VALUTAZIONE IMDb
6,5/10
106.082
LA TUA VALUTAZIONE
Un magnate del settore immobiliare prossimo alla morte decide di trasferire la sua coscienza in un corpo giovane e sano, ma presto scopre che né la procedura svolta, né l'azienda si è occupa... Leggi tuttoUn magnate del settore immobiliare prossimo alla morte decide di trasferire la sua coscienza in un corpo giovane e sano, ma presto scopre che né la procedura svolta, né l'azienda si è occupata dell'intervento sono quel che sembrano.Un magnate del settore immobiliare prossimo alla morte decide di trasferire la sua coscienza in un corpo giovane e sano, ma presto scopre che né la procedura svolta, né l'azienda si è occupata dell'intervento sono quel che sembrano.
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
Recensioni in evidenza
I would actually give this title a nine if I myself were being biased, and I can be because it's a rarity that I make it to the movies anymore. I get pretty excited when I see something that I actually care about and this was quite entertaining for me..most movies are relevant to in different ways, so take that for what it's worth. I'm a movie lover. I saw this film with the hopeful intention of walking away with a little bit of a Born Identity kind of feel, something considered to be at least surface entertainment and I was not disappointed and that is an understatement. The action and story opener with Ben Kingsley as the main protagonist was well executed, as was the claustrophobia inducing transformation into Ryan Reynolds. One of the things I was actually worried about from the preview wasn't even about the content of the film but more how under the radar that I felt it would be in the public eye. Ryan Reynolds is not by any means a bad actor and that's his problem, with something so serious and Sci-Fi oriented we're almost reluctant to even approach his ability to draw you in. We see his films and usually know what to expect because he's so likable. Ever since Waiting he's been hard to avoid, but nothing about his roles offer anything compelling and that's not really his fault. I respect his quest for versatility..I really enjoy his role in this movie, actually..the things that are great about this movie really sparkle.. I have to say the best part about this for me would have to be the directing and the Music..my God, they really pulled of some wonderful suspense...some moments made my skin crawl..they utilize an almost Hans Zimmer technique likened to Joker's theme song in the Dark Knight but it doesn't feel rehashed. It's a thoughtful cerebral thriller with the fat trimmed away, it doesn't linger in too many places..the pacing was great. There was not a boring moment and in fact most of it had me cheering, mentally. I even like the ending, thought it was beautiful. The only thing that bothered me was the closing shot of the film, it was so simplistic that it was almost like man...dude, you could have had a classic on your hands, most may not take it to that level but I promise that it's at least likable to anybody. I loved this movie, it had great potential and totally delivered the goods. Every punch, every nuance counted and reminded me that the action genre still has the chance to break some ground.
Well I definitely had fun watching Self/less. I was just expecting a mystery thriller but it is more science fiction then mystery. The movie is different from the usual stuff we see. A nice innovative script about what almost everybody would want, immortality. Of course it's only available for the super rich. If it would ever happen in real life that's how it would turn out also. Only the super rich can afford everlasting youth. The movie is very entertaining. You never get bored for one second. A lot of action, a couple twists, and good acting from the whole cast. Ben Kingsley doesn't play a large role at all, it's Ryan Reynolds that has the major role and he does it very well. Self/less deserves a higher rating then it actually has on IMDb. Give it a shot if you like something refreshing.
'SELF/LESS': Three and a Half Stars (Out of Five)
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
Billionaire Damian Hale (Ben Kingsley) is on top of the world until he runs into a problem he can't solve, Cancer. His only hope is a new medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After Damian undergoes this procedure, he becomes a man named Edward (Ryan Reynolds). Once he attempts to start a new life in New Orleans, he starts to become ravaged by visions of his new body's past. As he begins to investigate the origin of his new body, he learns the lengths that his creators will take to protect their procedure and keep their identities secret.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
There are certain things that men (or women for that case) should not mess with. As in what nature is giving or taking away from us. The movie might make a case of that, if you want to look at it that way. It's Science Fiction alright, but it does have a moral core in it, that you'll either like or dismiss.
Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)
Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)
Lo sapevi?
- QuizThe New Orleans house was used as the house in Intervista col vampiro (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Blooper(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConnessioniFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- Colonne sonoreBig 1
Performed by Young Fellaz Brass Band
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Selfless
- Luoghi delle riprese
- Ballast Key, Florida, Stati Uniti(final scene on the island)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.279.691 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.403.460 USD
- 12 lug 2015
- Lordo in tutto il mondo
- 31.807.156 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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