Aníkúlápó

The movie storyline was good and the cinematography was cool I must say I enjoyed the movie.

From the beginning I was the edge of the till the finish. Bravo to the Nigerian movie industry they are really trying this time and threats every project as if it's the best to come.

Thank you for anukulapo!!

The movie storyline was good and the cinematography was cool I must say I enjoyed the movie.

From the beginning I was the edge of the till the finish. Bravo to the Nigerian movie industry they are really trying this time and threats every project as if it's the best to come.

Thank you for anukulapo!!

The production team achieved a fine work on set and it was beautiful to see a film told during pre-colonial times. Just wished the script was as robust as the production...

DELICIOUS

-What an outstanding display of life back in the day! We truly relished the antique setting, festival, dances, cooking, people walking barefoot, fabric making, clay molding, etc.

Hats off to the hair, make-up, and set design teams! The hard work paid off

-This was Kunle Remi's best performance so far. He genuinely impersonated the character Saro/Anikulapo by showing different facets: pain, pride, infatuation, and power.

The rest of the cast was sublime, especially Bimbo Ademoye annnnnnnd Sola Sobowale did NOT shout😄

-The title best suited Bimbo's role as she 'died and resurrected' to a brand new life embracing strength and seizing critical opportunities to change her destiny

BLAND

-The audio, the audio, sadly, sounded ADR-ish

-Anikulapo was a simple plot told in a simple way; there weren't any sizzling moments to glue us to our seats

We were more like spectators, not involved in the story but just observing Saro's journey. More gripping dialogues could have also made a difference.

Seeing people and life in Nigeria is massive an all black and all African idea its not a bad movie just that it has a lack of magic and the story is rather simple once you warm over the charm and genuine African elements it leaves a lot of space in direction and acting, story even detail of life. I feel it nearly had me, but it became a bit difficult to sustain interest around the time he porked the servant - good try and good start but I fear it did not make use of all it could have, and may have ben hampered by politics and greed off screen.. lets put this down as a good effort and possible space for more.

I love the story, the cultural representation and the actors. Kunle outdid himself with this film. While i am Igbo, a different ethnicity to the Yoruba portrayed in this movie, I was not lost one bit and almost every scene was relatable as a person. The Settings looked authentic even though i have nothing to compare it to. But it just feels original.

The sex scene too was ok, not to erotic but enough to announce that Nollywood is ready for adding nude and sex scenes to movies to increase its standards. A daring move considering how reserved a lot Nigerian folks are.

Overall its an wonderful movie to see.

This is a movie that is based on betrayal, has really deep interpretations. It tells how a kings youngest wife fell in love with Saro a bachelor and Saro was sent on exile and died, in order to revive him the kings youngest wife which he loved used mystical powers to bring him back to life and they decided to move to a far away village , where Saro ended up betraying her by been promiscuous just because the kings youngest wife gave him powers to revive dead people, he started reviving dead villagers and felt on top of the world because the queen couldn't bear a child, he started taking wives for himself . Saro ended up betraying her. No regrets watching this .