this doesn't damage the film too bad but it would have made it so much better.
The best thing about this film is the strength of the cast. Each of them gives a good performance of their character. Sam Hazeldine is particularly good as Stanley. He has screen presence. You know when he's on-screen and he delivers his lines superbly. He makes his character realistic and you can't help but believe in him. Two couples have some nice chemistry together. One is Warren Price (Les Loveday) and Rie (Miki Mizuno) who are lovers but just think about making the quick buck. The others are, Captain Tino Prawa (Ario Bayu) and his second in command - these two have a fine bromance going for them. The acting does lift the story and the film, but not enough. It's watchable, though, I don't think you'll be recommending it to anyone.
If you've not watched a WWII Bunker horror flick before... There are better than this around to cut your teeth on. Check out the Outpost series. However, if you're all watched up and there's nothing else on (which was my case) then this will pass an hour and a half. But the slowness and meandering story may bore you a little.
Feel free to check out my Absolute Horror list-come-chart to see this ranks or to find something to new to view.
This isn't just down to the direction and special effects though; the story plays a major part in this disappointment. The writers, Ziad Semaan and Steven Sheil, meanders through the telling. It starts well and then gradually slows and slows. There are a lot of pregnant pauses and translating. All of which isn't necessarily needed. Then by the time, the crap hits the fan and the undead Samurai super-soldiers appear (which is way too late in the film) the director cannot increase the pace enough to re-envigorate the viewer.
The director, Steven Shiel, isn't too bad, though a bit more imagination wouldn't have gone amiss. Everything about the shoot is average. There's no play with light. Even though they're in an ancient bunker the lights work brilliantly - Great Japanese Electronics. Not once do the lights go out to create tension. Unfortunately, Sheil isn't able to create tension or suspense in the light. He could have tried different camera angles, blurred backgrounds with moving shapes-come-shadows. But, no. However, this doesn't damage the film too bad but it would have made it so much better.
The best thing about this film is the strength of the cast. Each of them gives a good performance of their character. Sam Hazeldine is particularly good as Stanley. He has screen presence. You know when he's on-screen and he delivers his lines superbly. He makes his character realistic and you can't help but believe in him. Two couples have some nice chemistry together. One is Warren Price (Les Loveday) and Rie (Miki Mizuno) who are lovers but just think about making the quick buck. The others are, Captain Tino Prawa (Ario Bayu) and his second in command - these two have a fine bromance going for them. The acting does lift the story and the film, but not enough. It's watchable, though, I don't think you'll be recommending it to anyone.
If you've not watched a WWII Bunker horror flick before... There are better than this around to cut your teeth on. Check out the Outpost series. However, if you're all watched up and there's nothing else on (which was my case) then this will pass an hour and a half. But the slowness and meandering story may bore you a little.
Feel free to check out my Absolute Horror list-come-chart to see this ranks or to find something to new to view.
Lo sapevi?
- BlooperWhen Tino and Stanley are talking in the beginning, between shots Prawa as sweating, then not.
- Curiosità sui crediti"Any resemblance to real persons, living or dead or undead, is purely coincidental."
- ConnessioniReferences La vendetta di Gwangi (1969)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 26.597 USD
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Proporzioni
- 2.35 : 1
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