Tracks - Attraverso il deserto

The scenes I enjoyed the most in this movie were the star shots. Imagine you are sleeping in the outback, and the sky is ablaze with the southern constellations. No matter where you are, there is a star right straight above you; you are not alone.

Being alone is an important theme to Robyn Davidson. We are told by back story that her mother committed suicide at an early age. We are also told that her father wandered all around East Africa prospecting. She is forced to live with her aunt and her beloved dog is put down. The first lines in the movie tell us that movement and change are important to Robyn. Think of a gyroscope. As long as it is spinning, it can provide accurate navigational information. Stop spinning, and it goes out of control.

Travelling with camels also makes sense. Symbolically camels are independent, tough, resourceful and most of all they can go for long periods without the essentials of life. So for Robyn going for long periods with no human contact mimics the camels lack of certain essentials as well. Like her father, she has an instinct for the bush and finds herself at home in that environment. You get the feeling that she could find her way even without her dad's Brunton compass. Also she is able to bond with a whole variety of creatures from wild camels, aboriginals and bushmen. She respects the ways and habits of the people she meets.

This movie has wonderful shots of the outback and the incredible variety of people and places that present themselves. As many adventures do, it has a huge physical as well as psychological component. The acting is well done, there is not an excess of emotion or drama, but Mia and Adam do an excellent job of showing us that there is lots going on underneath it all, which fits exactly.

Robyn (Mia Wasikowska) arrives in Alice Springs, determined to make the 1,700 mile journey to Australia's west coast on foot across the desert, accompanied by camels and her dog. This film tells of her preparation and the outcome of her journey.

Despite the fact that it is often leisurely in the telling of Robyn's true story and that Robyn is, for much of the running time, the only person on screen, it is never less than engaging. We get some idea of what drove Robyn to undertake this project (although there is no glib, clear explanation of her motivations), and we meet some of the people she encountered (and one of the enjoyable elements in this film is the development of National Geographical photographer Rick (Adam Driver) - truly annoying when we first meet him, by the end he is much more in tune with what Robyn's objectives have been).

Mia Wasikowska is very good in this gently moving film, but the real stars of this beautifully photographed story are the Australian desert and the camels.

There is a small amount of dramatically justifiable bad language and some animal upset involved.

I had been very excited about this movie after seeing the trailer. The story is exhilarating and after watching movies like "Into the Wild" and "127 Hours," I was waiting to see what was in store. As I sat down in my seat to see this at the San Francisco Film Festival I decided to erase all anticipation of the movie and just sit. The lights dimmed down, the audience shuffled into comfortable positions, and then began the movie. Almost two hours passed, and the film's credits began. The audience sat in their seats, myself included. We were mesmerized by John Curran's adaptation, Mia Wasikowska's tremendous performance, and Mandy Walker's impeccably/beautifully captured imagery. What stood out to me the most, though, was the perspectives of isolation and companionship. Marion Nelson did a fantastic job at taking the elements of the autobiography that gave us those perspectives, and as we watched Mia struggle through the desert with her four camels, dog, and occasionally the photographer (played by a genuine Adam Driver), we all began to understand her points of views in life as well as ourselves. So much motif was done with the desert, which I have to applaud John Curran for doing. I will be seeing this film again when it is released, and I hope you will too!

Tracks follows other films about individuals pushing limits and seeking purpose and adventure. It is tastefully and cleverly executed with talented performance by the lead Mia Wasikowska.

Two short points about this movie.

1) It is exceptional for its ability to draw you into the journey across the desert. Some of the hallucinations etc are tedious but necessary to fill gaps as there are not many characters. The cinematography does the desert and journey justice.

2) In a largely male dominated genre finally a female inspires as the lead character of a adventure story.

Tracks is the true story of Robyn Davidson, a 27 year old woman from Brisbane who in 1977 decided to embark on a 1,677 mile trek from Alice Springs to the Indian Ocean, crossing the Australian outback. She did it mainly alone, aside from four camels and a faithful dog. She was helped a little by a photographer who organised financial backing for her trip from National Geographic magazine and with whom she had brief romantic involvement on her trip, while she was also assisted on the way by some Aboriginals who guided her though sacred lands of theirs. The trip in total took nine months.

This is one of those movies where the adventure itself is used as a means of the lead character exploring themselves as well as the more literal physical journey. Davidson endures both physical and psychological hardships along the way. While she never really goes into any detail as to why she is impelled to embark on her journey, we understand from various dream-like flashbacks that her mother committed suicide when she was an infant and this event has gone some way into shaping her the way she is. She is a loner and very self-contained but her subsequent adventure makes her realise more fully in the importance of others and that relying and respecting other folks is no bad thing and her own personal goals should at the very least be offset against these aspects.

Mia Wasikowska is very good as Davidson, she is quite believable in the role in a way that a lot of other actresses would not be, while Adam Driver also makes a mark as the photographer who is a little annoying but essentially a good person. The dramatics are fairly sparse here though because ultimately this is a film about solitude to a large extent. Consequently, a lot of the focus is on the landscape, terrain and animals. The excellent photography is very effective here in capturing both the beauty but also the harsh arid nature of this world. And the camels and dog are elevated to important and lovable characters and are also photographed very well. It should also be pointed out here that Wasikowska really seems to have put herself in some danger with her up and close interactions with some pretty scary mouth-frothing camels. This is clearly a role she committed herself to fully.

I always think that the Australian outback is such a cinematic place and its long flat horizons are particularly well suited to the widescreen frame – think Walkabout (1971), Picnic at Hanging Rock (1975) or the more conventional recent Mystery Road (2013). It's specific combination of untamed nature, enigmatic indigenous people, functional isolated settlements and the western world close but so far away is a concoction that is unusual and ensures that Australian films set in the outback do often have their own unique feeling. Tracks is another in this type and it is appealing for all of these reasons. It, of course, has the added advantage of being a true story which always lends something extra. I'm not sure if you could exactly describe it as a travelogue picture though, as aside from brief sequences featuring the likes of Uluru, its landscape is far more harsh and arid and not precisely what you would describe as beautiful. Because of this, it feels like an authentic depiction of the real event. It's a quite minimalistic example of the biopic and a very good one.