The Americans

Although I have found the series a bit repetitive over the years, the final season has been exceptional, with a beautiful final episode that will be always remember. I think is one of the shows that better uses the silence to explain things, and in the last episode music plays also a big role. The acting of Rhys, Russell and Emmerich is exceptional and I'd love to see them in the nominations and awards' lists.

I don't want to repeat everything that has been already said about this series.

However, I think Keri Russell's presence in this series is the key to everything. Only her could have this cold outside look hiding a wounded soul that hangs on to what she believes in.

It is not only about the plot, but also the human toll the Cold War claimed in its path.

I think the series is very well rounded in terms of casting and writing. It has a rhythm that keeps the audience on edge.

This is, in my humble opinion, the best of the genre since Alfred Hitchcock gave us Topaz and The Torn Curtain. I give it a 9.

I was born in the Soviet Union and would like to notice that they managed to capture emotions and atmosphere of The Cold War. Thanks to the cast and creators for memories and having a great time.

It is very rare that you have a near perfect episode, especially of a series on commercial television. But FX has done it here with The Americans. It is nearly flawless. Great mind candy for the thinking person, with something to come back to after the first viewing. I credit the success of The Americans to 3 things: Great script, great music, and Matthew Rhys.

The script is adult, no-nonsense storytelling built on an original premise, the Cold War. Those of us who are old enough remember this period, a period of the Russians-are-coming hysteria that was second only to the Civil Rights movement the decade before. An era very under- represented in film and ignored on the small screen, comes to life for a new generation.

Of course this era would be nothing without the music of this time and again, The Americans is flawless. "Harden my Heart" opens the series, and how appropriate. Disguised, and ready to perform sexual acts for information, we first meet the series heroine, Elizabeth Jennings whose heart is truly hardened. Fast forward to a back alley chase and we are introduced to our hero(?) Phillip to the pulsations of "Tusk" by Fleetwood Mac. "Tusk" is appropriate here too. Just think about it.

Must mention these disguises too, which are not your silly, unrealistic mission-impossible disguises. No, the disguises in The Americans are really disguises and surprisingly, with very little disguise. What makes these disguises work for the Jennings is that the Jennings can act. With each disguise is a new personality. Elizabeth does her disguise well but the master of disguise is Phillip.

Phillip, played by Matthew Rhys, is special, or should I say, Matthew Rhys is special as Phillip. Rhys takes the art of disguise to the next stage. He is authentic, nerdy and funny in disguise talking to Martha, reminding you of a young John Ritter. And then as the kick-your-ass, baddest-ass-kicking daddy of them all over a barbecue pit, Rhys is wonderfully dangerous, stellar, and I can't get enough of him.

This series only has to live up to its pilot a little bit. The series has everything: originality, sex, espionage, suspense...did I say originality? And yes, Matthew Rhys who has the role of his life, I daresay, the role he has been waiting for, is the welcomed surprise here. Hat's off to casting. Can't wait to see what they are going to do with this.

The fifth season's first episode featured the "Americans" digging a hole - a BIG hole. The scene goes on a long, long time. This is pretty much how the whole season feels. The show downshifts a gear or two, the payoff is elusive, and you wonder where it's all going; until, that is, the end finally does come, when it's a shocker. It is all done quite intentionally so as to set up the final season.

The Sixth Season of "The Americans" continues to fire on all cylinders: character development, acting, suspense, photography, writing and spy craft, all are splendid.

The focus is increasingly on Philip and Elizabeth, their relationship and inner development, while the other characters recede somewhat into the background, like subsidiary planets orbiting about a double star. Under extreme pressure to prevent disaster, they commit acts that may cause many viewers actually to come to hate them. in the end, no one gets off unscathed, and everyone is simply striving to stay afloat amidst the wreckage....

Which, in a way, is the point:

On the surface, "The Americans" is one of those "mismatched buddy" shows: a young couple teamed together purely for reasons of expediency. However, it runs much deeper than that. Beyond maintaining the charade of a false identity and masquerading as someone you are not, lies the complexity of their developing relationship: exploring the nature of love when you live with someone who lies for a living; understanding what drives them, the far reaching consequences of their choices, & the rationalization of their acts of violence.

At the heart of "The Americans" is a family infected by the conviction that loyalty to country overshadows family or one's own soul. As viewers, we're asked the tough questions: If the couple wore blue instead of red, would it change anything? Are spies heroes - or pawns? Is patriotism formed by rational choice - or the product of where we're born? At what point is the loss of one's humanity too high a price?