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IMDbPro

Is That Black Enough for You?!?

  • 2022
  • VM16
  • 2h 15min
VALUTAZIONE IMDb
7,2/10
1653
LA TUA VALUTAZIONE
Is That Black Enough for You?!? (2022)
Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.
Riproduci trailer2: 04
1 video
11 foto
DocumentaryHistory

Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.

  • Regia
    • Elvis Mitchell
  • Sceneggiatura
    • Elvis Mitchell
  • Star
    • Elvis Mitchell
    • Margaret Avery
    • Harry Belafonte
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    1653
    LA TUA VALUTAZIONE
    • Regia
      • Elvis Mitchell
    • Sceneggiatura
      • Elvis Mitchell
    • Star
      • Elvis Mitchell
      • Margaret Avery
      • Harry Belafonte
    • 13Recensioni degli utenti
    • 26Recensioni della critica
    • 83Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 candidature totali

    Video1

    Official Trailer
    Trailer 2:04
    Official Trailer

    Foto11

    Visualizza poster
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    + 3
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    Interpreti principali19

    Modifica
    Elvis Mitchell
    Elvis Mitchell
    • Narrator
    • (voce)
    Margaret Avery
    Margaret Avery
    • Self
    Harry Belafonte
    Harry Belafonte
    • Self
    Charles Burnett
    Charles Burnett
    • Self
    Suzanne De Passe
    Suzanne De Passe
    • Self
    Antonio Fargas
    Antonio Fargas
    • Self
    Laurence Fishburne
    Laurence Fishburne
    • Self
    Sheila Frazier
    Sheila Frazier
    • Self
    Whoopi Goldberg
    Whoopi Goldberg
    • Self
    Louise Archambault
    • Self
    • (as Louise Archambault Greaves)
    Samuel L. Jackson
    Samuel L. Jackson
    • Self
    Stan Lathan
    Stan Lathan
    • Self
    Roscoe Orman
    Roscoe Orman
    • Self
    James Signorelli
    • Self
    • (as Jim Signorelli)
    Glynn Turman
    Glynn Turman
    • Self
    Mario Van Peebles
    Mario Van Peebles
    • Self
    Billy Dee Williams
    Billy Dee Williams
    • Self
    Zendaya
    Zendaya
    • Self
    • Regia
      • Elvis Mitchell
    • Sceneggiatura
      • Elvis Mitchell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    7,21.6K
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    Recensioni in evidenza

    10antoniomcafee

    Encyclopedic Brilliance

    A brilliant encyclopedic survey of black cinema. The interviews are revealing and entertaining. There is a lot that is covered and it is organized well. I will be referring to this documentary repeatedly to watch films I haven't seen and never heard of. This film coupled with the black horror film documentary "Horror Noir" will feed the curious mind, enthralled by black cinema and its progression.

    One of the more unexpected aspects is it's inclusion of experimental films, from animation to split screen. There is minimal focus on this but it does highlight ambitious storytelling and filmmakers responses to a restrictive system.
    8mindovermatter520

    Hollywood Owes Us More: Is That Black Enough for You?!? Breaks It All Down

    Is That Black Enough for You?!? Is a sharp, necessary deep dive into the history of Black cinema, specifically the seismic shift that happened in the late '60s and '70s. Directed and narrated by Elvis Mitchell, the film isn't just a documentary - it's a cultural critique, a love letter to Black artistry, and a long-overdue reckoning with Hollywood's treatment of Black creators.

    Mitchell breaks down how Black filmmakers and actors fought to define themselves on screen, pushing past racist tropes and reclaiming space in an industry that never wanted to give them a real seat at the table. He doesn't just highlight classics - he contextualizes them, showing how these films weren't just entertainment but acts of defiance and self-determination. And the archival footage? Incredible. The interviews? Stacked. When you've got Samuel L. Jackson, Laurence Fishburne, and Whoopi Goldberg weighing in, you know it's legit.

    Beyond the history, what makes this film so powerful is how it connects the dots to today. Hollywood still sidelines Black voices, still erases contributions, still acts like representation is a trend rather than a necessity. Mitchell makes it clear that these battles aren't new, and that's what makes this documentary so frustrating-but also so important.

    If you care about film, Black culture, or just understanding why things are the way they are in Hollywood, Is That Black Enough for You?!? Is essential. It's eye-opening, validating, and at times infuriating, but more than anything, it's a reminder that Black cinema has always been about more than just movies - it's about power.
    6li0904426

    Excessive focus on pre-2000 black films!!

    The movie 'Is That Black Enough for You?!?' is a provocative documentary that examines the history of black representation in American cinema. The documentary is narrated, directed, and written by Elvis Mitchell and it sheds light on the groundbreaking blaxploitation movies of the 70s. Numerous black actors, directors, and writers have shared their experiences, challenges, and struggles in the white-dominated world of Hollywood.

    The documentary delves deep enough to uncover marginalized black films intended for black audiences that have gone unnoticed by the media and the general public.

    The movie's editing becomes unsteady when it jumps back and forth in time, with testimonials that elongate the script. The script also places a heavy emphasis on black films prior to 2000, leaving the film feeling incomplete or as if it is anticipating a sequel.
    8judas-55637

    The Blaxploitation Treatment

    If been an on and off listener (if I find the guest interesting) of The Treatment for way over a decade by now. So for a long time I've been aware that Elvis Mitchell is a very smart and thoughtful person. When I found out Mitchell did a documentary on Black Cinema I instantly watched it.

