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IMDbPro

Is That Black Enough for You?!?

  • 2022
  • VM16
  • 2h 15min
VALUTAZIONE IMDb
7,2/10
1662
LA TUA VALUTAZIONE
Is That Black Enough for You?!? (2022)
Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.
Riproduci trailer2: 04
1 video
11 foto
StoriaUn documentario

Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.Il critico culturale ed esperto di storia Elvis Mitchell racconta l'evoluzione, oltre che la rivoluzione, del cinema nero dagli esordi ai film incisivi degli anni '70.

  • Regia
    • Elvis Mitchell
  • Sceneggiatura
    • Elvis Mitchell
  • Star
    • Elvis Mitchell
    • Margaret Avery
    • Harry Belafonte
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    1662
    LA TUA VALUTAZIONE
    • Regia
      • Elvis Mitchell
    • Sceneggiatura
      • Elvis Mitchell
    • Star
      • Elvis Mitchell
      • Margaret Avery
      • Harry Belafonte
    • 13Recensioni degli utenti
    • 26Recensioni della critica
    • 83Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 candidature totali

    Video1

    Official Trailer
    Trailer 2:04
    Official Trailer

    Foto11

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    + 3
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    Interpreti principali19

    Modifica
    Elvis Mitchell
    Elvis Mitchell
    • Narrator
    • (voce)
    Margaret Avery
    Margaret Avery
    • Self
    Harry Belafonte
    Harry Belafonte
    • Self
    Charles Burnett
    Charles Burnett
    • Self
    Suzanne De Passe
    Suzanne De Passe
    • Self
    Antonio Fargas
    Antonio Fargas
    • Self
    Laurence Fishburne
    Laurence Fishburne
    • Self
    Sheila Frazier
    Sheila Frazier
    • Self
    Whoopi Goldberg
    Whoopi Goldberg
    • Self
    Louise Archambault
    • Self
    • (as Louise Archambault Greaves)
    Samuel L. Jackson
    Samuel L. Jackson
    • Self
    Stan Lathan
    Stan Lathan
    • Self
    Roscoe Orman
    Roscoe Orman
    • Self
    James Signorelli
    • Self
    • (as Jim Signorelli)
    Glynn Turman
    Glynn Turman
    • Self
    Mario Van Peebles
    Mario Van Peebles
    • Self
    Billy Dee Williams
    Billy Dee Williams
    • Self
    Zendaya
    Zendaya
    • Self
    • Regia
      • Elvis Mitchell
    • Sceneggiatura
      • Elvis Mitchell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    7,21.6K
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    Recensioni in evidenza

    5imseeg

    Starts out interesting, but eventually peters out...

    This documentary starts out interesting with lots of historic facts about the earliest black movies that were made, with lots of interesting interviews by big Hollywood names like Samuel L Jackson, Whoopi Goldberg, Harry Bellafonte and Sidney Poitier.

    The bad: but after an hour this documentary veers of into all sorts of directions, becoming disjointed and long in the tooth.

    It is as if this director simply had no control over his urge to namedrop as many film classics as possible and then start analysing what was wrong with them.

    Recommended watch for the first hour, but I fear not many will stay focussed till the very end, because this documentary unfortunately peters out after the first hour.
    7dasilentpardner-65037

    MANY ARE MISSING

    From Bill 'Bogangles' Robinson to Louis Gossett Jr. To Marlene Warfield to Denzel Washington (!), there are quite a number of major artists and performances missing. Yaphet Kotto is mentioned once, but his best performances ('Bone,' 'Report to the Commissioner,' 'Blue Collar') are not seen. Pearl Bailey is never mentioned and Redd Foxx is seen for 2 seconds. You would likely never know that Jim Brown and Fred Williamson were, in the 1970's, supreme sex symbol icons as well as icons of masculinity. Cicely Tyson's storied career is distilled to her Oscar nod for 'Sounder' and an appearance in one other film. Spike Lee's films (even his early work) gets glossed over. So, yes, I have some problems with it. However, I must admit that it is an admirable and sophisticated try. Should've been 3 hours long and they should've allowed the film clips to breath a bit more. A nice primer to whet the appetite of the film student. The initiated will find a number of cinematic holes and missed opportunities.
    10antoniomcafee

    Encyclopedic Brilliance

    A brilliant encyclopedic survey of black cinema. The interviews are revealing and entertaining. There is a lot that is covered and it is organized well. I will be referring to this documentary repeatedly to watch films I haven't seen and never heard of. This film coupled with the black horror film documentary "Horror Noir" will feed the curious mind, enthralled by black cinema and its progression.

