La scrittrice P.L. Travers acconsente di incontrare Walt Disney, che desidera adattare il suo libro Mary Poppins per farne un film.La scrittrice P.L. Travers acconsente di incontrare Walt Disney, che desidera adattare il suo libro Mary Poppins per farne un film.La scrittrice P.L. Travers acconsente di incontrare Walt Disney, che desidera adattare il suo libro Mary Poppins per farne un film.
- Candidato a 1 Oscar
- 13 vittorie e 74 candidature totali
Fuschia Sumner
- Flight Attendant
- (as Fuschia Kate Sumner)
Recensioni in evidenza
Saving Mr Banks tells the story of Walt Disney's battle to get the rights to make Mary Poppins into a movie. I wasn't expecting to like this but was completely blown away.
It is beautifully put together, is hilarious in parts and very touching and emotional at other stages, but is not overly sappy or cheesy.
There are some outstanding performances here. Emma Thompson plays Mrs Travers beautifully - a cantankerous and stubborn lady, yet you can't dislike her. Tom Hanks does a good job of playing Walt Disney - a tough role for anyone but he seems to suit it, so long as you can get past the terrible fake southern accent which is worse than Dick Van Dyke's attempts at an English accent in Mary Poppins.
However the stand-out performance is, surprisingly, delivered by Colin Farrell as Mrs Travers' father. He brings amazing range and emotion to a character that is simultaneously a loving, sweet father and a man caged in by life and personal demons.
Go see it for yourself when it comes out at the end of November. I'm looking forward to watching it again.
It is beautifully put together, is hilarious in parts and very touching and emotional at other stages, but is not overly sappy or cheesy.
There are some outstanding performances here. Emma Thompson plays Mrs Travers beautifully - a cantankerous and stubborn lady, yet you can't dislike her. Tom Hanks does a good job of playing Walt Disney - a tough role for anyone but he seems to suit it, so long as you can get past the terrible fake southern accent which is worse than Dick Van Dyke's attempts at an English accent in Mary Poppins.
However the stand-out performance is, surprisingly, delivered by Colin Farrell as Mrs Travers' father. He brings amazing range and emotion to a character that is simultaneously a loving, sweet father and a man caged in by life and personal demons.
Go see it for yourself when it comes out at the end of November. I'm looking forward to watching it again.
From the studio that brought you Mary Poppins, Disney has released a biopic about the author of the original novels, P.L Travers. Saving Mr. Banks is the story of her battles with Walt Disney, who wants the rights to the film adaptation, in a dramatic comedy that is both witty and sentimental.
Mrs. Pamela P.L. Travers (Emma Thompson) has been hounded by Walt Disney (Tom Hanks) and the Disney Corporation for 20 years for the film rights to her book and she has refused constantly. But by 1961, she has run out of money and agrees to go to Los Angeles for two weeks to work with the writing team to see if a deal can be struck. Her conditions are that the film cannot be animated, there are no songs and she has final script approval. Travers quickly clashes with creative team and Walt himself, a man who promised his daughters he would adapt the book.
As this is going on Travers reflects on her childhood in rural Australia, with her father (Colin Farrell), a loving man who feeds his daughter's imagination, but an alcoholic with probable depression and how these events influenced her writing.
Saving Mr. Banks is a film armed with excellent screenplay and a top notch cast. As well as the likes of Thompson, Hanks and Farrell, Saving Mr. Banks also features Bradley Whittaker, Jason Schwartzman, Paul Giamatti, B.J. Novak and Ruth Wilson. They all offer strong performances and have given us very well defined characters. Thompson dominates as Travers, a no nonsense woman with poor social skills and a British Bulldog stubbornness/determination and injects a deadpan humour with the witty lines she was given. Thompson also brings out the emotion, the serious aspects of the character, as the shadows of her past still linger over her.
One of the big themes of the film is the writing process, both the individual, personal aspect and the collaborative effect of a film adaptation. Saving Mr. Banks shows that many writers use they personal experience and life and become a part of the author. It is hard for writers to let go and particularly for Travers, as she has so much invested in Mary Poppins, so much of herself in it. Her books allowed her to have some wish fulfilment.
