Come far saltare un oleodotto

It may not have the most appealing title and there's a conspicuous lack of 'stars' but this independently made 'eco-thriller' may be the best thriller you will see this year. Basically you could say it does what it says on the tin as a group of 'eco-warriors', (good performances from a largely unknown cast), set out to sabotage the pipeline of the title. Think of it as a heist performed by eager, well-intentioned amateurs but with the pipeline standing in for the bank vault while director Daniel Goldhaber displays the same ability as the young John Sayles for eliciting first-rate work from his fresh young cast and for giving the film the feel of a documentary.

It's also genuinely exciting; for starters these guys are dealing with high explosives that could go off at any time with deadly results and secondly, whether or not you agree with their agenda, they remain a sundry bunch of criminals packing weapons and perhaps capable of anything. A neat ending, too, that isn't as predictable as you might think. All in all, one worth seeking out.

Do the ends truly justify the means? That's an age-old question that has been asked countless times in countless contexts, but what's the answer? That's a decision left open for viewers to ponder in this taut ecothriller about a group of zealous environmental activists who plan to blow up a west Texas pipeline in an effort to draw attention to such issues as global climate change and public health considerations. Writer-director Daniel Goldhaber's second feature skillfully combines elements of various cinematic genres, including Westerns, heist films, political thrillers and ecological dramas like "The East" (2013), but it does so in some highly unexpected ways. In particular, this well-constructed, smartly produced offering is heavily character-driven, presenting genuinely compelling back stories about its crew of protagonists told through a series of strategically placed flashbacks. What's more, the picture's gorgeous cinematography, superb editing, fine performances and intense original score all lend themselves to a splendidly crafted package, certainly much more than what one would typically expect out of a low-budget indie. Of course, these strengths aside, this still leaves open the question about the impact of this story. What kind of message does it send? Is it appropriate to make and release a picture that depicts such a subversive venture such as this? Can the kind of collateral damage at stake here be justified, be it even theoretically told through a work of fiction? But, then, can society continue to willfully ignore the kinds of environmental damage that are being allowed to unfold without taking any meaningful action? And what of the law enforcement questions involved in a scenario like this? "Pipeline" gives viewers ample food for thought while simultaneously reminding us that the clock is ticking on these issues - and that we had better start making some serious decisions soon.

It was a well crafted film from start to finish by Goldhaber, fuelled by a young and talented cast, especially in Lucas Gage's performance. The choice of flashbacks were sensibly done, something I'd normally avoid saying. It was a cheeky move executed confidently by Goldhaber using peak points of tension to cut back and learn about the characters. It worked, and strengthened the audience's connection with each character. The film had a hard time finding a consistent level of maturity. It plays more as a YA novel wanting to be like Mission Impossible. The stakes were high, but it lacked some unexpected sacrifice that would come with an emotionally charged team, driven by revenge to attack the oil industry in Texas. The reason it still worked is because the cast was so youthfully motivated and their energy kept things grounded in plausibility.

This cast and crew did a spectacular job in creating a sense of a blockbuster with a festival film. And though my phone screen was found to be shattered after the screening was over at TIFF, I enjoyed the film. Looking forward to more from the filmmakers.

When I read about "How to Blow Up a Pipeline", I just had to see this movie. It is a timely political thriller that follows a group of eco-saboteurs who target an oil pipeline. Led by Xochitl, played by Ariela Barer, the group includes a diverse mix of characters, each with their own reasons for taking drastic action against the things that are killing the planet. The movie intercuts between their operation in Texas and flashbacks that reveal each character's motivations. We follow the group's nerve-wracking operation in Texas, where they check out their target, rig up explosives, and then set about doing the deed. Despite its political leanings, the movie doesn't preach or glamorize its characters, and the actors deliver strong performances that bring the characters to life. A very enjoyable movie to watch.

How to Blow Up a Pipeline is a punchy film with a pertinent message.

It follows a group of environmental activists who, you've guessed it, hatch a plot to blow up a pipeline. The plot tracks them as they begin to enact their plan, and also delves into each of their back stories to reveal why they have arrived at this drastic course of action.

It makes for a compelling watch I must say. Each of the characters are interesting and distinct, and delving into their backstories is engaging. The performances are all very solid.

Visually the film is appealing but sparse, with few bells and whistles. It looks rugged and rough which works well.

In terms of pacing it does leave a little to be desired. There are a few troughs, but actually I found the whole thing more thrilling than I was expecting.

The result is a thoroughly entertaining and engaging film with a strong and timely message at its core.