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St. Vincent

  • 2014
  • T
  • 1h 42min
VALUTAZIONE IMDb
7,2/10
111.496
LA TUA VALUTAZIONE
POPOLARITÀ
1745
667
Bill Murray, Melissa McCarthy, Naomi Watts, and Jaeden Martell in St. Vincent (2014)
Watch a trailer for St. Vincent featuring new music by Wilco's Jeff Tweedy.
Riproduci trailer0: 54
41 video
99+ foto
Buddy ComedyComing-of-AgeComedyDrama

Un ragazzo i cui genitori hanno appena divorziato trova un improbabile amico e mentore nel veterano di guerra misantropo, osceno ed edonista che vive nella casa accanto.Un ragazzo i cui genitori hanno appena divorziato trova un improbabile amico e mentore nel veterano di guerra misantropo, osceno ed edonista che vive nella casa accanto.Un ragazzo i cui genitori hanno appena divorziato trova un improbabile amico e mentore nel veterano di guerra misantropo, osceno ed edonista che vive nella casa accanto.

  • Regia
    • Theodore Melfi
  • Sceneggiatura
    • Theodore Melfi
  • Star
    • Bill Murray
    • Melissa McCarthy
    • Naomi Watts
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    111.496
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1745
    667
    • Regia
      • Theodore Melfi
    • Sceneggiatura
      • Theodore Melfi
    • Star
      • Bill Murray
      • Melissa McCarthy
      • Naomi Watts
    • 262Recensioni degli utenti
    • 277Recensioni della critica
    • 64Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 vittorie e 23 candidature totali

    Video41

    Exclusive Trailer
    Trailer 0:54
    Exclusive Trailer
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    Trailer 2:31
    Trailer #1
    Trailer #1
    Trailer 2:31
    Trailer #1
    St. Vincent
    Trailer 2:32
    St. Vincent
    Clip
    Clip 2:42
    Clip
    Clip
    Clip 0:45
    Clip
    "Mowing Dirt"
    Clip 0:48
    "Mowing Dirt"

    Foto181

    Visualizza poster
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    + 175
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    Interpreti principali79

    Modifica
    Bill Murray
    Bill Murray
    • Vincent
    Melissa McCarthy
    Melissa McCarthy
    • Maggie
    Naomi Watts
    Naomi Watts
    • Daka
    Jaeden Martell
    Jaeden Martell
    • Oliver
    • (as Jaeden Lieberher)
    Chris O'Dowd
    Chris O'Dowd
    • Brother Geraghty
    Terrence Howard
    Terrence Howard
    • Zucko
    Kimberly Quinn
    Kimberly Quinn
    • Nurse Ana
    Lenny Venito
    Lenny Venito
    • Coach Mitchell
    Nate Corddry
    Nate Corddry
    • Terry, the Banker
    Dario Barosso
    Dario Barosso
    • Ocinski
    Donna Mitchell
    Donna Mitchell
    • Sandy
    Ann Dowd
    Ann Dowd
    • Shirley, Sunnyside Administrator
    Scott Adsit
    Scott Adsit
    • David
    Reg E. Cathey
    Reg E. Cathey
    • Gus
    Deirdre O'Connell
    Deirdre O'Connell
    • Linda
    Ray Iannicelli
    Ray Iannicelli
    • Roger
    Greta Lee
    Greta Lee
    • Teller #23
    Maria Elena Ramirez
    Maria Elena Ramirez
    • Amelda
    • Regia
      • Theodore Melfi
    • Sceneggiatura
      • Theodore Melfi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti262

    7,2111.4K
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    10

    Recensioni in evidenza

    9A_Different_Drummer

    Pitch-Perfect, Under-Rated, Wonderful

    There is a school of film reviewing which suggests that a film is like a symphony, to review it, don't bother with minutiae, just listen for a false or off-key note, and deduct points accordingly.

    By that approach, this film would be a 10 because there are no false notes.

    And it is really that good.

    The key to these sorts of films is trust your script, trust your actors, and trust the director to simply to give them lead and let them run. Which is precisely what we have here.

    The iconic Bill Murray gives his most memorable performance since MEATBALLS -- which, BTW, launched the entire Canadian film industry -- even though it is not actually a comic role. Impressive.

    Naomi Watts give her most memorable performance since MULHULLAND DRIVE where, as a glowing young ingénue, she stole scene after scene. She steals here too.

    Even Melissa McCarthy, who many consider a scenery-chewer and over-the-top, is wonderfully restrained and actually creates an empathetic character.

    Delightful.
    RyanCShowers

    A Sweet, Lovable Film

    BY RYAN C. SHOWERS

    If you have seen the trailers for "St. Vincent", you probably think avoiding it at all costs is the best option with the film's release. The judgmental thoughts I had with the previews were: recycled storyline, serious actors taking "lesser" roles, and award season junk. But that really wonderful thing happened to me while watching "St. Vincent" where all my preconceived notions dissolve and the film revealed proffers an sweepingly enjoyable time at the movies. It looks like every area of the film could be a disaster, but mostly everything in the new comedy moves fluidly.

    Three or four times, "St. Vincent" really stumbles, completely misfiring an already risky move. The first of these blunders is when Vincent fights a group of punks bullying Oliver in an alley-- even the trite set-up of the scene sounds like its asking for criticism. The whole screenplay has a sense of predictability, but director Theodore Melfi makes your see past the stale clichés and reminds you why audiences were so moved by these overused plot devices for years and years. (Melfi's directing is well completed, shooting and editing the film adequately.) Accepting the screenplay's banal set-up will allow you to see the acutely written dialogue in "St. Vincent". The film's climatic pay-off is the best example of vigorously written, directed, and acted dialogue through a speech recited by Oliver.