The screenwriters Kelly Marcel and Sue Smith, director John Lee Hancock and editor Mark Livoisi worked brilliant to blending the story of Travers butting heads with Disney's creative team and her backstory about her childhood influencing her writing. There are plenty of transitions, allowing Hancock to have some fancy pans. One particular noticeable sequence is when the creative team performs one of the songs and Travers has a flashback. The film slowly reveals how Travers childhood and her father became a part of her writing, used in the books and become a part of the themes of her books and philosophies. This is particularly the case with her parents and their inabilities to cope, both Travers' father's alcoholism and mother's inability to cope with the stress, leading to her theme of responsibility. For a film that is about the writing process, Saving Mr. Banks never really shows about the writing process that Travers goes through, but explores the writing process of adapting a work, from one medium to another.
The final theme and a big part of the comedy comes from the clashes of cultures and personalities. Travers is a brash personality with formal, conservative approach and lives a modest lifestyle in London and a rustic life in Australia. This in comparison to the overtly friendly American and their glamour and excess, from the fashion to the food, particularly sweet treats and the hard sell from Disney in Travers' hotel room.
Saving Mr. Banks has a excellent screenplay, solid direction and balances the comedy dramatic portions extremely well. The film makes sure there is plenty of sentiment, particularly with the score by Thomas Newman. It is a safe film, but still a pleasing experience. It is perfect if you are a fan of Mary Poppins and you will have the songs stuck in your head.
Please visit www.entertainmentfuse.com
Mrs. Pamela P.L. Travers (Emma Thompson) has been hounded by Walt Disney (Tom Hanks) and the Disney Corporation for 20 years for the film rights to her book and she has refused constantly. But by 1961, she has run out of money and agrees to go to Los Angeles for two weeks to work with the writing team to see if a deal can be struck. Her conditions are that the film cannot be animated, there are no songs and she has final script approval. Travers quickly clashes with creative team and Walt himself, a man who promised his daughters he would adapt the book.
As this is going on Travers reflects on her childhood in rural Australia, with her father (Colin Farrell), a loving man who feeds his daughter's imagination, but an alcoholic with probable depression and how these events influenced her writing.
Saving Mr. Banks is a film armed with excellent screenplay and a top notch cast. As well as the likes of Thompson, Hanks and Farrell, Saving Mr. Banks also features Bradley Whittaker, Jason Schwartzman, Paul Giamatti, B.J. Novak and Ruth Wilson. They all offer strong performances and have given us very well defined characters. Thompson dominates as Travers, a no nonsense woman with poor social skills and a British Bulldog stubbornness/determination and injects a deadpan humour with the witty lines she was given. Thompson also brings out the emotion, the serious aspects of the character, as the shadows of her past still linger over her.
One of the big themes of the film is the writing process, both the individual, personal aspect and the collaborative effect of a film adaptation. Saving Mr. Banks shows that many writers use they personal experience and life and become a part of the author. It is hard for writers to let go and particularly for Travers, as she has so much invested in Mary Poppins, so much of herself in it. Her books allowed her to have some wish fulfilment.
The screenwriters Kelly Marcel and Sue Smith, director John Lee Hancock and editor Mark Livoisi worked brilliant to blending the story of Travers butting heads with Disney's creative team and her backstory about her childhood influencing her writing. There are plenty of transitions, allowing Hancock to have some fancy pans. One particular noticeable sequence is when the creative team performs one of the songs and Travers has a flashback. The film slowly reveals how Travers childhood and her father became a part of her writing, used in the books and become a part of the themes of her books and philosophies. This is particularly the case with her parents and their inabilities to cope, both Travers' father's alcoholism and mother's inability to cope with the stress, leading to her theme of responsibility. For a film that is about the writing process, Saving Mr. Banks never really shows about the writing process that Travers goes through, but explores the writing process of adapting a work, from one medium to another.
The final theme and a big part of the comedy comes from the clashes of cultures and personalities. Travers is a brash personality with formal, conservative approach and lives a modest lifestyle in London and a rustic life in Australia. This in comparison to the overtly friendly American and their glamour and excess, from the fashion to the food, particularly sweet treats and the hard sell from Disney in Travers' hotel room.
Saving Mr. Banks has a excellent screenplay, solid direction and balances the comedy dramatic portions extremely well. The film makes sure there is plenty of sentiment, particularly with the score by Thomas Newman. It is a safe film, but still a pleasing experience. It is perfect if you are a fan of Mary Poppins and you will have the songs stuck in your head.
Please visit www.entertainmentfuse.com
This movie is much more than and definitely deeper than one would suspect from the 'syrupy' trailers most people have seen. The understory, gradually revealing the early life of P.L. Travers, the author of Mary Poppins, and depicting how the people in her dysfunctional family led her to write Mary Poppins, is the true core of this movie. I will never see Mary Poppins in quite the same way. All of the acting is superior, and the score is excellent. This is not the shallow, childlike movie that many will expect. I would not recommend it for children 11 and under, depending on the child. Otherwise, I highly recommend this movie, even if you are not a big fan of the original Mary Poppins film.