    One of the more unexpected aspects is it's inclusion of experimental films, from animation to split screen. There is minimal focus on this but it does highlight ambitious storytelling and filmmakers responses to a restrictive system.
    8paul-allaer

    Outstanding documentary on the golden era of black film making

    As "Is That Black Enough For You?!?" (2022 release; 135 min) opens, the voiceover (from director Elvis Mitchell) observes how his grandma was influenced by the movies she saw, and how it led to the golden era of black film making 1968 to 1978. Talking heads like Lawrence Fishburne, Harry Belafonte and Whoopi Goldberg offer their perspectives, and a wistful Mitchell asks "Why did these pictures stopped getting made?" At this point we are 10 min into the documentary.

    Couple of comments: this is the directing debut of longtime writer, producer and film critic (including at one point for the New York Times) Eric Mitchell. Here he fondly looks back to the golden years of black film making, which he identifies as 1968 to 1978. And "film making" is to be understood in a broad sense: not just actors, but also producers and directors and anyone else involved directly and indirectly. Everyone knows of the phenom that was "Shaft" but as Mitchell demonstrates, there were so many other noteworthy black films in that era, many of which were made outside of the Hollywood studio system and hence never seen by most of us, including many of the so-called blaxploitation movies ("blaxploitation is the commoditization of blackness", observes one of the talking heads). The works of Gordon Banks and Melvin Van Peebles get extensive attention, and along the way we get dozens and dozens of movie clips, one better/more intriguing than the other. It leads one (or at least me) to want to see these movies. It was amazing for me how quickly these 2 hrs. And 15 min came and went, and a genuine pleasure to watch this from start to finish. Last but not least, in the movie's opening credits, the title is showing as "Is That Black Enough For You?!? How One Decade Forever Changed the Movies (And Me)".

    "Is That Black Enough For You?!?" premiered in early October at the new York Film Festival to immediate critical acclaim, and it is currently rated 100% Certified Fresh on Rotten Tomatoes, and for good reason. If you have any interest in a slice of movie history which most of us know very little about, I'd readily suggest you check this out, and draw your own conclusion.
    6li0904426

    Excessive focus on pre-2000 black films!!

    The movie 'Is That Black Enough for You?!?' is a provocative documentary that examines the history of black representation in American cinema. The documentary is narrated, directed, and written by Elvis Mitchell and it sheds light on the groundbreaking blaxploitation movies of the 70s. Numerous black actors, directors, and writers have shared their experiences, challenges, and struggles in the white-dominated world of Hollywood.

    The documentary delves deep enough to uncover marginalized black films intended for black audiences that have gone unnoticed by the media and the general public.

    The movie's editing becomes unsteady when it jumps back and forth in time, with testimonials that elongate the script. The script also places a heavy emphasis on black films prior to 2000, leaving the film feeling incomplete or as if it is anticipating a sequel.

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    Trama

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    Lo sapevi?

    Modifica
    • Blooper
      While discussing Le ali della libertà (1994), the narrator identifies Rita Hayworth as white. Hayworth's real name was Margarita Carmen Cansino, and she was of Romani descent (an Indo-Aryan ethnic group, also known by the term "Gypsies"). She had her name changed, and appearance slightly altered, to aid her career. Prior to that, as Rita Cansino, she had been limited to smaller exotic roles.

      On a related note, towards the end of The Shawshank Redemption, Andy has replaced the poster of Rita Hayworth with a poster of Raquel Welch. Welch was born Jo Raquel Tejada, but went by "Raquel Welch" for the sake of her career (to avoid getting trapped into roles available to Latinas). She did not acknowledge her true heritage until she worked on American Family (2002).
    • Citazioni

      Harry Belafonte: Not one picture that I turned down did I regret not doing. I didn't resent any of them. I'm glad others got an opportunity and went off and did it, but my initial... First and foremost, I'm an artist. I'm an actor. And I came out of a school with Marlon Brando, Walter Matthau, Rod Steiger, Tony Curtis, with a director that gave us no quarter. I'm not gonna do anything other than what I think is worthy of being done. And fortunately for me, I was a runaway success in the world at large because I had a globe so passionately approving of my presence in their midst that nobody could dismiss the fact that that thing on the horizon called Belafonte could really not be fucked with. Because anytime anybody came up and gave me an ultimatum, I said, "Fuck you. I'm going to Paris. I'll probably live there if I like, but I... I have a destination that answers your denial of what I could be."

    • Connessioni
      Features A Fool and His Money (1912)
    • Colonne sonore
      Transmograpfication
      Written by James Brown and Dave Matthews

      Performed by James Brown

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    Dettagli

    Modifica
    • Data di uscita
      • 11 novembre 2022 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official Netflix
    • Lingua
      • Inglese
    • Celebre anche come
      • هل يكفيكم هذا السواد؟!؟
    • Aziende produttrici
      • Makemake
      • Netflix
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 15 minuti
    • Colore
      • Color
      • Black and White
    • Mix di suoni
      • Dolby Digital

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