Jang-e jahani sevom

World War III is an impressive and bitter film that shows how a society that faces social, political and cultural contradictions, may harm itself. The powerful and emotional performance of Mohsen Tanabandeh as Shakib, confirms Houman Seyyedi as a talented director. The collapsed and dark atmosphere of the film is in harmony with the music of Bamdad Afshar. Only if the ending of the film was less predictable, maybe it could have won a more significant award than the one it received at the Venice Film Festival.

Some positive aspects of the film are:

• The film tackles a sensitive and relevant topic of war and its consequences on ordinary people.

• The film uses a realistic and minimalist style that creates a sense of immersion and authenticity.

• The film explores the complex and contradictory emotions of the characters, such as love, guilt, anger and revenge.

• The film has a strong visual language that conveys the mood and tone of the story.

We should not forget that this film, like all the films made in the last 40 years, was made under the supervision of the government's censorship blade, and the talented workers of this film could have added other wonderful moments to the story. But he was able to create a valuable work with great artistry. I suggest everyone to watch the amazing role of "Mohsen Tanabandeh" more carefully.

It's not easy to watch I don't like this type of movie and decided to leave it several times but I didn't.

Only some people enjoy watching these movies and those people are film critics.

The story is not complicated, at the beginning everything is normal, and then something will happen that concerns main character, it goes by and continue the same system till the end.

Fortunately it has a satisfying ending. Even though I don't recommend it to watch.

If I wanted to describe it in a sentence I would say: When you spend enough time with evil (or in this case evils) soon you learn to become one.

Houman Seyyedi has found his own genre. It's as if Houman Seyyedi's signature is at the bottom of the film, even if his name is not in the credits as the director and producer and writer and editor of this film. The brilliant performance of Mohsen Tanabandeh in this film cannot be easily overlooked. The simple story of the film moves slowly, but it reaches the climax and attracts the audience and leaves the audience speechless like the female character of the film. You can see how a character can sink into the role he is playing and how a dictator can devour his actor in this movie. In general, it can be said that this movie is attractive and has a different place among the recent movies of Iranian cinema.

Although I love Iranian movies, I have to admit that I am not impressed. It lasts too long and in every minute you can't see any shiny sparkle. Even though the main actor is good, the story is a bit weak. I know, it is the story of a poor middle-aged man who struggles to survive poverty and who loses hope to live blaming all around, even those who are giving him a chance, but it should be packed in less time. The only thing which can help in seeing the entire film project is its cinematography. After watching it you will have a bitter taste and the thought that you watched someone's misfortune, and in any case you didn't want to watch it.

The movie World War III by Homan saydi states a law; Anyone with any characteristics in the situation and conditions of any person acts like that person.

World War III comes out of World War II The structure of the film is similar to the structure of the atom, which has a nucleus inside itself, and the most mass is concentrated in the nucleus of the film. In the forest, when the set is being built, the mirrors give the news of the reflection of the world inside the core of the film to the outside, which means that the disaster is going to come out of the core. Shakib turns World War II into World War III in Hitler's cover. In order to prove that he can be the author, Homan Sidi has done the production, directing, writing and editing of the film, and also by choosing the topic of paying homage to authors such as Chaplin, Spielberg, Tarantino, he has shown the theme and color of his film. Sometimes it reminds me of Tarkovsky's film Mirror and There Will Be Blood by Paul Thomas Anderson.