VALUTAZIONE IMDb
3,7/10
3125
LA TUA VALUTAZIONE
Un detective della polizia, malato di cancro, fa un patto con un informatore per essere ucciso durante il suo dovere, in modo che la sua famiglia possa ricevere dal dipartimento i cospicui s... Leggi tuttoUn detective della polizia, malato di cancro, fa un patto con un informatore per essere ucciso durante il suo dovere, in modo che la sua famiglia possa ricevere dal dipartimento i cospicui sussidi in caso di morte.Un detective della polizia, malato di cancro, fa un patto con un informatore per essere ucciso durante il suo dovere, in modo che la sua famiglia possa ricevere dal dipartimento i cospicui sussidi in caso di morte.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Manny Hernandez
- Renaldo
- (as Manny Hernández)
Recensioni in evidenza
Where do I even begin with "Confidential Informant"? Let's start with the positives. The only reason this movie earns a generous 5-star rating from me is the presence of Mel Gibson and Dominic Purcell. Their names on the poster gave me hope, but sadly, their screen time amounted to a mere blink-and-you'll-miss-it appearance. Kudos to them for making the most out of their limited minutes.
Now, let's dive into the cesspool of mediocrity that is this film. From the moment it began, I knew I was in for a wild ride, and by wild, I mean an uncontrollable descent into disappointment. The cast, excluding Gibson and Purcell, consists of C-list actors who seem to have found their true calling in television series rather than the big screen. I can't help but wonder why Gibson chose such an inferior project. Is he willingly treading on lower ground? Let's hope not.
The movie's amateurish production is painfully evident. It reeks of cheapness and lacks any semblance of visual appeal. It's as if the entire budget was spent on gathering the star-studded cast, leaving nothing for decent cinematography or production design. But the biggest letdown of all is the absence of thrill or suspense. Zero, zilch, nada. It's like watching paint dry, except paint drying might actually hold your attention longer.
I genuinely wish this movie could be erased from existence, and I sincerely hope that Mel Gibson finds himself in better roles in the future. Now, let's take a moment to appreciate the irony that this movie claims to be based on actual events. It's hard to believe when the execution is so subpar that even a fifth-grade drama class could come up with a more compelling narrative.
The blame for this catastrophe lies heavily on the shoulders of Michael Oblowitz, the experienced cinematographer turned producer and director. With an astonishing 36 prior directorial credits, one would expect him to have learned a thing or two about making an engaging film. Alas, he proved us wrong. His choices of color palettes are horrendous, the lighting is murky, and the camera angles feel outdated. And let's not even get started on the laughable action choreography and shoddy camera work. It's a wonder how he managed to stretch 88 minutes into what felt like an eternity.
The lack of cinematic creativity is astounding. The overbearing and unfitting score constantly begs for attention, as if trying to cover up the glaring flaws of the movie. But believe me, there's no hiding the fact that "Confidential Informant" is an absolute trainwreck.
To sum it up, this film is a terrible collaboration of a lackluster script, amateurish direction, and wasted potential. The talented cast deserves better, especially given the abysmal material they had to work with. Perhaps Oblowitz should stick to short films and music videos, leaving filmmaking to those who possess the necessary knack. As much as I admire Gibson, Purcell, and the stunning Kate Bosworth, I urge you to save yourself the agony and skip this cringe-worthy production. It simply isn't worth your time.
In conclusion, "Confidential Informant" is the kind of movie that makes you question your life choices. It's a perfect storm of bad choices, horrendous editing, and a complete lack of believability. I can't help but wonder if this film was intended as a joke, but unfortunately, the only punchline here is the fact that it actually got made. Save yourself the agony and steer clear of this colossal misfire.
Now, let's dive into the cesspool of mediocrity that is this film. From the moment it began, I knew I was in for a wild ride, and by wild, I mean an uncontrollable descent into disappointment. The cast, excluding Gibson and Purcell, consists of C-list actors who seem to have found their true calling in television series rather than the big screen. I can't help but wonder why Gibson chose such an inferior project. Is he willingly treading on lower ground? Let's hope not.