    The documentary mainly focuses on Blaxploitation movies of the 1970s, basically 1968-76, the introductory bit deals with movies before that time. Killer of Sheep and Symbiopsychotaxiplasm get special non-Blaxploitation mentions. I'm not sure I heard Blaxploitation discussed from an afro-american perspective before, certainly not to this extend. Like most people of my generation I learned of these films first from Tarantino. Who as Mitchell points out here got his start by putting dialogues common in black films into the mouth of his white actors. Which, as much as you might dislike that take, is true. And yes you want so say: But, Samuel L. Jackson... and I tell you: he is not in Reservoir Dogs. Now, is he? He is in this documentary though.

    Mitchell make quite a number of other interesting point throughout, highlights some of the forgotten pioneers and gives you a good overview of the film of that time. Unless you are easily offended by black view points and you are interested in movies, this is way worth your time. Does it at times makes points I disagree with. Sure, but I am an adult, I don't need people to agree with me 100% to find it interesting what they have to say. And yes sure it could have talked about more or other movies, but it already crammed a lot into it's run time.

    Ps. I read in another review here that is very telling that Sidney Poitier wasn't interviewed for this. No, it isn't. Poitier already quite sick by that time, do your f--ing research. Do you really think Poitier was not aware of the things Mitchell says about his career? I'm a white European and I was aware of them beforehand. Also, if you want to know why Roots isn't discussed, because this is about movies not TV.
    8paul-allaer

    Outstanding documentary on the golden era of black film making

    As "Is That Black Enough For You?!?" (2022 release; 135 min) opens, the voiceover (from director Elvis Mitchell) observes how his grandma was influenced by the movies she saw, and how it led to the golden era of black film making 1968 to 1978. Talking heads like Lawrence Fishburne, Harry Belafonte and Whoopi Goldberg offer their perspectives, and a wistful Mitchell asks "Why did these pictures stopped getting made?" At this point we are 10 min into the documentary.

    Couple of comments: this is the directing debut of longtime writer, producer and film critic (including at one point for the New York Times) Eric Mitchell. Here he fondly looks back to the golden years of black film making, which he identifies as 1968 to 1978. And "film making" is to be understood in a broad sense: not just actors, but also producers and directors and anyone else involved directly and indirectly. Everyone knows of the phenom that was "Shaft" but as Mitchell demonstrates, there were so many other noteworthy black films in that era, many of which were made outside of the Hollywood studio system and hence never seen by most of us, including many of the so-called blaxploitation movies ("blaxploitation is the commoditization of blackness", observes one of the talking heads). The works of Gordon Banks and Melvin Van Peebles get extensive attention, and along the way we get dozens and dozens of movie clips, one better/more intriguing than the other. It leads one (or at least me) to want to see these movies. It was amazing for me how quickly these 2 hrs. And 15 min came and went, and a genuine pleasure to watch this from start to finish. Last but not least, in the movie's opening credits, the title is showing as "Is That Black Enough For You?!? How One Decade Forever Changed the Movies (And Me)".

    "Is That Black Enough For You?!?" premiered in early October at the new York Film Festival to immediate critical acclaim, and it is currently rated 100% Certified Fresh on Rotten Tomatoes, and for good reason. If you have any interest in a slice of movie history which most of us know very little about, I'd readily suggest you check this out, and draw your own conclusion.

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    • Blooper
      While discussing Le ali della libertà (1994), the narrator identifies Rita Hayworth as white. Hayworth's real name was Margarita Carmen Cansino, and she was of Romani descent (an Indo-Aryan ethnic group, also known by the term "Gypsies"). She had her name changed, and appearance slightly altered, to aid her career. Prior to that, as Rita Cansino, she had been limited to smaller exotic roles.

      On a related note, towards the end of The Shawshank Redemption, Andy has replaced the poster of Rita Hayworth with a poster of Raquel Welch. Welch was born Jo Raquel Tejada, but went by "Raquel Welch" for the sake of her career (to avoid getting trapped into roles available to Latinas). She did not acknowledge her true heritage until she worked on American Family (2002).
    • Citazioni

      Harry Belafonte: Not one picture that I turned down did I regret not doing. I didn't resent any of them. I'm glad others got an opportunity and went off and did it, but my initial... First and foremost, I'm an artist. I'm an actor. And I came out of a school with Marlon Brando, Walter Matthau, Rod Steiger, Tony Curtis, with a director that gave us no quarter. I'm not gonna do anything other than what I think is worthy of being done. And fortunately for me, I was a runaway success in the world at large because I had a globe so passionately approving of my presence in their midst that nobody could dismiss the fact that that thing on the horizon called Belafonte could really not be fucked with. Because anytime anybody came up and gave me an ultimatum, I said, "Fuck you. I'm going to Paris. I'll probably live there if I like, but I... I have a destination that answers your denial of what I could be."

    • Connessioni
      Features A Fool and His Money (1912)
    • Colonne sonore
      Transmograpfication
      Written by James Brown and Dave Matthews

      Performed by James Brown

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    Dettagli

    Modifica
    • Data di uscita
      • 11 novembre 2022 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official Netflix
    • Lingua
      • Inglese
    • Celebre anche come
      • هل يكفيكم هذا السواد؟!؟
    • Aziende produttrici
      • Makemake
      • Netflix
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 15 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Digital

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