Emma Thompson is great fun to watch, always. Here, she plays Mrs Travers the one who dared to say no to Walt Disney. The movie, made by the Disney studios, would have us believe that Walt Disney was, well...Tom Hanks. No. Impossible, incredible, almost laughable but thanks to the power of the stars one can sit through it, thoroughly entertained by this work of fiction. The imperious character played by Emma Thompson as a theatrical rather than a cinematic experience is nonetheless engaging and moving. The flashbacks were, if you permit the impudence, a total miscalculation. They come back with annoying regularity and instead of adding, they detract from the central story. My favorite parts were the meeting between Mrs Travers and Saint Walt Disney in London and Mrs Travers inviting herself and sitting at the premiere of Mary Poppins.
i attended a pre-screening of "Saving Mr. Banks" last night in Dallas. while i had been looking forward to the film, i had my reservations. after all, Johnny Hancock (director) was behind "The Blind Side," which i found much too schmaltzy and watered-down for my taste. also, this was a movie about Walt Disney being produced by his company - so how honest would it be about the story behind the making of the masterpiece "Mary Poppins"? would it settle for predictable mellow-drama (yes, i meant to spell it that way) and glorify dear Uncle Walt as perfect and demonize Mrs. Travers as a cold, soulless spoilsport? thankfully, the answer to that is a resounding "no."
while it surely takes artistic license with history, the film as a whole is surprisingly great. there's not a weak moment throughout, not a second where i wasn't entertained and wanting to find out what would come next. this film (rated PG-13) surprises with many of the thematic issues it tackles, including alcoholism, loss - and we even get a brief glimpse of a smoking Mr. Disney (hey, it was the 60s).
Emma Thompson has always been a strong performer though her screen time has waned over the last decade and a half, but here she gives a performance that is worthy of awards attention. As Mrs. P.L. Travers, she is an author as protective as her life's work as a mother is for a child and is dealing with demons nearly forgotten. Mr. Hanks too carries his own playing the iconic and visionary Disney at the top of his game, trying to honor a promise to his daughters while also add to his impressive repertoire of cinematic achievements.
this is not really a film to take your Poppins-loving tykes to. this is the Disney film for mom and dad to enjoy. "Saving Mr. Banks" will probably be remembered as one of the best films of 2013, and for good reason.
while it surely takes artistic license with history, the film as a whole is surprisingly great. there's not a weak moment throughout, not a second where i wasn't entertained and wanting to find out what would come next. this film (rated PG-13) surprises with many of the thematic issues it tackles, including alcoholism, loss - and we even get a brief glimpse of a smoking Mr. Disney (hey, it was the 60s).
Emma Thompson has always been a strong performer though her screen time has waned over the last decade and a half, but here she gives a performance that is worthy of awards attention. As Mrs. P.L. Travers, she is an author as protective as her life's work as a mother is for a child and is dealing with demons nearly forgotten. Mr. Hanks too carries his own playing the iconic and visionary Disney at the top of his game, trying to honor a promise to his daughters while also add to his impressive repertoire of cinematic achievements.
this is not really a film to take your Poppins-loving tykes to. this is the Disney film for mom and dad to enjoy. "Saving Mr. Banks" will probably be remembered as one of the best films of 2013, and for good reason.
Lo sapevi?
- QuizP.L. Travers never did warm up to the song "Let's Go Fly a Kite" as depicted in this movie. According to Richard M. Sherman, it was "Feed the Birds" that won her over.
- BlooperThe other drivers at the airport hold signs bearing logos of Warner Brothers and MGM adopted sometime after 1961.
- Citazioni
Walt Disney: George Banks and all he stands for will be saved. Maybe not in life, but in imagination. Because that's what we storytellers do. We restore order with imagination. We instill hope again and again and again.
- Curiosità sui creditiThe credits also have an actual audio recording of P.L. Travers conversing with the filmmakers like the ones depicted in the film.
- Colonne sonoreChim, Chim, Cher-ee
Written by Richard M. Sherman (as Richard Sherman) and Robert B. Sherman (as Robert Sherman)
Performed by Randy Kerber
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El sueño de Walt
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 83.301.580 USD
- Fine settimana di apertura Stati Uniti e Canada
- 413.373 USD
- 15 dic 2013
- Lordo in tutto il mondo
- 117.867.984 USD
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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