The movie's amateurish production is painfully evident. It reeks of cheapness and lacks any semblance of visual appeal. It's as if the entire budget was spent on gathering the star-studded cast, leaving nothing for decent cinematography or production design. But the biggest letdown of all is the absence of thrill or suspense. Zero, zilch, nada. It's like watching paint dry, except paint drying might actually hold your attention longer.
I genuinely wish this movie could be erased from existence, and I sincerely hope that Mel Gibson finds himself in better roles in the future. Now, let's take a moment to appreciate the irony that this movie claims to be based on actual events. It's hard to believe when the execution is so subpar that even a fifth-grade drama class could come up with a more compelling narrative.
The blame for this catastrophe lies heavily on the shoulders of Michael Oblowitz, the experienced cinematographer turned producer and director. With an astonishing 36 prior directorial credits, one would expect him to have learned a thing or two about making an engaging film. Alas, he proved us wrong. His choices of color palettes are horrendous, the lighting is murky, and the camera angles feel outdated. And let's not even get started on the laughable action choreography and shoddy camera work. It's a wonder how he managed to stretch 88 minutes into what felt like an eternity.
The lack of cinematic creativity is astounding. The overbearing and unfitting score constantly begs for attention, as if trying to cover up the glaring flaws of the movie. But believe me, there's no hiding the fact that "Confidential Informant" is an absolute trainwreck.
To sum it up, this film is a terrible collaboration of a lackluster script, amateurish direction, and wasted potential. The talented cast deserves better, especially given the abysmal material they had to work with. Perhaps Oblowitz should stick to short films and music videos, leaving filmmaking to those who possess the necessary knack. As much as I admire Gibson, Purcell, and the stunning Kate Bosworth, I urge you to save yourself the agony and skip this cringe-worthy production. It simply isn't worth your time.
In conclusion, "Confidential Informant" is the kind of movie that makes you question your life choices. It's a perfect storm of bad choices, horrendous editing, and a complete lack of believability. I can't help but wonder if this film was intended as a joke, but unfortunately, the only punchline here is the fact that it actually got made. Save yourself the agony and steer clear of this colossal misfire.
... who should not concern themselves with this kind of subject matter and Who means really well and had good ideas about what is fair and equitable in life
Usually you can say about a film it is good or it is bad; here you cannot as it is both
The ideas are sound and interesting the premise excellent and a critique of a system which is by design unfair
Gibson here is more than a cameo but not hugely so ... he is his usual mix of charm integrity and anarchic humourist; he does his job .... the others are adequate but not sterling
The overall feel is that of a TV movie ... watchable but no great shakes.
- but he does not as yet have the wherewithal to really put it across
- so yes the entire exercise feels childish to an adult viewer of average or above average intelligence
Usually you can say about a film it is good or it is bad; here you cannot as it is both
The ideas are sound and interesting the premise excellent and a critique of a system which is by design unfair
- the way it is put across tho is very sketchy like a blueprint of an effort with the details skimped over. No meat on those bones; just the skeleton. Was the budget really basic? It certainly feels it..
Gibson here is more than a cameo but not hugely so ... he is his usual mix of charm integrity and anarchic humourist; he does his job .... the others are adequate but not sterling
The overall feel is that of a TV movie ... watchable but no great shakes.
This movie is stupefyingly dull. Monotonous delivery, dismal dialogue, a flatlined plot, and a complete void where any emotional impact should occur. Given all of that, it's absurd that the movie seems to take itself so seriously.
Some movies are so bad that they're good. Some are so bad that they're funny. This is neither. It is simply just bad. And boring. So very boring.
I tried my best, but lost interest within 20 minutes. I did some house chores instead, just listening over my shoulder to follow the storyline. That only made doing chores more boring. I turned off the movie and time passed quicker.
