Life After Fighting

Well, I actually only stumbled upon this little gem because the guy in the poster from a far looked like a beefed up Clive Owen. Alas the guy is Bren Foster, who wrote and directed the film. Probably a passion project. And it shows.

Let me tell you, this was a surprisingly emotional ride.

Up front I was expecting a very B grade martial arts movie with a acting-wise very limited protagonist. This Bren guy pulled it off though.... There are quite some subtle scenes where you feel the inner turmoil in him.

The story is simple but does not shy away from quite ugly themes. And it kind of even crosses a line in between.

Of course, it revolves pretty much how you expect it, with the main guy virtually having super powers. But that does not detract from the movie.

But the absolute standout quality of this film is the direction of the fight scenes. They are very real, visceral und the physicality of them is conveyed very well. I caught myself twitching with some of the hits.....which is very rare. That is some A grade direction that does stand the comparison with the likes of The Raid 2, Ong Bak or Hong Kong movies.

It also gets surprisingly brutal at the end.

So watch out for this Bren Foster guy! Within martial arts movies, I see a bright future.

A new face in the action circus for me and an extremely likeable one at that. Where has this Bren Foster been all these years?

As a nostalgic caress, there is the cosy fighting school setting, which is the central element in almost every classic Eastern. But here we get more than the 10,000th blockbuster of the same content, and for the astonishing mini-budget of 350,000 Australian dollars. Our leading actor is also the director and attempts the difficult balancing act between martial arts action, thriller and drama. If I now add that this is spread over 125 minutes, most people will wave goodbye. Wait a minute! I don't want to claim that everything is perfectly rounded and that there aren't any long stretches, but overall Life After Fighting works surprisingly well. Potential audiences probably won't need the tragic core story, but it does give the brutal finale in particular a very special emotional depth. Speaking of the finale, wow, 40 minutes of a real martial arts highlight. More films please, Mr Foster!

With a tiny budget of 350 000 Australian dollars Bren Foster managed to create one of the best (if not the best) fight sequences in movie history! A criminally underrated screen fighter, fight choreographer, athlete and martial arts master that holds black belts in 5 disciplines (taekwondo, hapkido, brazilian jiu-jitsu, haidong gumdo, hwarangdo) and world champion gold medals in taekwondo and karate!

Melodrama. Action. More melodrama. More action. Rinse and repeat. Truth is, this has been the formulaic approach to this genre of film for the last 20 years or so. To make a fight film stand out, to make it POP, there has to be something unusual, something different. And LIFE AFTER FIGHTING 2024 offers that. The melodrama is still ... melodrama. But the action scenes are on fire. In fact, when the action starts, this reviewer gets a vibe not felt since BILLY JACK 1971, the original, and that is high praise. ((Don't forget to check out WARRIOR 2011 and KISS OF THE DRAGON 2001 on my list of all-time greats, if you have not done so already. Designated "IMDb Top Reviewer." See my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

Before I decided to watch Life After Fighting, I read some of the reviews here on the site. I didn't know anything about Bren Foster, so I didn't know what to expect, but I must say, he is awesome, and I am definitely going to watch some of his other movies.

Some reviewers called it a B-movie with fight scenes like an A-movie, and I can only agree. This film truly has some spectacular fight scenes with lots of cool kicks. I also thought the story and acting were pretty decent. Although the characters made some stupid decisions at times, I wasn't bored at any point or to annoyed with it. All in all, a very successful film.