    A selling point for any comedy could be the ability to make the viewer really laugh. Not giggle, not smile from the film's cleverness, but an erupting, uncontrollable laughter that captures your mind in bliss. Time after time, "St. Vincent" made me laugh like this, out loud. It runs the gambit over all methods of comedy: physical gags, one-liners, banter between actors, situational comedy, and awkward moments. The actors and execution are responsible for creating comedy where there may not have been any to begin with, yes, I'm looking at you, Naomi Watts.

    At first sight, Watts made me laugh to myself thinking, "Man, 'Diana' really did a number on her career options, huh?", but the more Watts got to flesh out the character, the more she made me chuckle, and the more I saw her commitment to the obnoxious role. She throws herself into territory where she usually does not trend, as does her co-supporting actress Melissa McCarthy. McCarthy gives the performance with the most value, cranking this character out of the park. She radiates her dramatic talents to extents only hinted at in her more serious roles like Sookie in "Gilmore Girls". Get McCarthy out of films like "Tammy" and "The Heat", and let her pursue roles in which she can create a real person, like she does here.

    Bill Murray has been the actor hailed by critics and the selling point of the picture, and he brings exactly what you would expect he would bring to the role: perfect comedic timing, a faultless empathy to the scumbag, and movie star strength to carry the project. But who brings a movie star power more than anyone is newcomer Jaeden Lieberher, who transcends past typical annoying children archetypes.

    "St. Vincent" is a sweet, lovable film that grows on you with each passing laugh. It's the most I have shamelessly laughed at the cinema all year.

    * * * 1/2 / * * * *
    8kosmasp

    Like or dislike?

    If someone can play a character who seems despicable, but has a warmth to him (and has more dimensions than one), it definitely is Bill Murray. And he's showing it off here. While this might have gone completely wrong with someone else in the lead, this works almost perfectly. You also get to see Melissa McCarthy being the "straight" person for once. Yes she can act and be more than just a goof-ball.

    Naomi Watts has a difficult small role, but she manages to do a fine job (even with that accent, that might put some people off, no pun intended). Also a great choice is the kid. He's obviously elemental and very important to the whole story. It may be slow paced and some might not feel the complete impact towards the end, but the movie does a very solid job
    9abcvision

    Saints come marching in

    This movie is a touching story. It is about a boy who befriends a crusty curmudgeon in Vincent (Bill Murray) and discovers some facts of life. But the deeper story is that family is really the friends you choose and the wide cast of misfits are brought together by a mix of circumstances and events. They are lost but then are found. The story also showcases the lost heroes of Vietnam. These veterans are dying off and as a nation we have forgotten their contributions in this senseless war. The boy is the glue to the cast and he bridges the gap from the wide differences between the characters. I would highly recommend if and is sure to conjure up a tear or too. A real good feel movie that shows how saints are everywhere, everyday, check out St. Vincent. Bill Murray is a masterful actor that becomes the character,
    8bbickley13-921-58664

    A stellar performance by Bill Murray

    Bill Murray shows his acting range in this film by playing a despicable human being that you can't help but to like, as Vincent, an angry old man who takes on the job of a babysitter to his new neighbor's young son in order to make some extra cash he surely needs.

    Melissa McCartney, who plays the neighbor is also in the movie. I love McCartney, but it was obvious from the start that this is Big Bill's show and he's leading this dance, while Melissa and Naomi Watts, who also stars in the film are just tools to move the story along. A task any actress could have done, but having Naomi and Melissa makes the movie better to market.

    I wish I got more laughs for McCartney, but like I said, this is totally Bill's ride, and it was a good one.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Naomi Watts learned her Russian accent for her role as Daka by watching YouTube videos and by going to a Russian spa in order to observe mannerisms and dialect.
    • Blooper
      Vincent's car alternates between a 1983 model Chrysler LeBaron Town & Country convertible and a 1984 model. The front ends are the same, but the taillights are different between the two model years.
    • Citazioni

      Brother Geraghty: [Oliver's new Catholic school classmates welcome him, albeit unenthusiastically] Maybe as a 'thank you', you could lead us all in morning prayer.

      Oliver: [as the class members bow their heads, he whispers apologetically to the teacher] I think... I think I'm Jewish.

      Brother Geraghty: [to Oliver] OK, good to know.

      Brother Geraghty: [addressing the whole class] Oliver thinks he's Jewish.

      random members of the class: So am I... I'm Buddhist... There is no God...

      [now everyone speaks at once, sharing their religious preferences]

      Brother Geraghty: Yes, you get the idea. We celebrate all the religions of the world in this room, Oliver. I'm a Catholic, which is the best of all the religions, really, because we have the most rules. And the best clothes. But among us, there is also a Buddhist, agnostic, we have a Baptist, and we have a "I don't know", which seems to be the fastest growing religion in the world. And now, we have "I think I'm Jewish", which is a new one for the class, Oliver, so thanks for that.

    • Curiosità sui crediti
      The credits play over a scene with Vincent trying to have a cigarette in his backyard and then later watering the lawn.
    • Connessioni
      Featured in 72nd Golden Globe Awards (2015)
    • Colonne sonore
      Everyone Hides
      Written by Jeff Tweedy

      Performed by Tweedy

      Courtesy of dBpm Records

    I più visti

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    Domande frequenti20

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    Dettagli

    Modifica
    • Data di uscita
      • 18 dicembre 2014 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site (Japan)
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Sn. Vincent
    • Luoghi delle riprese
      • Bay Ridge, Brooklyn, New York, New York, Stati Uniti(St. Patricks)
    • Aziende produttrici
      • Chernin Entertainment
      • Crescendo Productions
      • Goldenlight Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 13.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 44.137.712 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 109.878 USD
      • 12 ott 2014
    • Lordo in tutto il mondo
      • 54.837.234 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 42 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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