As I compose this review, screenwriters are going on strike. The level of writers, directors and producers of this gutter-calibre film don't deserve minimum wage.
Some movies are so bad that they're good. Some are so bad that they're funny. This is neither. It is simply just bad. And boring. So very boring.
I tried my best, but lost interest within 20 minutes. I did some house chores instead, just listening over my shoulder to follow the storyline. That only made doing chores more boring. I turned off the movie and time passed quicker.
As I compose this review, screenwriters are going on strike. The level of writers, directors and producers of this gutter-calibre film don't deserve minimum wage.
I feel bad for the stellar cast that sadly, even they couldn't save this poorly executed mess. I really liked the concept of the story - apparently it's based on actual events (as per closing credits), and in the hands of a better filmmaker, this story could've and should've shined.
But sadly, experienced cinematographer, and producer and director of this film, Michael Oblowitz - with an astonishing 36 prior directorial credits, still hasn't learned how to make a compelling, viewable and engaging film. As a cinematographer, he failed miserably with his choices of horrible color palettes, murky lighting, outdated slow-mo shots and bad camera angles, and he failed even more with his horrible directing, laughable action choreography, shoddy camera work, lackluster editing, and even worse cast direction. His slow pacing made the normally comfortable 88 min runtime feel never-ending.
All these flaws and lack of cinematic creativity, as well as the constant overbearing and unfitting score, hindered what could have been an impactful and suspense-filled narrative. A fifth grade drama class could come up with a better film. I think Oblowitz should find a new hobby, like basket-weaving, and leave filmmaking to those who have the knack. It's a very generous 5/10 all going to the amazing cast who tried their best with what they had to work with. Even if you're a fan like I am of Gibson, Purcell, and the always stunning Kate Bosworth, do yourself a favor and skip this cringe-worthy production, it's not worth your time.
.
But sadly, experienced cinematographer, and producer and director of this film, Michael Oblowitz - with an astonishing 36 prior directorial credits, still hasn't learned how to make a compelling, viewable and engaging film. As a cinematographer, he failed miserably with his choices of horrible color palettes, murky lighting, outdated slow-mo shots and bad camera angles, and he failed even more with his horrible directing, laughable action choreography, shoddy camera work, lackluster editing, and even worse cast direction. His slow pacing made the normally comfortable 88 min runtime feel never-ending.
All these flaws and lack of cinematic creativity, as well as the constant overbearing and unfitting score, hindered what could have been an impactful and suspense-filled narrative. A fifth grade drama class could come up with a better film. I think Oblowitz should find a new hobby, like basket-weaving, and leave filmmaking to those who have the knack. It's a very generous 5/10 all going to the amazing cast who tried their best with what they had to work with. Even if you're a fan like I am of Gibson, Purcell, and the always stunning Kate Bosworth, do yourself a favor and skip this cringe-worthy production, it's not worth your time.
.
There must be two different movies with the same title based on the glowing reviews that are here. It's a horrible movie and I couldn't even watch the whole thing. An hour in and Mel has about 5 lines and a few minutes of screen time. His delivery lacks any effort at all. The soundtrack is annoying - too loud most of the time and rather than adding to the movie it is distracting. The acting is wooden and lacks any emotion or believability. The script is so predictable. Don't waste your time on this one. There are far better movies out there. Sad tp see actors like Mel taking on roles like this.
Lo sapevi?
- QuizIn the closing credits, it says "This story is inspired by actual events"
- Colonne sonoreTill Death Comes
Performed by Cypress Hill
Written by DJ Muggs (as Larry Muggerud), B-Real (as Louis M. Freeze), Sen D.O.G. (as Senen Reyes)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Заручник часу
- Luoghi delle riprese
- Las Cruces(Location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 101.750 USD
- Tempo di esecuzione1 ora 28 minuti
- Proporzioni
- 2.39 : 1
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