Un improbabile plotone della seconda guerra mondiale ha il compito di salvare capolavori d'arte dai ladri nazisti e restituirli ai loro proprietari.Un improbabile plotone della seconda guerra mondiale ha il compito di salvare capolavori d'arte dai ladri nazisti e restituirli ai loro proprietari.Un improbabile plotone della seconda guerra mondiale ha il compito di salvare capolavori d'arte dai ladri nazisti e restituirli ai loro proprietari.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 3 candidature totali
- Commander Elya
- (as Zahary Baharov)
Recensioni in evidenza
It's no secret that The Monuments Men was one of everyone's most anticipated movies of 2013, and looked like a solid awards contender, until it was pushed to a February release date, purportedly due to the need for more time to be spent on the special effects.
The truth is, The Monuments Men could be, and really should be much more entertaining than it is. The best part of the film, and at the same time, its major problem, is the script. There are seemingly continuous laughs coming from quick one liners and witty character interactions, which keeps the audience somewhat engaged, although with such bleak subject matter, it's debatable that a movie dealing with the eradication of an entire culture's achievements should be as lighthearted as it is. But the flaw with the script is that it seems like the first act eats up almost all of it's running time. It's as if the film is missing large portions of the actual plot to make room for massive amounts of unnecessary exposition. Secondly, the film's characters are stale and one dimensional at best. I invite anyone who sees the film to wait an hour after finishing the movie, and try to remember even three of the character's names or what their role in the mission was. There isn't a moment in the entire film where it isn't simply John Goodman or Bill Murray dressed as World War II soldiers and not fleshed out characters. Albeit all of the actors are exceedingly fun to watch, I assume that just watching all of these actors talk together at a press conference would be just about as entertaining.
The Monuments Men isn't even close to the worst movie of 2014 by a long shot, even though it is only February, but it's arguably the most disappointing film of the year as of yet. I take no pleasure in saying this, but it's noble intentions fell utterly short due to awful pacing, and forgettable characters. I haven't read the book, but I have to think that it must be much better constructed and does this fantastic real life story more justice.
One thing that really struck home with me was seeing the beaches at Normandy. My uncle actually landed in the first wave, lost most of his battalion and was wounded. He never spoke about it but I know he carried the scars throughout his life.
So what went wrong? Well, to begin with, for a movie about a team, we're given very little time with them as a group. Almost immediately they pair off on their own little adventures. Instead of using these exploits to let us know a little more about the characters as individuals, we get the usual oddball pairings and some mildly amusing, but ultimately hollow, vignettes. Even when we lose some of our team, it really feels like nothing more than just something that happened on the trip, like "oh, and I also saw a horse." We have hardly any sense of them as a group and far less about them as people. The only character whose motivations we can understand is the one played by Cate Blanchett, but her limited chemistry with Matt Damon dooms what little redemptive quality her character had.
Also, and particularly troubling for a movie involving art, George Clooney's lens has little reverence for the work it shows. Though the film heavy-handedly ponders whether a piece of art is worth a human life, the camera never does. Even when a character lays down his life for a sculpture, it comes off less dramatic than inevitable. The film treats the works as being mostly historically significant and never finds that lover's gaze that tells the audience why.
What we're left with is a bag of spare parts. It's a popcorn movie with no setpieces. A war movie with no battles. A heist movie with no scheming. An art movie with no inspiration. Were they to have found some of Inglourious Basterds' bluster, Ocean's Eleven smarts or Museum Hour's insight, they may have found a formula that works, but that's not the movie we have here. I'll be damned if George Clooney doesn't look good in a moustache, though.
No, it's NOT supposed to be a comedy, nor a WW2 "Ocean's 11." For those who criticize that there is TOO much comedy, I disagree. The comedic relief comes primarily from one-liners, and who among us is serious all the time? Funny people often find themselves in serious situations and it would be difficult to believe that soldiers do not enjoy--and need--to laugh and be smart-alecks occasionally.
And a BIG thumbs up for the lack of the f-word and other profanity. I am getting so tired of nearly all movies peppering (and usually overdosing) their scripts with profanity. Sure, these soldiers probably used colorful language, but it wouldn't have added anything to the film to include it, and really, we need to show young people that you can communicate (more) effectively without profanity.
Lo sapevi?
- QuizThe "Monuments Men" were a group of approximately 345 men and women from thirteen nations, most of whom volunteered for service in the newly created MFAA section during World War II. Many had expertise as museum directors, curators, art historians, artists, architects, and educators. Their job description was simple: to protect cultural treasures so far as war allowed.
- BlooperWhen the German asks the French assistant for a champagne glass, the woman gets a champagne coupe style glass. Some people incorrectly assume that this is an error in the movie and that a champagne flute should have been used. However, champagne flutes did not become popular until later in the twentieth century and during the World War II era the champagne coupe was the style of glass commonly used to serve champagne.
- Citazioni
Frank Stokes: I think you should know the truth as I see it. This mission is never designed to succeed. If they were honest, they would tell us that. They'd tell us that with this many people dying, who cares about art. They're wrong. Because that's exactly what we're fighting for. For our culture and for our way of life. You can wipe out a generation of people. You can burn their homes to the ground and somehow they'll still come back. But if you destroy their achievements and their history then it's like they never existed. Just ash floating. That's what Adolf Hitler wants. And it's the one thing we simply can't allow.
- Curiosità sui creditiAt the beginning of the end credits there are black and white photos of the real Monuments Men with some of the art they saved.
- Colonne sonoreNight And Day
Written by Cole Porter
Performed by Patrick Peronne (as Patrick Péronne)
Courtesy of Promo Sound Ltd
I più visti
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Operación monumento
- Luoghi delle riprese
- Rye, East Sussex, Inghilterra, Regno Unito(The strand, the harbour and many other areas of the town and surrounding area.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 78.031.620 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.003.433 USD
- 9 feb 2014
- Lordo in tutto il mondo
- 156.706.638 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1